(S02E11) "If Gemma had gotten raped on John's watch, he'd have written a whole different book." - Jax
Forgiveness can be a funny thing. Assuming you're on the receiving end of something awful, It's not always easy to determine if you'd even be willing to forgive. That's the beauty of forgiveness though -- the act that led you to it might have been sincere, but that doesn't mean your capacity to forgive has to be. Unlike quietly accepting a situation, forgiving a situation has the power to pacify the parties at fault.
As we learned with Opie last night on Sons of Anarchy, his capacity to forgive is huge, but that doesn't mean he ain't lying through his teeth when it comes to his true intentions.
(S02E10) I'm filling in for Danny, who experienced a DVR malfunction, so be gentle with me, as I've been a bit here and there with Sons of Anarchy this season. Last winter, I raced through season one for Jane After Dark, and fell in love with the gritty characters and edgy storyline. But to tell you the truth, I had trouble watching it after Gemma's rape this season. It was really disturbing, and I wasn't sure I wanted all of that in my head all the time.
But the fact is that Sons of Anarchy is a great show and -- like many other FX shows -- unlike most of what you see on TV these days. So I'm happy to have this chance to get caught up a little bit with season two.
"Pull the trigger man. That's the only way this leather is coming off my back." - Jax to Alvarez, the head of the Mayans who orders him to give up his club jacket
Jax is supposed to be the hero of this little modern day Shakesperian epic, but he's starting to look more and more like the enemy in each episode.
I don't mean that he'll be the one in the end who has been scheming the whole time behind SAMCRO's back with the white power. This is a well-crafted, slow paced, high caliber drama, not a badly written Schwarzenegger movie with a thrown together twist ending (cough, Total Recall, cough).
Jax is more of an enemy of himself. He might have good intentions at heart, but his moves are nowhere near his brain. Maybe his loyalty to his family runs deeper than he ever imagined. Logic and family hardly make a decent cocktail. Anyone with a brother-in-law can tell you that.
(S02E03) - "I'm talking about creating a temporary problem that allows you to flush out the permanent one." - Ethan Zobelle
The thing that surprised me most about this week's episode are the number of times it made me laugh. That's hard to do for a show that cracks more skulls per episode than a plastic surgeon.
It doesn't do so by sacrificing the things that make it great. It's still just as hard-edged, emotional and violent as before. You're just chuckling for all the right reasons, this time.
Here's an observation TV fans wouldn't expect: If you know your Shakespeare, you might have a good idea where Sons of Anarchy is headed in its second season.
I paid a visit to the show's sweltering North Hollywood set last week as series creator Kurt Sutter (The Shield) and his cast were putting the finishing touches on the show's second season.
In fact, the show's writers were so close to revealing its final secrets to the cast that my PA and FX PR tour guides slammed a door in my face lest I wander into the writer's conference room and see the white dry erase board full of plot points for season two's final episode.
Evidently, if I'd have seen the final, bottom-right panel on that wall-wide white board, I'd have been chained to show star Tommy Flanagan's motorcycle and taken for a drag around St. Joseph's Hospital in Burbank.
(S02E02) - "Unraveling the matriarch will destabilize them. They're all little boys who need a strong mommy."
The thing I'm starting to love about this show is the way it switches gears on just about any incline. They are so swift and sudden that the law should go totally "nanny state" and require me to wear a helmet during each week's episode.
For example: in this week's chapter, we see the aftermath of Gemma's rape and the toll it takes on her as she tries to keep it from the club. Then the very next shot is of Tig, played by Kim Coates and some random fishnet whore slowly waking up with hangovers that could stun an elephant, together in a spent 69.
And I ain't talking about a broken down '69 Chevy.
(S02E01) - "I'm not going to swap one outlaw for another one."
How do you turn a group of gruff biker outlaws who deal potent drugs to street trash and hardcore hardware to ruthless killers into a likable group of huggable stud muffins?
That's easy. You make a group of radical white supremacists into their enemies. It's the old "lovable by association" tactic of TV writing. Is the audience not buying your childhood version of Darth Vader? Then throw in a wise-cracking alien that sounds like Pee Wee Herman with Down's Syndrome.
However, in the case of the second season of Sons of Anarchy, it's a pretty sweet power play for a show that already packed more punch than an Absinthe smoothie.
The level that FX's Sons of Anarchy's second season has to reach to top their outrageous first might seem unfathomable. But the man helming this ship is writer, creator and executive producer Kurt Sutter - the man who helped steer The Shield through seven strange and unpredictable seasons of treacherous waters that were once deemed unchartable for the likes of basic cable.
