TVSquad

This is Spoilers Anonymous, a weekly column here at TV Squad where we supply you with the dirt on some of the more popular shows on the air. We'll never put spoilers up here on the main page in order to help the reformed stay unspoiled. If you have anything to add to the group, feel free to step up and let yourself be heard, either with our tips form or by emailing us at tvsquad at gmail dot com, or call and leave a message at (775) 640-8479. Your anonymity is guaranteed, if you wish to remain as such.

This week we have spoilers for: 24, 90210, Cougar Town, Desperate Housewives, Eastwick, Heroes, How I Met Your Mother, Grey's Anatomy, Lost, and NCIS. (SPOILERS FOLLOW!)

(S05E16/S05E17) "See you in Los Angeles." - Jack

I'm not really sure where to begin, but I think this is a pretty good starting point: holy crap. Just like every season finale before this one, Lost has once again left us all with our jaws on the floor and our brains on overdrive. This changes everything. The big question? How does it change everything? Is it January yet?

(S05E15) "I have a purpose now." - Locke

I can't believe how fast this season of Lost has gone by. There's probably a time-travel joke buried in that realization somewhere, but my head is still spinning from "Follow the Leader," so I'm not really in clever witticism mode. Honestly, I'm speechless. For the most part, this wasn't one of my favorite episodes of the season. But for me to be at a loss for words at one of Lost's sub-par installments - well that says something about the quality of this show. "Follow the Leader" was a lot of set up for next week's two hour finale and the events that have been set in motion (even though it seems they always happened) are mind-numbing.

(S05E14) "Well, I got some bad news for you Jack. You don't belong here at all. She was wrong." - Faraday

After listening to Carlton Cuse and Damon Lindelof ranting in last week's Lost audio podcast, I didn't expect "The Variable" to be this much of a game changer. Everything we thought we knew about the island, time travel, and course correcting - it all got turned upside down. I think it's safe to say that the 100th episode of Lost is going to be remembered for more than just its milestone significance.

(S05E13) "That douche is my dad." - Miles

I've been waiting for an episode like this. We've gotten close to nothing when it comes to backstory on the freighter folk and had it not been for the writer's strike, I'm guessing that "Some Like it Hoth" (or at least something Miles related) would have aired during season four. Last time we got any substantial info on Miles' orgins was "Confirmed Dead" and all that filled us in on was ghost whisperin' powers and his conscience - ripping people off doesn't come easy for him. We got a helluva lot more info this time around.

(S05E12) "Well... John, we don't even have a word for it. But I believe you call it 'the monster'" - Ben

Wow, I'm not quite sure where to begin. This wasn't one of the best episodes of Lost (for lack of a better term, it was safe), but I walked away from it feeling enlightened. It's not often that Lost leaves you with more answers than questions.

That being said, I still have a ton of f%#k&$g questions.

(S05E11) "Maybe there's something they can do." - Juliet

At the risk of sounding clichéd, I'm gonna say it anyway - all the pieces are coming together. While I didn't particularly care for any of tonight's flashbacks (personally, I've never really gotten into Kate at all), what happened on the island in 1977 was mesmerizing. It's looking more and more like the Oceanic 6 (plus Juliet, Miles, etc.) were directly responsible for, well ... everything.

(S05E10) "A twelve-year-old Ben Linus brought me a chicken salad sandwich. How do you think I'm doing?" - Sayid

Hands down, no doubt about it - best episode of the season. "He's Our You" was much more of a traditional Lost episode, in the sense that we had regular ol' flashbacks. There's been a lot of questions about Sayid (we haven't seen too much of him this season), and this was probably the most sensible way to do it - lay out his current predicament while flashing to all the moments that got him there. Who likes sandwiches?

(S05E09) "Dude, your English is awesome." - Hurley

We've had two weeks to stew on the events of "LaFleur" and maybe that's why I went into "Namaste" expecting so much more. That isn't to say that I was disappointed with the Oceanic Six/Left Behinders reunion. The simplest way to put it is that the nature of the narrative on Lost has forced the show to change so that these are the types of stories that are most organic to the plot now.

The flashbacks from the first few seasons are a distant memory at this point, and it's exciting because for a while now, we've been watching stuff that didn't already happen. Well ... technically it did since they're all in 1977 now, but you get what I mean. One thing is for certain - no matter how you slice it, three years is a long time.

(S05E08) "Yeah, thanks anyway Plato." - Sawyer

I think the best way to describe this episode was safe. Nothing crazy or out of place happened and you knew how it was going to end the second it began. Think of it this way - when we first started watching Lost, it was like dumping a giant puzzle onto the floor. At this point, the entire puzzle is assembled, and for the most part, we can almost see the big picture, save for a bunch of pieces that are still missing. "LaFleur" was one of those pieces.

"We tell the stories others refuse to tell." - Richard "Ringo" Langly

Like many of you, I have a growning collection of DVD sets from shows that left the airwaves too soon. If I had to pick just one to have back, it would probably be Firefly, but The Lone Gunmen would certainly be in the conversation. It was a great example of a spin-off done right. After years of service, fighting the good fight, lending a hand to Mulder, the boys finally got their own gig. Melvin Frohike, Richard Langly, and Johy Byers weren't your typical prime-time, leading man, characters, and The Lone Gunmen wasn't your typical prime-time show.

One of the fun side benefits of covering the New York Television Festival is that you get to see a few selected fall pilots projected up on a big screen. Oh, and you also get to talk to some of that show's actors and producers, as well. FOX's New Amsterdam was the first of three network pilots to premiere at the festival; shot in New York, it's a procedural whose main character, NYPD homicide detective John Amsterdam, has lived in the city for over 400 years, searching for his one true love. If it sounds familiar, you're right.

More details and pictures after the jump.