If you haven't seen The Prisoner yet, you may want to skip the first fifteen or so minutes of this podcast, because we talk about the whole damn thing this week. Jason Hughes and Allison Waldman join me to talk about the AMC remake of the British cult classic, as well as these topics:
Another dip into our Ask TV Squad mailbag, where we discuss the use of laugh tracks and why multi-camera shows are written differently than single-camera shows,
As usual, the music at the beginning and end of the podcast is "Life" by Justin Trawick. Though I decided to add a small surprise at the beginning, a call-back to an interview I did a few years ago. Hope you enjoy it.
Spoilers are a hot topic here on TV Squad. Nary a day goes by when we don't hear something -- good or bad -- from readers about spoilers. And it's been going on a while; Isabelle wrote this post on spoilers back in 2007.
What is a spoiler? Should they be included in titles? Should we always put them after the jump? Are casting announcements spoilers? What about short posts that only fit on the front page? What if the info is common knowledge?
Let's take a closer look at spoilers, what they are, and how we can run a great web site and all live together with these precarious bits of info known as spoilers.
The first thing I noticed about AMC's reboot of the classic Patrick McGoohan series The Prisoner was its style. The original is a very stylized piece of work, but as someone who didn't see it back in 1967-1968 when it first aired -- I'm not that old! -- I'm not sure if its visual presentation was wholly unique in itself, or more a reflection of the '60s style in general. Certainly the '60s have become infamous for some weird fashion and design choices.
Some of that '60s nostalgia creeped into the architecture and dress of the Villagers this time around without overwhelming the tone, and I think it's a wonderful homage to the original. But I'm more impressed that this re-imagining manages to capture the same sense of paranoia and confusion that the first did, without simply retelling the same story in the same way. And it's those differences that are truly modernizing the story in a great way.
It's not surprising that a colorful and lively show like Sesame Street, one devised by the genius that was Muppets creator Jim Henson, was at heart a comedy. What is surprising is that so many adults who grew up with the show still find it so damn funny (or maybe that has more to do with the rise of marijuana use, but beggars can't be users, er, choosers).
In fact, a recent box set of the show's earliest episodes came with a disclaimer that the episodes contained within it were "not for kids." That's also because it contained the rare lost episode from the early 1970s when Grover and Prairie Dawn accidentally wandered into the Plato's Retreat swingers club where they learned the difference between "top" and "bottom".
The point is adults can find just as much to laugh at as their kids do and here are the biggest chortle-makers.
Sit a kid in front of a TV for an hour a day and a parent is bound to find something that offends them, other than the fact that plopping impressionable minds in front of a TV unsupervised is considered "good parenting."
Sesame Street is no stranger to controversy. Critics, cynics and crybabies have called out the show on everything from questionable behavior to the ambiguous situations...of puppets. Of course, all of these complaints and cackling criticisms just scratch the surface of a much bigger issue that has largely gone unaddressed: the total loss of our sanity and grasp on reality.
So as we look back at the last 40 years of television's greatest children's show, we see some speed bumps along the way. These are the ones that caused the greatest loss of tire pressure.
AMC is certainly pulling out all the stops to promote their re-imagining of The Prisoner. The new mini-series airs for three nights straight, starting Sunday November 15 at 8/7 Central. The network was kind enough to send out a press kit in anticipation of the new series, and right off I have to give them credit for sticking to their theme.
Some press kits seem to have random objects thrown in that have little or nothing to do with the show they're promoting. Everything that I found within this little box worked toward establishing the feeling of paranoia that pervades the world of The Prisoner. Even better, aside from the DVDs themselves, I could imagine this being the propaganda kit I would receive were I to ever wake up in the village.
The "Ask TV Squad" column, published every Wednesday, answers your questions about current and past TV shows, as well as about the celebrities appearing on TV. Every week, I will pick a question (or more) sent to us and provide answers in the column. If your question is not picked for a column, it may be answered in a subsequent column or in TV Squad's APB Podcast.
To submit questions to the "Ask TV Squad" column, you can post them below in comments or email them to asktvsquad@gmail.com.
This week, I answer questions about Eureka, The Prisoner and how to leave comments on TVSquad.com.
Marge Simpson's spread in Playboy was a groundbreaking moment for cartoon women everywhere. Her sensual skin pics paved new ground for the "feminine-animated."
She told the world that the women of animation aren't just vehicles for humor or straight characters to set up punchlines for the males on the paper. She helped us realize they have thoughts, feelings, emotions and yes, even urges that make them unique, infinitely interesting and utterly fascinating. They are, as Dr. Frasier Crane so eloquently put it, "like a fine wine: always intoxicated, ever surprising and only getting better with age."
And so, for the cause of gender equality and female empowerment, here are the ten cartoon chicks who should pose naked because it would be righteously awesome.
That was some Mad Men finale, wasn't it? If you haven't seen it yet, please stop reading now, because there was just too much going on for me not to just launch into some discussion.
OK, I'll wait until after the jump to really get into things. But, suffice to say, the end of season three left some characters going down a pretty well-determined path, but others have entered a sort of limbo state, where we don't quite know what their roles will be in season four.
Welcome to our new feature, TV Squad readers. How well do you know what you think you know about television? Play our little trivia game, Fact or Fiction. We'll state the premise, then tell you the reality, i.e. the fact or the fiction. By the way, if you have ideas for Fact or Fiction, or questions you'd like us to figure out, share with us in the comments.
