TVSquad

(S04E04) The twelve finalists move into the "house", which this year is the dry-docked luxury liner the Queen Mary, and the sniping begins. Actually, they didn't show all that much "house" stuff in this episode, which is probably a good idea. I mean, to be honest, I watch this show to see comedy, not to see people form alliances and yell at each other. But I guess this phase is necessary, else the competition phase would only be three weeks long.

The comedians are thrown together on the ship in combinations that maximize explosiveness and hilarity; big ol' Gabriel Iglesias and tiny Josh Blue are put on twin beds two inches apart. Explosive Roz and hormonal pregnant "broad" Stella are put in the same room. Stand back and let the wacky sparks fly.

(S04E03) I've got to say, Last Comic Standing really makes me scratch my head sometimes. Yes, I know that the finalists aren't always the funniest people in their grouping. And, yes, I know that they need to put varied character types in the house so it's not all just twelve of the same type of people trying to out yuk-yuk each other. But the selections that are made to go into the house really make me think the producers think the audience is a bunch of drooling idiots. Why? Because some of the picks you could see coming from the first time they popped on the screen during the audition episode, and the rest are so comically inferior to the some of the ones that didn't get picked, it's obvious that they're being picked for reasons other than being... freaking... funny.

(S04E01) A couple of things about Last Comic Standing has always bugged me a little bit: 1) Even in the later rounds of the show, they don't show nearly enough of a comedian's routine for the audience to get a good feel for what he or she can do, and 2) Half the people who get picked to move on are selected not as much for their comedic talents but for their backstories. That feeling hasn't changed in Season 4, the first time LCS has aired since it's ill-conceived "Season 1 vs. Season 2" year ended with a whimper in December 2004.

This time around, we're back to the usual format, opening with a two-hour show where talent scouts Ross Mark and Bob Read comb the country for candidates to take to the semi-finals in L.A. They went to L.A., Tempe, Austin, New York, Chicago and Miami, auditioning what was considered the city's "best" -- and worst -- stand-ups. What struck me about the audition phase this year is how they decided to not show as many bad comedians as they had in the past, instead concentrating on maybe a half-dozen good comedians who happened to have nice back stories to tell.