TVSquad

I almost didn't want to review this DVD set. Did I really want to go back into those murky waters again and bring up all those old disagreements? But here we go...

Actually, the DVD set for Studio 60 is much like the TV series itself. It starts out brilliantly and then as it goes on it starts to get worse and worse. But then it ends nicely!

Packaging

Pretty standard packaging, just a regular box containing three plastic holders housing two DVDs each. The artwork on each plastic holder is fairly interesting. Instead of a large pic on the front and the info on the inside, all the episode info is on the front and back of each individual holder, including pics from episodes and promotional pics.

The Onion's AV Club has an interesting interview with D. L. Hughley discussing, among other things, why Studio 60 failed to live up to its potential.

Hughley says that despite the pilot being some of the "most well written television" that he had ever seen, the show "became too aware" and started "taking [itself] too seriously". Hughley compared the drama to a "number one draft pick" that "crumpled under the weight of expectations".

I find the interview interesting for three reasons...

Just in time for tomorrow's series finale on NBC at 10pm comes this announcement from Warner Home Video that they will release Studio 60 on the Sunset Strip - The Complete Series on October 16.

The set will not only include all 22 episodes from it's first and only season, but there will be a new behind the scenes featurette and episode commentaries by creator Aaron Sorkin and director Thomas Schlamme (hopefully cast members will join in too).

You knew I'd be the one to tell you this news, right?

Studio 60 on the Sunset Strip returns to the NBC schedule on May 24, presumably to just run the rest of the episodes they have filmed. Hopefully they knew they were ending early while filming so they can end the show in a good way.

By the way, May 24 is a Thursday. The show will air at 10pm in the slot currently occupied by ER. I wonder what would have happened to the show if it had originally been in this slot, or maybe an hour earlier. Oh well. I guess the best way to think of it now is as a long miniseries, one that will have around 22 episodes and a conclusion.

(S01E11) I've never understood how people can celebrate Christmas in California (or Florida or Texas, for that matter). I grew up and live in New England, and I don't understand how you can have Christmas without the cold air and the possibility of snow. I mean, it just doesn't seem right, roaring down the 405 with the top down as the temp hovers around 78 degrees, with no Jack Frost nipping at your nose (job). But that's just me.

But it's also Matt Albie, who wants to bring a little Christmas spirit to Los Angeles and the set of Studio 60...

(S01E10) Have you ever watched an episode of a TV show where a character is really sick, and it just makes you feel worse because you're sick too? That's how I felt tonight. I got sick the day after Thanksgiving (stuffy head, dry throat, really tired), and I still feel crappy, so watching this episode where the entire cast gets sick was really odd. I'm sure there are some viewers who were sick that wouldn't even relate the two, and still others that might feel better because the TV characters felt even worse. But watching the sick people just kept reminding me that I was still sick, on the sofa wrapped in a comforter, eating only soup and tea.

(S01E09) OK, now this is getting a little strange. This is the fourth episode of an NBC show (the others were two episodes of 30 Rock and an episode of The Office) where product placement was mentioned. In this, because of a blow the company is going to take on the Macau deal, Jordan says that 15 people are going to have to be let go from the show. Jokingly, Matt and Danny bring up product placement, but Jordan thinks it's something they should seriously consider.

The hell? Is NBC trying to convince us that product placement is here, it's good, and we should get used to it?

Ray Richmond over at The Hollywood Reporter spoke to Studio 60 on the Sunset Strip creator and head writer Aaron Sorkin today and found out that not only have the ratings for the show the past few weeks made the execs at NBC happier than they were, but that a full season order for the show might be coming any hour or day now. Another source at the network said they would be very surprised if the show wasn't picked up this week.

Here's a quote from Sorkin that is interesting, especially since it addresses something that is often talked about here in our comments section:

To paraphrase a famous quote, rumors of Studio 60's death may have been greatly exaggerated.

An NBC spokesman says that not only is the show not canceled, it is actually profitable, and last week's ratings were up from the week before. The network likes the show, and they are going over the ratings numbers, but it looks like the show would be moved to a different time slot instead of just canceled outright.