Fact or Fiction: When Chuck Lorre originally created The Big Bang Theory, the boys were dominated by a nasty neighbor named Katie.
Fact!Chuck Lorre told Watch magazine's Jim Colluci that a year before The Big Bang Theory was picked up by CBS, the first pilot had a female character named Katie. She manipulated the guys. "It was like shooting fish in a barrel. It didn't work," Johnny Galecki told Colluci. The problem was that Sheldon, Leonard, Raj and Howard were and are essentially innocents and without maliciousness. The idea of a woman taking advantage of their innocence was not only mean, it wasn't funny. The writers went back to the drawing board -- so to speak -- and, thus, the character of sweet, gentle Penny was born.
We've got a new e-mail address for the podcast! If you have any questions or suggestions about the 'cast, please e-mail us at tvsquadpodcast [at] google [dot] com.
This week, actress Linda Purl joins me, Jason Hughes and Kona Gallagher to talk about her guest starring stint as Pam's mom on The Office -- she's on tonight's episode, by the way. She also chats about her long acting career (remember her during the waning days of Happy Days?), her work with the California International Theatre Festival and her current success as a touring lounge singer.
After the interview, which is about 30 minutes, Kona, Jason and and I talk about the following:
The "Ask TV Squad" column, published every Wednesday, answers your questions about current and past TV shows, as well as about the celebrities appearing on TV. Every week, I will pick a question (or more) sent to us and provide answers in the column. If your question is not picked for a column, it may be answered in a subsequent column or in TV Squad's APB Podcast.
To submit questions to the "Ask TV Squad" column, you can post them below in comments or email them to asktvsquad@gmail.com.
This week, I answer questions about Ghost Whisperer, How to Make It in America and Better Off Ted.
Today I made an executive decision and gave the podcast an oh-so-creative name: "The TV Squad Podcast." This was after we recorded it on Tuesday, so I still refer to it by its old APB name. If you have any suggestions, let me know at tvsquad [at] gmail [dot] com.
In this episode, Late Show writer Bill Scheft joins me, Danny Gallagher and Kona Gallagher to talk about his new book Everything Hurts. Of course, there's lots of good behind-the-scenes info about what it was like to work at The Late Show, especially on how the events of the past month affected the staff and the show's writing, including the monologue.
He also tells some funny stories about being canned from Sports Illustrated (and spawns a new catchphrase), feeding lines to the guy who played Mike Singletary and more. It's 45 minutes of fun.
After the interview, Kona, Danny and I give our picks of the week. Run time is 1:03:02.
In the hall of TV show bands, The Blanks are The Rolling Stones. Definitely The Who, tops.
The a cappella quartet made their small screen debut on Scrubs as Ted's band The Worthless Peons, played by Sam Lloyd, Philip McNiven, George Miserlis and Paul F. Perry (not to be confused with Ted's air band The Cool Cats that was just a brief side project when they probably failed to win those water park tickets) and have since become a hard-working touring band that has gone back and forth between both sides of the U.S. coasts. But they were a band long before Scrubs was even an afterthought in Bill Lawrence's skull, assuming that Lawrence didn't come up with the idea for Scrubs when they all met at Syracuse University.
Lloyd and McNiven (the completely bald one that looks like Professor Wonder Bread) were nice enough to dish out all the backstage dirt that comes from the hard and edgy road life of an all-male vocal band.
Seth Rogen has always enjoyed Halloween specials, from the TGIF line-up when he was a kid up to The Simpsons' Treehouse of Horror. Tonight, he'll be in his own Halloween special, Monsters vs. Aliens: Mutant Pumpkins from Outer Space (NBC, 8 PM), based on the Dreamworks animated feature Monsters vs Aliens.
"I was a nerd and had nothing to do on Friday nights," Rogen says of the TGIF line-up during a conference call with press. "Whenever like the sitcoms would do their Halloween episode, I always enjoyed that for some reason. That always spawned some good comedy."
If you haven't seen The Prisoner yet, you may want to skip the first fifteen or so minutes of this podcast, because we talk about the whole damn thing this week. Jason Hughes and Allison Waldman join me to talk about the AMC remake of the British cult classic, as well as these topics:
Spoilers are a hot topic here on 
The first thing I noticed about AMC's reboot of the classic Patrick McGoohan series The Prisoner was its style. The original is a very stylized piece of work, but as someone who didn't see it back in 1967-1968 when it first aired -- I'm not that old! -- I'm not sure if its visual presentation was wholly unique in itself, or more a reflection of the '60s style in general. Certainly the '60s have become infamous for some weird fashion and design choices.
It's not surprising that a colorful and lively show like Sesame Street, one devised by the genius that was Muppets creator Jim Henson, was at heart a comedy. What is surprising is that so many adults who grew up with the show still find it so damn funny (or maybe that has more to do with 
Sit a kid in front of a TV for an hour a day and a parent is bound to find something that offends them, other than the fact that plopping impressionable minds in front of a TV unsupervised is considered "good parenting."
The "
We've got a new e-mail address for the podcast! If you have any questions or suggestions about the 'cast, please e-mail us at tvsquadpodcast [at] google [dot] com.
The "
Seth Rogen has always enjoyed Halloween specials, from the TGIF line-up when he was a kid up to The Simpsons' Treehouse of Horror. Tonight, he'll be in his own Halloween special, 
The TV Squad Podcast: The Prisoner, '80s TV, soap news and more
Let's talk about spoilers ...
The Prisoner -- An early look
