TVSquad

(S05E10) "...the life of kings." - H.L. Mencken

History repeats itself. Just like Daniels said, what's the point if one generation is too busy training the next how not to do the job? More than anything, that was the biggest message that came across in the series finale of The Wire. But there was one more too. You always hear the saying "if it ain't broke don't fix it," but over the course of five seasons and sixty episodes of The Wire, David Simon systematically explained why things that are broken don't seem to get fixed either. And now it's over.

(S05E09) "Deserve got nuthin' to do with it." - Snoop

One down and one to go. The penultimate episode. Talk about depressing. After next Sunday, there won't be any more new episodes of The Wire. I don't think I've been this bummed out about a show ending since Six Feet Under went off the air and let's be honest -- The Wire is way better than Six Feet Under, or anything else... ever. With the finale so close, this episode set a lot of stuff up as you'd expect. Everything that's been percolating all season started to boil over and now all that's left to find out is who gets burned and who doesn't. Quoting Stringer Bell's last words, "get on with it motherf*ckers!"

(S05E08) "A lie ain't a side of a story. It's just a lie." - Terry Hanning

Rest in peace Omar Little. Wow. Honestly, that's all I really want to talk about. So let's get everything else out of the way first. I'll come back to Omar. Where to start then? How about my weekly rant on Scott Templeton? When I first saw that quote at the head of the episode, I was wondering who the hell Terry Hanning was. I figured he must hold some weight if his quote was the one selected to grace the episode though. Then we saw him. The military vet that Scott "interviewed" under the bridge the day he went slumming with the homeless. I've been waiting all season for a moment like this.

(S05E07) "They don't teach it in law school." - Pearlman

McNulty finally got his wish. After weeks of lies, Carcetti caved to the potential implications of a serial killer running amuck. For a man with aspirations to run for governor of Maryland, that can't happen. So Jimmy's case finally became a true red ball and the floodgates opened. Not even McNulty could have expected the insanity that came along with the department's complete cooperation. As it stands right now, McNulty can have anything or anyone he wants. While he and Lester had been feverishly awaiting this moment, it quickly turned into exactly what they didn't need.

(S05E06) "If you have a problem with this, I understand completely." - Freamon

I thought the theme of this season was supposed to be newspapers and the media? Maybe it's just me, but more than any other season of The Wire, this one seems to be focusing the least on its stated theme. Other than the steady story of Scott "worst journalist ever" Templeton, we really don't see The Sun as much as I'd like. I love Gus Haynes. He's a great character and I hope that the final four episodes take a little more time to dig deeper into his role.

That being said, I realize this is the final season and I'm hugely appreciative that any and all plots (new and old) are being addressed. Most shows don't take the time to wrap everything up properly. Remember the final season of Alias? What a mess. I just think things could be a bit more evenly balanced.

(S05E05) "Just 'cause they're in the street doesn't mean that they lack opinions." - Haynes

I hate Scott Templeton. Or should I say M. Scott Templeton? Did you see that on the newspaper article he co-wrote with Alma? He added a pointless first initial to his name! Nowhere in his bio on The Wire website does it say anything about a first name that starts with M. This very well could be a pointless detail, but on this show those types of things rarely occur. It's just another reason that Templeton is a giant ass. He's really no better a man than McNulty when you consider what he's doing. The difference is that Scott has this air of arrogance about him, as if he feels as though he's meant for great things. Yeah right. He's lazy and has no work ethic whatsoever. And he wonders why Gus continually passes him over and gives him tons of grunt work. Imagine how Gus will look at him when the truth does come out. That being said, I loved how this episode played out. One bullshitter versus another. That always leads to a good story.

(S05E04) "Buyer's market out there." - Templeton

Doing more with less. How many times have we heard that so far this season? You know what would be more accurate? Making something out of nothing. Just look at Colicchio in that opening scene. He saw Kenard with that brown bag and could have ignored it. For all he knew, it could have been a trout sandwich from one of those filthy carry-outs that everyone frequents. But Kenard was screwing around with Colicchio by filling that bag with leaves (and not some yellow-top vials) and Colicchio still hasn't figured out the simple fact that Michael and his hoppers are going to be back out there slinging again the next day. So why bother? Making something out of nothing is all that seems to be getting those Western officers through the day. Something tells me that a cop who's content with his job isn't going to be getting into any fist-fights with civilians.