One thing the article says that I don't agree with is this: if Friday Night Lights got great ratings last night (haven't seen the numbers yet), that could spell trouble for Studio 60. But that's not true. CSI: Miami was a repeat last night, so you would expect whatever NBC had in the time slot to do well, or better. Though if the numbers aren't great...now that would be interesting, and might prove it's a time slot thing and not the show itself.

[via TV Tattle]

Update: Friday Night Lights got its best ratings yet.

I'll get to the review in just a moment, but first, a few facts about Columbus, OH:

• Population: 695,709
• 15th largest city in the U.S.
• One of the fastest growing metro areas
• Named by Money magazine as one of the Best Places To Live in the U.S.
• Economy is ranked 7th strongest in the U.S.

With that information, why did Aaron Sorkin choose it as an example of some hick town?

(S01E04) Unlike many people, I like the Harriet Hayes character. And I like the way that Sarah Paulson is playing her. It's a distinctive performance: very precise in her delivery, graceful, even when she's yelling about something or irritated. And she's a very religious person, but one that's on a late night show doing satire. I don't see anything wrong with what she's doing or how she's written. I actually find the way she acts really believable. I know people like Harriet Hayes.

Having said that, I didn't really enjoy the opening scene of this show. I thought that (for the most part) Matt and Harriet had made up an episode or two ago. And I thought the argument (Matt's upset that Harriet gets a signed bat from a pitcher) was a little too forced, and I thought the Matt and Harriet love plot was going to take over the entire show. But then something happened in this episode, around the 19 minute mark, like something snapped and the episode started to soar, started to click, and showed how dramatic the backstage goings on at a TV show can be.

(S01E03) I'll get to the review in a moment, but first, a confession.

When I was a struggling writer who lived from paycheck to paycheck (when I had a paycheck), I signed up to do a lot of focus groups. They were easy, they paid $75, and all you had to do was sit around for an hour or two with a bunch of other people and talk about a product or a service. The thing is, and anyone who has gone to a focus group will admit this if they're being honest, is that they are filled with liars. Including me. They talk to you on the phone and ask you a bunch of questions about the focus group they're having, to see if they need you. Do you like Austrailian wine? Sure, I drink it all the time! Are you allergic to anything? Yup, I'm allergic to peanuts! Do you have kids? Oh yeah, I have five!

Anything for the $75.

(S01E02) If it's possible, this second episode was even better than the first.

Where the first episode took a lot of time introducing all of the various characters (it had to, with such a large cast), this one jumps right into the action, and the episode is borderline brilliant. It's Monday morning, three days after the events of the first episode, and Jordan McDeere starts her first full day as the new president of NBS by holding a press conference to introduce Matt and Danny.

Of course, things don't go as planned...

(S01E01) OK, I'm going to make a bold statement here, so I hope you're sitting down. I assume you are because you're in front of a computer, but if you're standing for some reason, please, sit down.

All set? OK, here goes: Studio 60 on the Sunset Strip is the best new show of the fall.

And I say that even though I haven't yet seen the other show being touted as the best new show, ABC's The Nine. The tape is sitting to the left of me as I type this, so I'll be watching it soon (thanks ABC for sending me a tape instead of a DVD. What, is this 1999?). But I can't imagine that the show has the combination that Studio 60 has after two episodes. One is the obvious quality right out of the gate (creator, writer, director, cast, etc), and the other is this incredible, palpable feeling you get watching it that, even though everything doesn't work across the board, you know it could get even better. That the strong moments far, far outweigh the bad moments.

And it's straight out entertaining as hell.

I'll have a full review of the Studio 60 pilot after the show premieres this Monday (NBC, 10pm), but here's a sneak peek at what you can expect, and my first impressions.

I haven't seen all of the pilots yet. I've seen many of them, and Studio 60 stands so far above them it's almost like they have to say, "this isn't television, it's Studio 60," but HBO already snagged that tag line. Besides, there's nothing else on TV that's more TV than Studio 60, since it's set in the world of television.