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Gary Unmarried: the new According to Jim

Gary UnmarriedAnyone who thinks that the lame, traditional, laugh-track-laden sitcom is dead hasn't seen Gary Unmarried yet. Unfortunately, I have. And I've got to tell you, it's probably the worst sitcom since the undead According to Jim first infected our airwaves in 2001. It's too bad, given the talent involved.

And when I mention "talent," I don't mean series creator Ed Yeager, who helped foist Still Standing on the American public for four years. I'm talking about stars Jay Mohr, Paula Marshall, Ed Begley Jr., and Jaime King, as well as esteemed sitcom director James Burrows. They're talented people stuck in a show that contains the same wacky plots and "setup-joke" rhythm that has led many to think the multi-camera sitcom is as dead as disco.

Continue reading Gary Unmarried: the new According to Jim

Jerry Seinfeld opines on actors and awards - VIDEO

seinfeld and supermanAs you know, Jerry Seinfeld recently received the Comedian Award. If you're wondering just how much awards, award ceremonies, and the pageantry that surrounds them means to Mr. Seinfeld, allow me to direct you to the hilarious clip below from the HBO special (via Best Week Ever). I about lost it after his "senators from Krypton remark."

I have to say that Seinfeld echoes my exact sentiments. I haven't sat down and watched the Oscars, Emmys or the Golden Globes in many, many years. I think the last award ceremony that I found even remotely interesting was the Pinewood Derby Awards in 1987, and that's only because I was a participant (and by the way, Boy Scout Troop 141: those weight restrictions are there for a reason. I lost against a car that was clearly over the legal limit).

In all honesty, I'm glad Seinfeld won the Comedian Award, because I really can't take any professional seriously unless they've been given some kind of engraved tchotchke for their efforts. That's why I currently have eleven cavities and am searching for a dentist who has won the Best Dentist Award. Otherwise, why bother?

Continue reading Jerry Seinfeld opines on actors and awards - VIDEO

Home Improvement, George Lopez and America's Funniest Home Videos added to Nick at Nite

george lopezI grew up on a farm, so I could only watch cable when visiting friends in town, at least until I was in high school and my family got a satellite dish. This was in the '90s, and one of our favorite channels to watch as a family was Nick at Nite: we'd watch The Donna Reed Show, The Patty Duke Show and Mr. Ed. You know, classic TV.

Fast forward to today and you have shows like Home Improvement, George Lopez and Saget-era America's Funniest Home Videos slated to appear on the cable channel, none of which feel especially "classic" to me. And George Lopez is still on, for the love of God.

Continue reading Home Improvement, George Lopez and America's Funniest Home Videos added to Nick at Nite

The best worst commercial I've ever seen - VIDEO

sammy stephensCourtesy of Boing Boing comes this local commercial for a flea market in Montgomery, Alabama (see it below). Yes, it's silly, lame, and goes on a little too long, but for a locally-produced ad, it's really not that bad. I'm not expecting high quality from local advertising, anyway.

The man in the video is the owner of Flea Market Montgomery, Sammy Stephens. In case the video isn't enough, I would like to remind you that his store is just like a mini ... mall. Stephens has already gained some notoriety, most notably on The Ellen Show when host Ellen DeGeneres asked him to appear because she found his commercial so funny.

Click ahead, crank up your computer speakers, and get down with what is most likely the greatest rap song ever written about a flea market.

Continue reading The best worst commercial I've ever seen - VIDEO

Was it me, or did Studio 60's "cold open" kinda suck?

Matthew Perry and Bradley WhitfordCan someone tell Aaron Sorkin that he's not a sketch writer? Because if he's going to do a series about a sketch show being rescued from the dead he might want to make the sketches that show puts on... you know... what word am I looking for? Oh yeah! "Good."

Don't get me wrong, I really liked last night's episode of Studio 60; Sorkin needs to lay off the sanctimony, but that can be said of all his shows. However, the sketch that he wrote for the "cold open," the one that the entire episode led up to, was pretty lame.

Continue reading Was it me, or did Studio 60's "cold open" kinda suck?

Michael Bolton wants to do a talk show

boltonAt least, that's what gossip rag Starpulse is claiming. Apparently the middle-of-the-road crooner thinks he might actually have a fighting chance in the cutthroat world of talk shows, but he's not quite ready to put in the amount of work it takes to create a good show. Bolton claims, "I could do a show where I could look at topics and social issues and have fun, but also do my musical thing at the same time." That's a really great idea, and it's only been done by, well, everybody. Frankly, I don't think Mr. Bolton has the slightest clue what makes a talk show successful, so I'm here to tell him, right now, that making a talk show takes time, love, and tenderness. Also, it's not wise to start a talk show and then end it suddenly, because how are we supposed to live without you, when we've been loving you so long? Okay, I've run out of Michael Bolton lyrical references, so I'll just stop now.

Things I Hate About TV: Prison Break's stupid retcons

prison
breakI finally got around to watching Prison Break from last week and although a decent episode, it exemplified one of my biggest pet peeves about story telling-- stupid retcons. For those that don't know what a "retcon" is, it stands for retroactive continuity, and my abbreviated definition would go something like this: "adding onto or changing something or someone's history from what we already knew." I don't mind changes to a character's back story, but they have to be done right, not just for the "shock value" that was all the rage during this episode.

It seemed as if the writers took every character and just made them the opposite of what they currently were, as if they were trying to make them redeemable. There's the problem though: they're criminals, they're not really supposed to be likable or upstanding citizens. That's why it's so much fun wondering what's going to happen once Michael and company make it outside Fox River's walls. Is Michael going to be able live with himself knowing he unleashed T-Bag on society again just for the sake of rescuing his brother? If C-Note or Abruzzi killed someone once free, would that innocent life have been worth Lincoln's freedom?

Continue reading Things I Hate About TV: Prison Break's stupid retcons

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