(S01E07) "I don't mean to be rude, but I was transporting chilled semen." - Ray
What a great way to set up the season finale! At this point, I'm not sure Bored to Death has turned out to be anything like what HBO originally green-lit, but, despite its many ups and downs, it sure has been fun to watch.
Not only did last night's episode feature the return of two plots, that, when originally introduced, seemed like throw-away gags (Ray's sperm donations; George's rivalry with Richard Antrem), but it also featured one helluva line-up of guest stars. It bodes well for season two and even though we still have one more episode left, I'm feeling a lot better about the direction Bored to Death is taking when compared to Hung.
(S01E06) "Excuse me -- can I get a cheeseburger, no cheese, to go?" - Jonathan
Despite its overall mediocrity thus far, those of us out there who have been sticking with Bored to Death in the hopes that it would get less, well... boring, were finally rewarded. Not only was "The Case of the Beautiful Blackmailer" the best episode of the season to date (I know I've said that before, but clearly I spoke too soon), but it definitively justifies the show getting a season two renewal. This episode proved that the ensemble can actually work well together, and it also made one other thing very clear -- individually, Schwartzman, Danson, and Galifianakis are funny guys. But, together? Comic gold.
(S01E05) "Is vodka really made from potatoes?" - Jonathan
Bored to Death isn't boring me, but after last night's extremely slow episode, it's close. The premise of the show coupled with a really great cast speaks to the potential Bored to Death has, but save for last week's episode (the one with Parker Posey and still the best so far), there haven't been many high points. Last night's installment had some of those moments, but for the most part, I didn't give a crap about the white dove or why she was lonely.
(S07E05) "Have you noticed if she has any proclivity for chopsticks?" - Larry
It's amazing to me that the main topic of last night's Curb Your Enthusiasm, people in wheelchairs, has never been tackled by Larry before. I'm sure there have been a few wheelchair jokes in the past that I'm forgetting, but this? This was a full-blown, inappropriate mess of incorrectness and every second of it was brilliant. Save for "The Reunion," this was easily the strongest episode of the season. Wheelchairs, wrestling Rosie O'Donnell, and the return of Leon! How can you go wrong?
(S01E04) "I'm almost done. Just three more tugs!" - Ray
After I screened the first three episodes of Bored to Death early last month, I had resigned to not watch it ever again. For the most part, save for Ted Danson's performance, there wasn't much I found funny about the show. Add in last week's weirdo installment featuring Jim Jarmusch and I wasn't sure what to think. Given the premise of the show, last week's episode didn't even feel like the same program. It was like they took a script from something else and just had the Bored to Death ensemble act it out.
But then HBO went and renewed it for a second season and I figured, hey - maybe I'll cover the rest of the season for TV Squad. Well, I'm glad I did. Despite numerous shortcomings, "The Case of the Stolen Skateboard" is easily the best episode of the series thus far. And Ted Danson? Still very funny.
I've caught the first two episodes of HBO's Bored to Death, and while I'm not totally in love with the show (yet), the cast is impressive enough to keep me coming back for more.
The three main characters are Jonathan Ames (Jason Schwartzman), a struggling writer who leads a double life as a private detective; George Christopher (Ted Danson), the editor of Edition magazine and Jonathan's sometimes employer (and pot supplier); and Ray Hueston (Zach Galifianakis), a talented cartoonist who's Jonathan's best friend.
There's plenty of street creds in the other players, too, including Kristen Wiig, Jenny Slate, Heather Burns, Olivia Thirlby, and Trieste Kelly Dunn. Based on all of these folks, as well as the quirky film noir vibe, it seems like a can't-miss TV series. Let's put it this way: I've enjoyed the first two episodes, and will tune in for more to see where it goes.
I'm a very impatient person, but I'm usually pretty patient when it comes to TV shows. I can pretty much wait several days or a week until an episode of one of my favorite shows premieres. But I'll admit that it's cool when networks give viewers a chance to see a new show before it officially debuts.
A couple of months ago, Mike showed you a preview of the new faux-noir series Bored To Death, which chronicles the adventures of a real writer (Jonathan Ames, played by Jason Schwartzman) who becomes a private eye for some reason. It looks quite entertaining, as this new clip below shows. Ted Danson, Patton Oswalt, and Zach Galifinakis? I'm there. It premieres on HBO September 20.
