Thanksgiving is coming and for many of us it's time to eat, drink and watch football. It's also a time to reflect on the things you're grateful for and since TV Squad is all about television, here's what I'm grateful for this holiday season, with regard to the tube.
Mad Men season finale
There was really nothing as satisfying in the entire year for me. Matt Weiner promised a game-changing episode and he delivered it with a whopper of a wrap up. Actually, nothing was really wrapped; it was more like the cards have been dealt and we're still waiting to see how the hands are played.
(S35E06) There was a strange moment of nodding recognition at the end of the night, as I watched Jason Sudeikis and January Jones in the cloud-gazing sketch. Throughout, the man pauses to consider the woman's weird behavior and then concedes, "Ohh, you're a very pretty, pretty woman." Yup. That's pretty much how I reacted the entire night, especially during really bad sketches like the farting Grace Kelly (take a moment to think about that: Farting. Grace. Kelly.)
Jones was kind of a stiff host with not particularly daring material, but, goodness gracious, her real-life 50s Barbie prettiness was mesmerizing. Her performances in the mid-century instructional video and the aforementioned cloud-gazing sketch were the best of the evening, but that's not saying much since the rest of her appearances were strange and wooden. Even her good night felt like it had been programmed in and auto-tuned for maximum polite insincerity.
If Mad Men is any indication of what its like to work in the real advertising world, then the writing process alone must cause more migraines than swimming in radioactive sewage.
That's still no excuse for stealing material, if that is in fact the case with this British ad. UK comic Micky Flanagan claims an ad agency stole a joke from his act for a phone service commercial and is a stone's throw away from filing a lawsuit. Punchline Magazine posted videos of the joke and the ad. Is this just a coincidence or is the ad pulling a Carlos Mencia?
It was an eventful week in TV, especially for fans of Mad Men. This week, Jason Hughes and Bob Sassone join me to talk about the show's finale and what may be in store for next season. We also talk about:
Why November sweeps don't mean as much as they used to,
Another dip into our Ask TV Squad mailbag, where we discuss why we promote SlashControl and other AOL-related ventures,
Marti Noxon will be writing the remake of the cult 1980's flick Fright Night. For those who don't know, Noxon is a writer on the series Mad Men (for which she got a WGA nomination) among other shows. She is best remembered for her singing appearances on the Buffy the Vampire Slayer episode "Once More With Feeling" (she was a writer and producer on that show too) and the Internet phenomenon Dr. Horrible's Sing-Along Blog.
Getting into movies for a moment, Fright Night was always a guilty pleasure of mine. Noxon is a good choice to write it too. Along with the diversity of her writing experience, she has used the same sort of combination of horror/humor when she wrote Buffy.
Of course, she's not the only Buffy alumnus writing a comedy horror. Joss Whedon himself is involved with project called Cabin In The Woods. He has the spare time to complete it now.
Are you a fan of Mad Men? Are you a fan of X-Men? Have you been hoping that Matt Weiner and Stan Lee would somehow meet up at an exclusive Hollywood party and eventually create a series that combines your two favorite television franchises?
If so, please get out of your house more.
And that hasn't exactly happened but the funny folks at Madatoms have done that for you with their new line of Mad Men/X-Men mash-ups. The shows are actually eerily similar when you think about it. Both of them feature ruthless characters who will stop at nothing for ultimate power. Both deal with the changing intolerance of their respective ages. The only thing missing are the tight fitting spandex outfits, but hey, a man can dream, right?
That was some Mad Men finale, wasn't it? If you haven't seen it yet, please stop reading now, because there was just too much going on for me not to just launch into some discussion.
OK, I'll wait until after the jump to really get into things. But, suffice to say, the end of season three left some characters going down a pretty well-determined path, but others have entered a sort of limbo state, where we don't quite know what their roles will be in season four.
(S03E13) It's a cold Friday, December 13, 1963. The President's been killed and the world as Don Draper knows it has pretty much fallen apart. For most of the season, the ground has been shifting under Don's feet and he's be holding on, trying to right himself and his life. He's tried with Betty. He's tried for Sally and Bobby and Gene -- at least as much as Don is able to try.
