Well that was pretty impressive. Sons of Anarchy went from a show that I really didn't care for (Kurt Sutter admits that the first two episodes were a bit "ambitious") to one of my favorite new dramas of the '08 fall season. I'm echoing just about every critic around the country by saying this, but Sons really did get better each week. As far as season finales go, last night's capper gave us the perfect amount of answers and questions as well as one of the most layered, metaphorical, and nuanced ending sequences I've seen in quite a while.
It's a rare occasion that I re-trace my steps and openly admit that I was wrong. Typically, I stick with my gut and I'll fight you until I'm blue in the face. But it takes a big man to recognize the error of his ways and it takes an even bigger one to admit it to others. So here goes...
Initially, I wasn't impressed with Sons of Anarchy. After watching the pilot (twice), I panned it. Nothing special, nothing new. The second episode didn't do much for me either. But I promised I'd stick with it since it was on FX (in today's TV landscape, that counts for something) and after last night's installment (S01E08, "The Pull"), I'm here to say something I didn't agree with eight weeks ago:
With Rescue Me failing to bring in the ratings FX really needs or wants, and even this final, and for the record brilliant, season of The Shield under-performing, it's pretty awesome that new series Sons of Anarchy seems to have found an audience. I'm a couple episodes behind (so I'm not helping with the ratings I guess), but after a slow start, this story of a biker gang of criminals is really starting to suck me in.
Apparently I'm not the only one. In five short weeks, Sons has managed to not only retain 3.5 million viewers in the adults 18-49 demo, but it's retained 97% of its total audience since the premiere. Which is why FX decided to pick the show up for a second season.
(S01E02) "I will not look the other way Jax." - Hale
I'm still on board with Sons of Anarchy, but there are just too many things that are rubbing me the wrong way. Much like my minor complaint on this season of The Shield, Jax's father's manuscript has reached the point of becoming über-important just like Cruz Pezuela's blackmail box (the one Mackey stole) without any solid explanation. One gets the feeling that without that manuscript, the story would just crumble.
If this thing is so important, then why didn't Gemma or Clay have it destroyed years ago? Did they even know it existed? It was just lying out in the open in the family storage unit. While I appreciate the tension that builds as Jax slowly reads one page at a time, I'm still unconvinced that when he gets to, I dunno, "page 86," that we're going to be that shocked when the inevitable bomb is dropped. Why else would Gemma want it so bad if there wasn't some horrible family secret buried in it?
(S01E01) "Just pretend it's carve-your-own steak night at Sizzler." - Jax
FX is taking a fairly big gamble with Sons of Anarchy. With their trademark drama The Shieldending its seven season run this fall and their other two big hits (Damages and Rescue Me) pushed to 2009 because of the WGA Strike, the network is in dire need of some fresh buzz. The one thing they have going for them? Even FX's previous flops (Dirt, Starved, Over There, Thief) were better than a lot of other things on TV and Sons of Anarchy certainly fits that mold. Once the fall season is in full swing, the only network competition will be CSI: NY, as I don't see Lipstick Jungle or Dirty Sexy Money getting in the way. Sons has the potential to do well. It'll just rest on creator Kurt Sutter and how he plans to make the show appealing beyond this pilot episode.
You're going to hear a lot of things about FX's new motorcycle club drama Sons of Anarchy. It's different, it's edgy, and it covers a fairly taboo topic that, up to now, hasn't really been addressed in a TV drama.
However, strip away the leather jackets and exhaust fumes and you're looking at something we have seen before: Sons of Anarchy is The Sopranos on Harleys. You've got your powerful crime family, illegal gun smuggling, rival gangs, conspiracy, and for good measure? Drea de Matteo (of Sopranos fame) plays a crank addict. Trade the crank for blow and we've seen that before too.
It's coming. The table is set, the players are on the field, the sails are raised, and the pretty maids are all in a row. Of course, I speak of the 2008-09 television schedule. In just a few short weeks viewers will be able to dine on a number of favorite and new dishes that are being served by the networks as well as the increasing number of cable channels who are delving into original programming.
While other fall seasons have come and gone with nary a whimper, this season may be different. Due to the prolonged Writers Strike many shows ended their seasons quite early. Programs like Life, Private Practice, Pushing Daisies, and Heroes haven't aired original episodes since the end of 2007. Heck, there hasn't been a new episode of The Shield since June of last year! So, the beginning of the 2008-09 season will be a second chance for some of these shows, particularly the ones that premiered last season, to show their worth to fans and the networks.
The FX panels on Tuesday were pretty uneventful, aside from the news from network president John Landgraf. There was supposed to be a panel for It's Always Sunny in Philadelphia, but that was mysteriously dropped from the schedule. I'm guessing that the boys figured they'd get too hammered at the FOX party the night before to handle questions from the reporters. Indeed, I witnessed Rob McElhenny and Glenn Howerton try to ride the Tilt-a-Whirl at the Santa Monica pier right after they pounded a couple of beers. Maybe canceling the panel was a smart idea.
Anyway, the three shows that paneled were Damages, Sons of Anarchy, and The Shield. More on what transpired after the jump.
I don't know how Mario Van Peebles finds the time for all the work he's been doing lately. Somehow he fits it all in. And now he's circling back.
Mario Van Peebles will return to FX's Damages for six episodes, reprising his role as Agent Harrison. He was briefly seen as the FBI agent who approaches Ellen about going after Patty Hewes (Glenn Close). Indications are that Ellen will work with the Feds in some way, because Patty has definitely crossed the lines of legality -- and morality -- multiple times. Agent Harrison only cares about the former.
At the same time, Van Peebles is also assigned to direct FX's motorcycle drama Sons of Anarchy. That new series, with Ron Perlman, premieres in September.