I wanted to write about this panel last night. However, the cumulative effects of my afternoon sojourn to In-n-Out Burger to have a double-double and fries, both "animal style," and the evening Food Network party that included a roasted pig, gourmet grilled cheese and other chef-created delicacies, caused me to collapse into a food coma at around 11 PM.
But l couldn't let two of HBO's panels go without comment. One was for the new comedy Bored to Death, based on the writings of Jonathan Ames. Joining Ames on the panel were Jason Schwartzman (via satellite), Ted Danson, and the hot comedian of the moment, Zach Galifianakis. The other was Robin Williams, who was promoting his new HBO special, Robin Williams: Weapons of Self-Destruction, which is set to air in December.
It wasn't surprising that Galifianakis' weird sense of humor dominated his panel; anyone who's seen him on the Comedians of Comedy tour or in The Hangover would have expected that. The surprise was that, in his panel, Williams was more reflective and pensive than manic.
Talk about a wealth of choices! When it comes to the Primetime Emmys in the supporting actor and actress categories for drama, there are a plethora of worthy candidates. Some shows, like Mad Men or Lost, for instance, have multiple choices in the supporting ranks, especially since these ensembles seem to have a hard time determining who's really the lead.
Earlier, I shared my wish list for the Outstanding Lead Actress in a Drama nominations, and I mentioned that Chloe Sevigny from Big Love would be a deserving selection. A TV Squad reader let me know that Chloe has actually been submitted in the supporting category. Good to know, and with that in mind, I'll start my wish list by talking about that category. (Remember, there are six nominees per category.)
If you enjoyed the Yo Teach ... ! clips Jason Schwartzman did to promote Judd Apatow's Funny People, then you'll dig the following teaser for HBO's Bored to Death. The upcoming comedy stars Schwartzman as a struggling writer who moonlights as a detective.
Writer Jonathan Ames is the man behind the series, which features an amazing cast including Zach Galifianakis (still riding a buzz from The Hangover), Ted Danson, Parker Posey and Saturday Night Live's Kristen Wiig.
(S02E13) "I've been having one helluva shitty month and someone is gonna pay." - Patty
Another great ending to another great season of television. The general consensus seems to be that season two of Damages far outpaced season one. They were pretty tied up for me - that was, until last night's finale. Just like the first season, by the time we got to the end, we'd already seen most of the episode because of all the flashbacks. Same goes this time around - season two's flash-forwards provided us with a pretty solid sense of what to expect. The beauty of Damages is that there was still about 20 minutes worth of plot holes that needed filling. Seeing it all play out, in order, was phenomenal.
Damages has lived up to the hype. After a jaw-dropping debut season that garnered Glenn Close an Emmy and a Golden Globe for her turn as Patty Hewes, the FX legal drama roared back in January amid speculation regarding whether or not the unique storytelling techniques used in season one could be re-created again. The result? Eight episodes into the new season and Damages is as thrilling as ever.
However, after learning that Patty is indeed the person being held at gunpoint in last week's final moments, it proved one thing - Patty isn't the only one in the hot seat. The creative team behind Damages should be sweating too.
(S02E01) "Actually, I take that back. You should be scared. You should be terrified." - Ellen
Payback's a bitch, ain't it? Not if you're Ellen Parsons - then it's a slow, methodical, patience-testing process where it apparently takes six months before you get to shoot a gun. And thus begins the second chapter in the twisted law legacy of Ellen Parsons. After one episode, David Connor's killer is no longer the issue at the top of everyone's mind.
I just finished watching season one of FX's Damages and, wow! What a gripping, twisty-turny show that had me hooked the whole way. Glenn Close acts the socks off anyone in close range, but the rest of the cast are no slouches either.
I've gained new respect for Ted Danson in his role as Arthur Frobisher, a high-stakes entrepreneur who's gotten himself into some pretty deep doo-doo. And Rose Byrne as the young-pup attorney Ellen is like watching a steely-eyed carp in the making.
I can't wait for season two to start on Jan. 7 at 10 PM, but until then I'll have to appease myself with Jonathan's early look and this poster.