The Henson Company, along with some other entertainment companies including Singapore's BIG Communications, is teaming with PBS to create a new show called Dinosaur Train, which is intended to spark an interest from the kiddies in science and paleontology. Considering that this is the same team-up that brought us Sesame Street, hopes are high.
The series has one or two major detriments from the start. To begin, Jim Henson is long gone and it seemed that a lot of the magic died with him. All the efforts by the company since then have been a shadow of its former self. Second, the new series is CGI and not puppets. While I'm sure the kiddies pay more attention to CGI nowadays, it's still a little disappointing.
On the other hand, the Henson Company has worked with dinosaurs before. Plus, anything that gets the kids' attention that isn't owned and monopolized by Disney or Nickelodeon is fine by me.
If the very thought of the fledgling economy makes you just a little bit sad, get some Kleenex and a shoulder to cry on because you're about to bawl your eyes out.
If you are the kind of heartless bastard who won't cry at the discovery of this news, you should. Get a fork, poke yourself in the eyes, and let nature take its course.
The Sesame Workshop, the non-profit organization that created the world's greatest kids show in the history of whatever, is laying off a huge chunk of its staff.
Where would we be without the hallowed television Christmas special? We would be engaged in enthralling conversations with relatives who like to give the backstory about the gall bladder operation pictures they still carry in their wallet. We would be playing defense against every breakable item in the house while the neighbor's kids get enough sugar in their systems to power the Space Shuttle. We would not only have to muster the courage to taste Grandma's homemade rum and Kahula fruitcake, but also to pretend that we like it without our stomach turning inside out, crawling up our esophagus and out of our mouth.
Even if those scenarios will be true for you on Dec. 25, I offer you my pity as my Christmas gift. Plus, you still would rather spend it listening to ol' Uncle Hernia Scar than watching one of these holiday hams.
I remember watching Sesame Street when I was little, but I do not remember it being this awesome. We're used to celebrities appearing on the Street, but it's not very often that we get to see Muppets portraying our favorite TV characters. I for one, never knew that the denizens of Sesame Street were so good at impressions until I saw the Muppet version of Jack Donaghy. Oh, you read that right. Jack Donaghy.
Sesame Street has done a take on30 Rock called "30 Rocks." In it, Liz Lemon, a lemon with glasses, has to figure out how to make sure that the 30 rocks she ordered for a sketch are all there. Jack (who, unfortunately no longer has a chin) comes out to help her with the solution, which consists of passing off the work load, "I'm the boss Lemon; you count."
Children's television is the ultimate pacifier. Where else in the world can a terrible, horrific monster that destroys both life and property with nary a whiff of sympathy be turned into a soft, cuddly character who has his own line of soft, cuddly dolls being sold at the local Wal-Mart? It's only later in life, after they've adjusted to these de-fanged monsters, do they realize that their beliefs were so wrong. Aaaannnddd, that's where the therapy comes in.
But, we're not here to talk about the emotional problems that are paralyzing you today. We're here to talk about those vampires, ghosts and mummies that were stripped down and made to be funny, clumsy and even musically oriented. After the jump you'll see a few examples of what I mean. Don't worry, they won't scare you...they've been homogenized for your nightmare-free pleasure.
The new season of Sesame Street is right around the corner and, while I normally wouldn't give it a second thought, I am unusually excited right now. No, this isn't a snarky rant about how I've been driven to children's TV because of the sorry state of grown-up programming. Sesame Street's 39th season, starting August 11th, looks like it has a lot of fun lined up not only for the pre-schoolers but parents as well. I already posted Feist's upcoming special take on "1 2 3 4", but I had no idea how many amazing guest appearances were coming. Just check out this star-filled highlight reel after the jump.
Man, oh man. I love counting. Sometimes I do it just to do it. I know I'm often alienating some of my less-educated friends (toddlers) when I start spitting those numbers, but I can't help it! Counting is wonderful.
In fact, the only thing I love more than counting is the sound of a breathy Canadian singer. Imagine my delight when I was sent this video of Feist singing a special version of her famous "1 2 3 4" (aka "That song from the iPod commercial where there's a chick in something blue and sparkly") with some lovable faces on Sesame Street(as we mentioned a few months ago).
"Baracknophobia": The irrational fear of hope is spreading, even among Barack Obama's own people. Obama campaign staffers sent away two women with head scarves because they didn't want to remind people at the photo op about the rumors of Obama being Muslim. Not as bad as the baby-punching, I must say, and at least he apologized.
"Guantanamo Baywatch": The Supreme Court ruled that prisoners in Guantanamo Bay can contest their detention before a judge. Some folks aren't too happy about this, what with their poor Mexican topiary managers having fewer rights and all. The managers are Mexican, by the way, not the topiaries. Senior Imprisoned Correspondent, Gitmo, stopped by to share his thoughts. Man, Jon Stewart is really no good with puppets. Every voice he does sounds like South Park's Jennifer "Taco-Flavored Kisses" Lopez.
"Guantanamo Baywatch": Khalid Sheikh Mohammed and four other plotters of 9/11 have appeared at a military tribunal, at which Khalid Sheikh Mohammed represented himself. Somehow, the Daily Show writers managed to work in an entire "Elmo with a beard equals 'Gitmo'" joke that ran way too long. I'll admit that's the first time that I've ever laughed out loud at someone getting waterboarded, though. The best part was when Jon Stewart used Gitmo to wipe up the waterboard mess right before the commercial break.
I'm feeling a little melancholy today. This past Friday, a friend of mine lost two daughters in a senseless automobile accident. They were thirteen and eighteen; one having just started college and the other just entering the magical teen years. It was so sudden and insane that I can't really wrap my brain around it. As a parent, I can only begin to understand what he and the girls' mother are going through, but even then I'm sure it pales in comparison to the reality.
As I thought about this blog and things to post on television, I was struck by how death can have a dramatic and instant impact on a fictional show as well. Sometimes when an actor dies, the show is able to move on with relative smoothness, but other times there is an irreplaceable hole that just never seems to be filled.
Sesame Street would like to be there for you parents when there is a learning opportunity out in the real world. Let's say your child is at the playground and isn't sharing. Or, she's having a fit while you're waiting in line at the grocery store. The Street wants you to whip out your video iPod (or other portable media device) and have Elmo give your child a lesson on all sorts of things. Or, at least distract her.
Each week, Sesame Street will turn out a five-minute podcast that includes clips from old and new episodes. The episodes will each have a theme and will extend Sesame Street's focus this season on vocabulary and literacy.
You can subscribe to the weekly video podcasts here or in iTunes.
While it has persevered for almost four decades, Sesame Street's heart and soul is very much a product of the 1970s. There was nothing like it when it first hit the public television airwaves in 1969; while other children's programs took place in mystical and magical lands, Sesame Street took place in a regular inner city neighborhood. Okay, it was an inner city neighborhood where monsters and people lived together, but it's that partial realism which set it apart from other programs, and, perhaps subconsiously, gave kids a sense of community and belonging.
The CPB was created by Congress back in 1967 to shield public broadcasting from political influence. The funds they receive are distributed between PBS and local public television stations as well as National Public Radio and its affiliates. Funding for the CPB has been a point of contention in Congress over the last few years. Two years ago Republicans attempted but failed to slash the public broadcasting subsidies (Not a jab at Republicans here; just stating facts).