With Conrad Hilton he's never been on a level playing field, and from the moment he was forced to sign the contract, Sterling Cooper has not been his domain as it had been. With this episode, this season finale, all was changed and, perhaps, all has been righted. More after the jump.
The assassination of JFK on Sunday's episode of Mad Men may have been the catalyst for Betty Draper's "awakening," but it's been a long time coming.
Here comes my rant: I, for one, am sick and tired of seeing the women in this show get walked all over! I know it's the way things were back then, but the times they are a changin', so I'm hoping we'll get to see more women stand up and take charge of their lives.
I was cheering when Betty stood up to her lying, cheating, skank of a husband Don and told him she didn't love him anymore. Bonus points for driving off to meet your lover, Betty. Hopefully, he won't cheat on you.
Now if Joan would leave her loser fiance who raped her at the office and then went about his business like nothing happened -- that'd be the icing on this women's movement cake. I'd say that she and Roger Sterling belong together, but she's too good for him.
I had been expecting the JFK assassination to become part of the Mad Men storyline from the moment they showed us the invitation for Margaret Sterling's wedding on November 23, 1963. Expectations are one thing. Watching the way the national tragedy was depicted was quite another. As I watched the scenes unfold, I was riveted to the screen – and that was a surprise to me because on Fox the Yankees and the Phillies were locked in a very tight World Series game, and I cared about the outcome.
But I found myself unable to turn away from Mad Men. It wasn't pleasant to watch those black and white images of anchormen Walter Cronkite and Chet Huntley. The moment I saw the flickering images behind Harry and Pete in the Sterling-Cooper office, I knew what was happening. It was terrific storytelling, by the way, for the viewer to know, but for Pete and Harry to be oblivious.
Today I made an executive decision and gave the podcast an oh-so-creative name: "The TV Squad Podcast." This was after we recorded it on Tuesday, so I still refer to it by its old APB name. If you have any suggestions, let me know at tvsquad [at] gmail [dot] com.
In this episode, Late Show writer Bill Scheft joins me, Danny Gallagher and Kona Gallagher to talk about his new book Everything Hurts. Of course, there's lots of good behind-the-scenes info about what it was like to work at The Late Show, especially on how the events of the past month affected the staff and the show's writing, including the monologue.
He also tells some funny stories about being canned from Sports Illustrated (and spawns a new catchphrase), feeding lines to the guy who played Mike Singletary and more. It's 45 minutes of fun.
After the interview, Kona, Danny and I give our picks of the week. Run time is 1:03:02.
Rules are meant to be broken... especially for these ten television characters. For them, the rest of the world has one standard to live by and they have another. It makes them interesting and fun to watch... you just wouldn't necessarily want to be the person having to deal with them because they could drive you to distraction. Here's my ten pack of characters who live in a world of their own, according to no rules except their own. From the not-too-bad to the really bad.
10. Patrick Jane, The Mentalist
You would think that as a consultant to the CBI -- California Bureau of Investigation -- Patrick Jane would be compelled to uphold the rules and regulations of the department. However, Jane is a free spirit when it comes to office protocol. He does his own thing. For instance, bugging the office of a CBI higher-up is definitely not kosher. Jane doesn't care; he did it anyway and will probably get away with it.
(S03E11) Autumn in New York, why does it feel so inviting... That's a great song, and I thought of it while watching the opening of this episode, with the Draper kids all excited about Halloween. And there was also that chill in the air between Don and Betty. Actually, the icy glare was all Betts. She was off to see her brother about selling their father's home, but what was really on Betty's mind was the contents of Don's desk drawer. More on that and gypsy and the hobo, after the jump. By the way, this was a great Mad Men episode.
So ... Betty Draper is starting to get an inkling of Don's dark and secret past on Mad Men. In Sunday's episode, she found the box with all his secret things. Really, you'd think he would keep it in a safety deposit box or something. You can't just leave that stuff lying around the house, even in a locked desk drawer. Someone's bound to find it, just as Betty did.
My question is what will Betty do with this important information? She' s already been stung by Don's affairs, and now she's got this to contend with.
Week two of the revival of TV Squad's APB podcast has arrived! In this episode, Bob Sassone and Danny Gallagher join me to talk about TV's doings this week:
The cancellation of Southland and the role of The Jay Leno Show in that cancellation,