TVSquad

(S02E01) After the harrowing conclusion from last season, Mary Shannon was back and after 30 hours of sleep, she actually seemed ready to return to work. However, as Marshall soon found out, looks can be deceiving. Mary and Jinx and Brandi were still together and coping, but the effects of one of them nearly being raped, killing a man, concealing drugs, having their home turned inside out and suffering the indignity of the FBI invading every corner of your life took a toll. They thought they had come out the other side unscathed, but as the episode unfolded, damage was evident.

For Mary, getting back on a case, even as Marshall's sidekick, was a welcomed relief from administrative leave. Her denial of post-traumatic stress disorder was typical for her. In fact, she was suffering, but it manifested itself as a happy, chipper and congenial Mary. Stan, Marshall and Bobby D. were baffled by this alternate universe Agent Shannon, but for viewers wise to the ways of TV, it was clear that something was amiss.

(S01E11) "My family will be the death of me."

What an opening act! What a set up! This seemed to be the first of the two-part finale for season one, and in this penultimate episode, the writers really delivered a knockout. I think we're finally getting that clash of Mary's personal and professional life that's been building from the pilot when Brandi showed up.

The abduction of Mary was well done because they chloroformed her. If she weren't drugged, she would have not been overpowered. As it was, she nearly got away. Of course, they thought they were grabbing Brandi so why did they need to knock her out? Also -- continuity error -- Russell said they grabbed the first hot blonde that came out of the house. That's not where Mary was snatched; she was in the alley outside the theater.

(S01E10) What does Mary expect? I mean, really, what does she expect! Okay, before we get to the gory details, let's talk about the case of the week.

Remember the Russian girl from the pilot? Natasha with the new boobs -- thanks to the U.S. government, our tax dollars -- has gotten a job at Headlights (nee Hooters) and has hooked up with a new guy.

Turns out he's Marshall's charge, another program member, Serge. The problem is not just the huge coincidence that they've hooked up, it's that she's a witness and he's a felon, they cannot stay together.

(S01E08) In what might have been one of the stranger episodes, there was a point in the voiceover where Mary comments her clients, Ruth and Don. They're devout Catholics, but they hate each other and want to split. They don't because they cannot get an annulment. When Mary urges them to just get a divorce, saying that as a Catholic she understand them, they say they'll continue to suffer because it's God's will. That's when Mary's VO is, "Okay, too weird for me."

That's how I felt about this show. While it was an interesting examination of a couple facing a dilemma while at the same time being in Witness Protection, there were elements that made me cringe.

(S01E06) I thought this was one of the best In Plain Sights so far. It wasn't the case, it was the character, in particular Mary's. We got major character development from the leading lady, the key to what she's all about and how she's come to where she is.

Episodes like this just make a show; they really do. In Plain Sight is about Witness Protection, yes, but it's more about Mary Shannon.

Mary doesn't go looking for this case, she's just bringing in her crap car for service. Her mechanic is Scott, who it turns out, was Mary's very first WITSEC client. Mary gave Scott and his 10-year-old brother, Chris, new lives after they witnessed a bookie murder another bookie.

Parenthetically, Scott invites Mary and Marshall to watch Chris play basketball at the university. The kid's got mad skills and is projected to be an NBA star, natch, but something's amiss. Chris is hitting up Mary for $3,000, which we learn is out of bounds for decade-long WITSEC clients.

(S01E03) For a change of pace, In Plain Sight opted for a mainly comic episode. The results were mixed. The comedy wasn't really all that funny, and the plot was plagued by more than a few inconsistencies and holes. But once again, what's keeping viewers from switching to another channel is Mary McCormack as Mary Shannon. She's really a compelling actress, and this Mary Shannon is a complicated mess of a very cool character.

Mary's newest witness to be protected is a con artist, bigamist scumbag -- Mary's words -- named Treena. She ripped off her previous husband while on a Hawaiian honeymoon, getting away with $10 million in conflict diamonds before being arrested by the FBI. When Mary is forced to take Treena under her wing, she makes no secret of her antipathy for people of her ilk, saying, "God I hate con artists, even more than murderers."

There's an instant conflict between Treena and Mary, the uncooperative witness and unhappy marshal. Mary suspects that Treena is playing her and the system. She warns her that if you hang onto garbage from your past, sooner to later it starts to stink.

The machinations to get Treena into the WITSEC program is the first leap of faith in the episode. The second comes when she allows her picture to appear in the newspaper, announcing her sixth wedding.