(S05E03) "They're dead where it doesn't count." - Fletcher

Poor Bunk. Nothing can ever go his way. He sees Jimmy digging a hole that he isn't ever going to be able to get himself out of and he does what anyone with half a brain does. He appeals to someone with logic. Someone with brains, wit, and experience. He calls on Freamon to knock some sense into McNulty, so he stops with this fake serial killer business. Then, the two of them started talking. Poor Bunk.

(S05E02) "This ain't Aruba, bitch." - Bunk

No... it's not. Of course, Bunk was referring to the Natalee Holloway case from a few years back. The case (which added considerable fuel to the frenzy that surrounds "missing white woman syndrome" in the news outlets) was addressed because of what it implies. The question? What's it take to get noticed? What's it take to get proper news coverage and police investigation? As we've learned, 22 dead black males just don't make the cut. As Bunk and Lester reasoned, you need breasts, white skin, and a cheerleader's outfit for good measure. That or be a tourist.

(S05E01) "The bigger the lie, the more they believe." - Bunk

The beginning of the end. But how do you put it into words? The Wire leaves you breathless at the end of every episode. Every season features such a slow and deliberate pacing as it starts off as well as a new focus. It's not hard to figure out why so many people never stuck with it after McNulty's fateful meeting with Judge Phelan. But the real fans, the ones who have watched each season countless times and dissected every tiny detail (there's an infinite list), truly know that it's worth it every time. This show is art. In the streets. Down at the port. In City Hall. In the schools. And now in the newsroom. Every season is a puzzle piece and we're finally lucky enough to see the last one. I'm completely ripping off HBO with this next line, but there really isn't a better way to say this: it's all connected.

If any fans of the critically-acclaimed HBO drama The Wire would like to visit the set sometime in the future, you better bring a shopping list. It's being turned into a Wegman's Food Market.

Yup, The Wire is ending after this upcoming season. I have to admire the show for ending after five seasons even though it's a big hit with critics and loyal fans. I've often said that many shows should be like novels and have a definite end time (Lost, Alias, other shows) so they don't go out of control or overstay their welcome or come up with lame plots in later seasons, so it's good to actually hear that creator and executive producer David Simon feels the same way.

This final season will focus on the slimy tactics some people in the media use (that doesn't include bloggers, of course). The show returns in January.

[via TV Tattle]

This is a quick rant, but it's something that's been bugging me this entire season of The Wire. How come McNulty has barely been in season four?!? He was the glue for this show during the first three seasons and ever since he decided to downgrade himself and take a regular old patrol officer position in the Western District, it's like he doesn't exist. Which I suppose is saying something. The city of Baltimore keeps on ticking with or without Jimmy McNulty. I don't know, I just miss his character. I miss his Jameson-induced drunken dialogue and I miss seeing him dedicated to the job. Unfortunately, it seems the only job he was ever dedicated to was bringing down Stringer and Avon. They're gone and now so is McNulty's drive. Bottom line? While I'm happy that he's settled down with Bea and tried to start over, the show (while still excellent) isn't the same without him.

(S04E04) "No one wins. One side just loses more slowly." -- Prez

Another strong episode, one that balances out the intensity of last week's ending. City hall and police bureaucracy wins, busting up the major case unit, shutting down the wiretaps on Marlo's crew. Now Kima and Lester both land in Homicide, in the same office the McNulty was in when he started all this four years ago. All that work down the drain, but that's the game.

Man, does Bunk (Wendell Pierce) miss McNulty. Seems Bunk's the only one who's not obsessed with his job, and he longs for the old days of drinking and whoring all night with his old partner. McNutly (Dominic West) looks so damn happy still. Maybe that's the only way for him to be happy -- stay away from the politics, and the desire to do good -- or even to make good.

Numerous sources are reporting that HBO has decided to give The Wire a fifth and final season. The fourth season, which premiered this past Sunday, was met with great reviews from critics everywhere. However, as most expected, the ratings for the opening episode weren't so hot. No dates have been set for when the fifth season will begin shooting but it is known that the running theme for the season will be how the mass media affects all aspects of the Baltimore streets. Personally, I think this is fantastic news. It's great that HBO recognizes what this show means to the fans and now we'll get a final season to wrap it up properly. Too bad HBO wasn't willing to extend the same courtesy to Deadwood.