Robbie Rist is one of the most well-known child stars there is. Oddly enough it's not because he got arrested or starred in a reality show about his crazy marriage. He is well-known for his body of work.
Robbie has worked on some of the most popular shows on television including The Brady Bunch, Mary Tyler Moore, Galactica 1980, The Bionic Woman and, of course, the immortal Kidd Video, just to name a few.

Chuck Klosterman, in his very excellent
Sex Drugs and Cocoa Puffs, wrote an essay about
The Real World: San Francisco. He said that the third season of
The Real World was the moment the series stopped
reflecting youth culture and started
creating youth culture.
I'm not going to argue with Mr. Klosterman. I admire him so much that for a short while, I thought he was my own
Tyler Durden (all the ways I wish I could be -- that's Chuck). If we are, however, to take Klosterman's argument as truth -- that Puck and Pedro realizing the cameras were on them was the TV equivalent of Skynet becoming self-aware and destroying humanity -- we must then look to the second season of the show as the moment when
Miles Dyson started working for Cyberdyne. That is, the seeds for television's unraveling were sown not during the third season of
The Real World, but during the
second. As 2008 is the 15th anniversary of
The Real World: Los Angeles, I thought it might be a good idea to take a look back at how it managed to ruin everything...