It's tight control on what appears to be complete chaos. Sutter and company are a fleet of reckless Sledge Hammers who are willing to blow up whole buildings to get the job done. Trust him. He knows what he's doing.
FX's white hot biker drama kicks off Tuesday and it brings all of the blood, guts, bullets and glory that the first season did in buckets. And that's just in the first five episodes.
I've been hearing about an awesome new show on FX since it aired last year, and finally got around to watching season one of Sons of Anarchy this week for Jane After Dark. Being a motorcycle babe myself, I love any show where bikes or gangs are the central focus.
But even if you've never mounted a bad chopper, there are plenty of reasons to love this badass show about the Sons of Anarchy Motorcycle Club Redwood Originals (SAMCRO). They run a legal automotive business while dealing arms, battling rival gangs, and working with the cops (sometimes) to keep their town of Charming, California a pleasant place to live. You can see all the irony at work here.
Did you ever get news that both enthralled and worried you all at the same time? Like remember when you were a kid and you heard you were going to Disney World but first you would have to drop off your sick puppy at the vet for a little nap?
The question actually sparked an interesting and light-hearted war of friendly curses between the cast and Sons of Anarchy star Ron Perlman who was also on the dais to grub for Emmy nods. Walter Walton Goggins, the actor who brilliantly played the daft and overly cocky Shane Vendrell, uttered "That is bull#*$&!" since his character killed his family and then shot himself in the final episode just as the Barn closed in on him. That's not a direct quote, by the way. He may have used different punctuation marks.
With Rescue Me plowing through it's massive 22 episode fifth season, it's a little weird to think that we'll be tuning into Denis Leary's FDNY hijnks until September 8th - especially since we're used to having the show be over after about three months.
I'm not really sure what my point is mentioning that, because all I'm doing is piling good news on top of more good news - once Rescue Me ends, Sons of Anarchy is back.
The FX motorcycle drama began filming it's second season recently, with two notable cast additions - Henry Rollins and Adam Arkin. At the time of Rollins casting, nothing was known about his character other than his role as a "new antagonist." Now, according to Fancast, it turns out that both Rollins and Arkin will be playing neo-nazis. If you recall Jax (Charlie Hunnam) and Clay's tumultuous relationship with Darby (Mitch Pileggi) and the Nords, then you know they ain't gonna get along with these two.
If you feel like being spoiled beyond that, pictures and more character info after the jump...
Valentine's Day is on a Saturday this year, so why not eschew the whole dinner and a night out routine for a day in from the cold watching TV boxed sets on DVD? What better gift is there than an entire day of laziness catching up on those boxed sets you got for Christmas and have had no time to watch? But choose carefully. No one can take a whole day of Rock of Love or Matlock.
Beauty and the Beast: The Complete Series - A tolerable "chick flick" type series, you can probably get away with watching just the first two seasons, before Linda Hamilton left and her character was killed off. And once your significant other gets used to the idea of Ron Perlman in Beast make-up, maybe you can convince her to watch Hellboy with you.
Well that was pretty impressive. Sons of Anarchy went from a show that I really didn't care for (Kurt Sutter admits that the first two episodes were a bit "ambitious") to one of my favorite new dramas of the '08 fall season. I'm echoing just about every critic around the country by saying this, but Sons really did get better each week. As far as season finales go, last night's capper gave us the perfect amount of answers and questions as well as one of the most layered, metaphorical, and nuanced ending sequences I've seen in quite a while.
It's a rare occasion that I re-trace my steps and openly admit that I was wrong. Typically, I stick with my gut and I'll fight you until I'm blue in the face. But it takes a big man to recognize the error of his ways and it takes an even bigger one to admit it to others. So here goes...
Initially, I wasn't impressed with Sons of Anarchy. After watching the pilot (twice), I panned it. Nothing special, nothing new. The second episode didn't do much for me either. But I promised I'd stick with it since it was on FX (in today's TV landscape, that counts for something) and after last night's installment (S01E08, "The Pull"), I'm here to say something I didn't agree with eight weeks ago:
With Rescue Me failing to bring in the ratings FX really needs or wants, and even this final, and for the record brilliant, season of The Shield under-performing, it's pretty awesome that new series Sons of Anarchy seems to have found an audience. I'm a couple episodes behind (so I'm not helping with the ratings I guess), but after a slow start, this story of a biker gang of criminals is really starting to suck me in.
Apparently I'm not the only one. In five short weeks, Sons has managed to not only retain 3.5 million viewers in the adults 18-49 demo, but it's retained 97% of its total audience since the premiere. Which is why FX decided to pick the show up for a second season.