TVSquad

Last night's episode of Studio 60 wasn't bad, now that I've had an overnight to think about it; it had its cringe-worthy moments, and the traditional "Sorkinalogue" got in the way of the funny a few times. I still don't think Harriet and Matt have any chemistry. It had a lot of good moments, though, especially the "Jack and Jordan argue over a reality show" storyline.

But what struck me was that the fictional Vanity Fair reporter, Martha O'Dell (who is apparently modeled after one of Sorkin's old girlfriends, New York Times columnist Maureen Dowd) was getting this interesting and probing information from the people on the show and she wasn't recording the interviews or even taking any notes.

(S01E05) So let me get this straight. Sting has been around so long that he can just decide to make an album of songs based on the writings of a 15th century poet, play it with a lute (!), and get a guest star gig on a major network TV show? Nice. I can't wait for the day when Keith lets me write just about obscure game shows from the 1960s, in Latin.

I was wondering if Sting was going to play one of his classic songs after he played his new song at rehearsal. I wasn't the only one: Harriet says the same thing at the end to Matt, and he tells her that he wasn't going to but Matt asked him to play it and he did. (Oh, and curse you NBC once again for tricking us into thinking that Matt and Harriet were going to get back together. Damn previews!)

(S01E04) Unlike many people, I like the Harriet Hayes character. And I like the way that Sarah Paulson is playing her. It's a distinctive performance: very precise in her delivery, graceful, even when she's yelling about something or irritated. And she's a very religious person, but one that's on a late night show doing satire. I don't see anything wrong with what she's doing or how she's written. I actually find the way she acts really believable. I know people like Harriet Hayes.

Having said that, I didn't really enjoy the opening scene of this show. I thought that (for the most part) Matt and Harriet had made up an episode or two ago. And I thought the argument (Matt's upset that Harriet gets a signed bat from a pitcher) was a little too forced, and I thought the Matt and Harriet love plot was going to take over the entire show. But then something happened in this episode, around the 19 minute mark, like something snapped and the episode started to soar, started to click, and showed how dramatic the backstage goings on at a TV show can be.