TVSquad

(S01E01) True Blood is definitely a show after my own heart. I love any high concept drama that lays out the entire idea in the first five minutes.

In case you didn't get it, here's the short version. Synthetic blood is now available for vampires to buy, therefore they no longer need to kill to survive. So, as a society, they decide to live out in the open and are met with the kind of fear and skepticism that you'd expect.

Another hangar-like room, room 6CDEF (obviously four rooms put together) was what housed the rest of my evening's panels. First up: HBO's True Blood. What's so odd about this is how, immediately following, Showtime has Dexter. Go figure.

Many people arrived early, enjoying the new characters of Street Fighter IV in the panel before True Blood. The line getting in over an hour before was insane, looping around multiple long corridors and seemingly never stopping to gain length. How they're able to get everyone in without people standing is a mystery.

Here are some key highlights from the panel discussion. More details to come later.

Ewww! This poster is so creepy, it makes me want to hurl! And watch this show! Of course, the fact that Alan Ball is behind it -- the man who helmed one of my favorite shows ever, Six Feet Under -- has nothing to do with it. Nope, it doesn't. Okay, I'm lying. It has everything to do with it.

HBO's True Blood, starring Anna Paquin and Stephen Moyer, is set to premiere on Sept. 7 at 9 p.m. Here's the newly released poster for it. Makes you want to dig into a jar of strawberry jam, doesn't it?

Based on Charlaine Harris' Southern Vampire novel series, the show follows the world of vampires set in small-town Louisiana. They're able to co-exist with humans by drinking a Japanese-manufactured synthetic blood. (Well, what fun is that?!)

This post might get a little esoteric, but I'll just lay it out there and, as always, you can either take it or leave it. If you don't like talk about death and dying, stop reading here.

If I was asked to say just one thing about Six Feet Under, it's that they don't shirk from anything. The Fisher family is complex and messy, but the writers and actors put it all out there, whether it's gay sex, drugs, mental illness, or, of course, death.

That last one is a good thing for me, because I go to a lot of funerals. In the past few years, I've lost two aunts, a dad, a father-in-law, a grandma, a sister-in-law, two cousins, and at least two dozen friends. I've written scores of obituaries and played my violin for dozens of funerals. I'm on a first-name basis with most of the funeral directors in town. And you know what? It's OK! Six Feet Under has helped me to see that. Read on for five ways the show helps me cope with death.

One of my favorite parts of Six Feet Under is the opening titles. When I get ready to watch the show, I don't turn it on and do other things while the opening titles play. I sit down and watch the titles from the beginning. It prepares me for the show ahead.

As I learned from watching the behind-the-scenes featurette on the season one DVD set, when a show is created, the opening pictures are usually done first and the music added later. That wasn't the case with Six Feet Under, mainly because creator Alan Ball had no idea what he wanted to do with the pictures. So he had composer Thomas Newman -- whom he worked with on American Beauty -- score the music first.

The show, written by Josh Miller and Mark Fortin, will star Rodriguez's fiancee, Rose McGowan. She'll play one of five women central to the show. It's rumored to have a 70s exploitation feel, and there's talk of mud wrestling. Alan Ball's Bad Girls most likely takes HBO out of the equation, but I'd certainly prefer Showtime over any of the normal networks, just for the freedom it would provide. The linked article mentions NBC and FX as receiving the spec script. Should it end up at either of those, it will be interesting to see how what looks to be an envelope pushing show plays out under the tighter restrictions.

[Thanks to J for the tip.]

HBO and Alan Ball have teamed up once again to develop an American version of Bad Girls. The show is familiar territory for HBO which aired the critically acclaimed prison drama Oz for six seasons.

The British drama about the staff and inmates of a women's prison recently ended production after eight seasons on ITV.

Alan Ball, creator of Six Feet Under, is coming back to HBO with the new series True Blood, based on the Southern Vampire books by Charlaine Harris.

It's been a couple years since we've mentioned the series, but Variety recently reported that the series was officially picked up by HBO. Both the books and the TV adaptation take place in a time when human beings and vampires live together, thanks to the creation of synthetic blood. A pilot starring Anna Paquin, Ryan Kwanten, Sam Trammell, Stephen Moyer and Brook Kerr was shot earlier this summer. Paquin plays the Louisiana waitress Sookie Stackhouse, who becomes romantically involved with Moyer's Bill Compton, a vampire.

Almost Famous and The Piano actress Anna Paquin has signed on to the lead role in a new series for HBO from Alan Ball. That name should ring a bell for all fans of Six Feet Under (Ball also wrote American Beauty).

This time around, Ball is diving into the world of vampires. His new series, appropriately called True Blood, is based on the "Southern Vampire" series of novels by Charlaine Harris. In the story, vampires don't have to kill humans for their blood because the Japanese were kind enough to invent a synthetic blood that does the trick. Paquin will play a non-vampire waitress who hooks up with a vampire.

Paquin is also appearing in an HBO mini-series about the displacement of Native Americans, called Bury My Heart at Wounded Knee.

Bravo has the exclusive rights to air all 63 episodes of the HBO hit series, Six Feet Under. Bravo says it'll start airing the entire series sometime this year, possibly this fall, although the announcement doesn't give an exact date. HBO refuses to say exactly how much the syndication deal is worth but this report puts it at $15 million, or $250,000 an episode. HBO originally pimped out Six Feet Under for $450,000 but that was a little too rich for other networks' blood. As with Sex and the City, HBO has given Bravo the go-ahead to clean up the language and video.