TVSquad

As usual, FOX leaves the best press conference (at least as far as I was concerned) for last. I sat through Karl Rove and Chris Wallace getting contentious with the critics near the end of the FOX News panel (more on that later), Jerry O'Connell and the cast of Do Not Disturb strain to answer questions about a show whose clip reel wasn't all that funny, and the millionaires from Secret Millionaire talk about being poor for a week. All of it was made worth it (and, really, seeing Rove start to get annoyed near the end was fun to watch) so we could see the final panel: all the producers of all FOX's Sunday animated shows.

The first person who spoke up, not surprisingly, was Seth MacFarlane. "Is this where Karl Rove sat? Because I don't want to get AIDS." Wow. Unfortunately, no line that was said after that was as shocking or funny. But it was all still pretty good.

In a recent conference call, Simpsons writer and producer Al Jean spoke about the upcoming 400th episode, titled "Kent Always Say What You Want" (the title was originally "The Kent State Massacre" but that was changed for obvious reasons).

The episode airs May 20 at 8:30 p.m. and is preceded by the 24 spoof "24 Minutes" featuring guests Kiefer Sutherland and Mary Lynn Rajskub.

Probably my favorite moment during the TCA press tour week -- and this is a week where I joked around with Greg the Bunny and visited the set of Scrubs -- was when I met Matt Groening at FOX's party on the last night of the tour. Because just about all the questions I had about The Simpsons were asked during the show's press session earlier in the day, I took the opportunity to concentrate on his other show (and a perennial favorite amongst our readers), Futurama, and its impending return to TV.

Groening gives the show's loyal fans all the credit in the world for helping the show come back. "The continued devotion of the fans, chiefly on the Internet, kept us thinking that maybe we could bring this back," he said.

It's Sunday. The winter press tour is over. I'm currently coming down from being over-fed, over-sugared, and moderately-boozed. I'm also thinking back to the fact that during the last four days, I rarely left my hotel, because the networks were plying their wares for us from morning until night.

I'm going to post my overall thoughts on this TV smorgasboard later this week. But before I hop a plane back to Jersey, I wanted to talk about the session that was a TV nerd's dream, at least to this TV nerd: FOX's panel to celebrate the 400th episode of The Simpsons, which will air this May. On the panel was none other than creator Matt Groening, executive producer and TV legend James L. Brooks, current show-runner Al Jean, and voice actors Yeardley Smith (Lisa) and Dan Castellaneta (Homer and a bunch of other voices).

The Critic, while it was on television, aired on ABC, FOX, and Comedy Central, though not at the same time. The show, created by Simpsons vets Mike Reiss and Al Jean, started off on ABC where it wallowed in obscurity, and then moved to FOX for its second season. Actually, it didn't fare much better on FOX, either, and after two seasons the plug was pulled. It did, however, manage to find an audience when Comedy Central began airing reruns. Also, a "third" season of shorts was created for Shockwave.com. Not counting the Shockwave mini-episodes, the series only ran for a total of 23 episodes.

The titular character, voiced by Jon Lovitz, was a critic living in New York City who essentially hated every movie he saw. Of course, every movie he saw was incredibly bad, so you couldn't really blame him. The series premiered in 1994, and as anyone who has tried to get an animated show on primetime in the wake of The Simpsons knows, it can be an uphill battle, even if you happened to work on The Simpsons yourself. In fact, a crossover episode of The Simpsons featuring Jay Sherman (the Critic) was made ("A Star is Burns"). That episode, however, perhaps inadvertently zeroed in on why The Critic didn't last. While it was a great show, it seemed to wither under the shadow of a much bigger and much more popular series. Even I never gave it much of a chance when it first aired, seeing it as a lesser version of what The Simpsons was offering. It wasn't until I watched it on its own merit that I realized it was actually very unique, very well-written, and had carved out its own little universe separate from The Simpsons. The lesson, I suppose, is never jump to conclusions.