TVSquad

The new series of Doctor Who comes closer and closer, and the list of involved talent is really starting to build up. It's been confirmed that Richard Curtis will write an episode. With some of his more popular work being Four Weddings and a Funeral, Love Actually and Bridget Jones's Diary, Curtis seems like a rather unusual contributor. Of course, he also did Blackadder and The Vicar of Dibley for television, but neither of those things are very sci-fi-related or timey-wimey.

Curtis's films seem to have the most luck when working with ensemble casts, so maybe he can work this same magic on the small screen and introduce some new characters worthy of sticking around. We haven't really had that since Sally Sparrow (and maybe Nightingale, if only to complete the duo) from "Blink". Also, the new Doctor and the new companion are both young and attractive, a combination poised to perfectly fit into Curtis's romantic-comedy specialty.

(S02E02) I love the romanticism of Pushing Daisies, especially the way this episode presented it. Instead of all the usual sunshine and sweetness, Ned was actually acting petulant and sullen. Chuck was asserting her independence and feeling the need for seizing the opportunity of a new beginning.

For a change, these two that are normally so in sync had to deal with an internal challenge, as opposed to the physical constraints that are inherent because Ned cannot touch Chuck lest he lose her forever. Ned had to accept that Chuck was living next door -- in Olive's apartment -- and happy about it.

When it comes to new comedies, the FOX network's record hasn't been very glowing as of late. Yes, the Sunday night animated comedies still bring in the audience, and Arrested Development brought critical acclaim, and Back to You and Til' Death are decent, if not outstanding, sitcoms. But, what else has the network brought to the table recently? Anyone remember The Loop, Happy Hour, Freeride, Kitchen Confidential or Stacked? Of course not; hence, the sad track record FOX has had bringing funny to its network.

Fans of Standoff, the FOX hostage negotiator drama starring Ron Livingston and Rosemarie DeWitt, were worried when it was announced that the show was moving to Fridays. Now here's more to be concerned about: the show isn't returning at all until the summer.

It was supposed to return in April, but FOX has decided the show won't be back until after the network announces its fall schedule in May. I wonder how this will affect their decision, since the show has been on hiatus for a while and they're not going to know what the summer numbers are until, well, the show airs in the summer. They insist the show isn't canceled, but this can't be seen as a "good" sign, that's for sure. It got pretty good numbers when it was on.

For the record, I thought the show was so-so.

Because the man didn't have enough to do with a sci-fi and legal drama in development, the hardest working man in showbiz will be producing The Wedding Store, an hour-long dramedy for Fox set to premiere mid-season. Along with Tim Minear's Drive, the two series represent Fox's big Spring offerings.

The show has a strange, but not unfamiliar history, to Hollywood watchers. The series is based on a similarly-themed 2004 pilot project that Kelley and co-producer Jason Katims, now the showrunner for Friday Night Lights, developed for ABC called DeMarco Affairs and a Fox project that was in the process of being redeveloped. That project was entitled The Wedding Album. The amalgamation we'll be seeing on TV this Spring is described by Kelley as "a romantic comedy about a group of wedding planners dedicated to having their clients live happily ever after, or at least until they get to the parking lot."

The wedding industry has never been more ripe for satire than now. Let's hope the great premise ends in great results.

I don't know how long these promos have been running on Comedy Central, but during South Park, I just saw a bug promoting the television premiere of Shaun of the Dead (Saturday at 9 PM EST!). I was so giddy, I choked on air. Although I've seen it a million an one times, I am very excited that it's coming to American cable. Shaun is one of those films that I constantly try to get people to see, so it's nice that some fresh meat will watch it without me having to strap them to a chair and do various Clockwork Orange-y things to them.

Also, I am quite interested in seeing how much they edit from the film. After all, it is a rather gory movie... and the language is quite coarse (heh, Ed's not going to have any lines in the television version, is he?).