The full joke went, "When we're in Wascilla (sic), it's chill, baby, chilla/In the bedroom with Todd, it's drill, baby, drilla." That's weird, Take out the "with Todd" and you've got an exact quote from Levi Johnston's MySpace page (that joke so would have killed in 2008).
To be honest, I don't think this is the best sketch they've done about Hoda and Kathie Lee. Maybe she'll think the other ones they've done are funny (probably not). (Stay through the talk about Palin as Hoda and Kathie Lee talk about the sketch more.)
(S35E06) There was a strange moment of nodding recognition at the end of the night, as I watched Jason Sudeikis and January Jones in the cloud-gazing sketch. Throughout, the man pauses to consider the woman's weird behavior and then concedes, "Ohh, you're a very pretty, pretty woman." Yup. That's pretty much how I reacted the entire night, especially during really bad sketches like the farting Grace Kelly (take a moment to think about that: Farting. Grace. Kelly.)
Jones was kind of a stiff host with not particularly daring material, but, goodness gracious, her real-life 50s Barbie prettiness was mesmerizing. Her performances in the mid-century instructional video and the aforementioned cloud-gazing sketch were the best of the evening, but that's not saying much since the rest of her appearances were strange and wooden. Even her good night felt like it had been programmed in and auto-tuned for maximum polite insincerity.
It was an eventful week in TV, especially for fans of Mad Men. This week, Jason Hughes and Bob Sassone join me to talk about the show's finale and what may be in store for next season. We also talk about:
Why November sweeps don't mean as much as they used to,
Another dip into our Ask TV Squad mailbag, where we discuss why we promote SlashControl and other AOL-related ventures,
Paul Mooney is well known to stand-up comedians for his own work and for writing for his longtime friend, Richard Pryor. Outside of that, though, his name recognition gets a little fuzzier. So for TV comedy fans, Mooney's new memoir, Black Is the New White, provides some great behind-the-scenes moments they should probably know.
There are a lot of heartfelt stories about Richard Pryor and Mooney's own personal life, but there is a lot of fun TV trivia, as well. Mooney talks about getting forced onstage by a couple of friends to do his first solo stand-up spot in the early 60s in San Francisco. Mooney is drunk and nervous, and winds up doing the act of a comic named Ronnie Schell, who would later co-star with Jim Nabors on Gomer Pyle, U.S.M.C. Mooney admits whenever he catches the show in reruns, he feels a little guilty.
(S35E05) I had to talk myself through being allowed to criticize Taylor Swift. Ever since Kanye West VMA outburst turned everyone in America into Swift's over-protective mom, she's been shown even more as an innocent country-inspired sweetheart. Every time she messed up in this episode, I felt the need to hold back any not-super-great remarks because, well, she's a teeny-bopper! Teeny-boppers are just kids goofin' around!
And then I have to pause and remind myself that she's almost 20-years-old, around the same age as Shia LaBeouf and Ellen Page when they first hosted and Abby Elliiott when she initially joined the featured players. Screw it, there's no need to hold back. Swift is a musician, so we can't expect her acting skills to be super-good, but the fact I keep thinking she's only 14 shouldn't affect anything else.
Don't let anyone tell you that you can't get culture and literature from TV Squad. This is the second post about poetry today. (Tomorrow: e.e. cummings.)
I saw Suzanne Somers on Rachael Ray this morning, and then I go to Best Week Ever and see video of SNL's Kristen Wiig reading excerpts from Somers' book of poetry! Unlike the post link above, these words really are from Somers.
Tina Fey was supposed to be on The Jay Leno Show several days ago but didn't make it for some reason. But last night she showed up. Well, via satellite, to do the Ten@Ten (not sure what that means to viewers who watch the show at 9 PM).
I wasn't even aware that there was already a Fawlty Towers complete set out. Or maybe I knew it and forgot and didn't get reminded of it until I heard about the new remastered set that comes out tomorrow. I'm gonna get that.
I'm also tempted to get Vegas, just because I liked that show and haven't seen it in years. I hate these "Volume" sets though. Just give us the whole season!
Black Adder - Black Adder 1, II, III, IV, and V (All remastered) and Ultimate Edition
Dr. Quinn, Medicine Woman - Complete Series (New package)
Eleventh Hour - Complete Series
Faerie Tale Theatre - Bedtime Tales and Magical Tales
(S35E04) I remember sitting down and staring at Gerard Butler as he made funny, smarmy faces at the camera. And then I blinked, only to see Butler was thanking the cast and viewers for a wonderful show. I looked on the computer screen. There were half-remembered notes haphazardly tapped out at some point.
Somehow, I had jumped forward ninety minutes. Had I finally mastered short-term time travel? Or did I just watch an incredibly forgettable episode of Saturday Night Live? Probably the latter. However, I vaguely recall a destructive robot adorably struggling through a wall. If that was actually a dream and not real life, please don't tell me.
I don't mean that they're being sued for infringing on a logo or something like that, I mean they're being sued for the actual fonts that they use. I didn't even know you could be sued for using a certain font. The Font Bureau (which would make an excellent title for a crime series) makes fonts for such people as Apple and Microsoft, but NBC didn't get the rights to use their fonts in the logos for shows like Saturday Night Live, The Jay Leno Show, and Late Night with Jimmy Fallon for more than one time on one computer. NBC has been using them a lot more than that. They're asking for around $2 million.
(S35E02) After that Jenny Slate f-bomb nonsense and Megan Fox's not terribly original hot girl material from the season premiere, it was exciting to see a really solid episode (and a star-studded one, at that). Ryan Reynolds did a fantastic job as host (snaps for his wavering voice during the porcelain fountains sketch and accent in SYTYCD), though he didn't have any major stand-out roles. Did I miss the memo that Lady Gaga wasn't just musical guest but co-host as well? Such a role is normally left up to Ryan Reynolds' giant biceps.
It's been a while since we've seen such consistently enjoyable writing in an episode. Usually, there's a distinct lull during the course of the 90 minutes, but I didn't feel it this time. Hopefully, this is a good indication of the rest of the season.
Here's a shocker: something from Sarah Palin's memoir that hasn't been disputed. 
It was an eventful week in TV, especially for fans of 
Paul Mooney is well known to stand-up comedians for his own work and for writing for his longtime friend, Richard Pryor. Outside of that, though, his name recognition gets a little fuzzier. So for TV comedy fans, Mooney's new memoir, Black Is the New White, provides some great behind-the-scenes moments they should probably know. 
Here are the new TV DVDs, in stores tomorrow.
At 7, ABC has the Sprint Cup NASCAR Banking 500 race.
There are lawsuits filed every single day, some of them against media companies. But this is the first time that I've heard about a 
TBS has Baseball Playoffs all night.
At 8, ABC has College Football, Oklahoma vs. Miami.
The TV Squad Podcast: The Prisoner, '80s TV, soap news and more
Let's talk about spoilers ...
The Prisoner -- An early look
