TVSquad

Since January 2004, the UK's Shameless has been bringing to life the story of a drunken working-class father and his nine children. Snippets of this long-running hit; going into its seventh season; have aired in the US on BBC America and Sundance. And for five years, it's been in development hell.

The show has been tied to NBC, with Woody Harrelson in consideration for the lead role of Frank Gallagher, and more recently at HBO. Now, finally, original creator Paul Abbott and John Wells Prod. have signed a deal to bring Shameless to Showtime with William H. Macy in the lead.

I told you back in May that William H. Macy had written and would star in a new series for TNT called Family Man. TNT has just given the greenlight to the pilot.

The quirky drama would focus on Macy's character, an upstanding citizen who also happens to be the leader of a group of burglars. The plot is revealed in "flash forward" mode with Macy's character, Todd Becker, imprisoned in the future. Along with his cohorts, Becker steals from major corporations and gives to charity. Ah, that's nice.

William H. Macy is set to star in the TNT series Family Man.

This is the third TNT project Macy has been involved with, having already co-written (with writing partner Steven Schachter) the Emmy-winning Door to Door and The Wool Cap.

Family Man, which Macy also wrote with Schachter, focuses on the life of a man who gives to charity but also steals from major corporations. According to Variety, the series is told in "flash forward" fashion in which we see Macy imprisoned in the future. Sounds like kind of a modern take on the Robin Hood story to me.

There's no word yet on when the series will air.

(S01E03) Writers are the most shameless, self-centered bastards in the world. We lie, we seduce, we'll steal your soul. Anything to look good on the page. -Sam Landry

I thought I had read every story from Nightmares and Dreamscapes, and I might have, but nothing about "Umney's Last Case" was familiar when I read it just recently. Nevertheless, it's not a bad story, and it's also very "meta" as the college kids like to say.

In the story, as in the TV adaptation, we begin in the 1930s where a grizzled private eye named Clyde Umney is leading a storybook life that he'll soon learn is more "storybook" than he realizes. He wields snappy dialogue with the precision of a trapeze artist, and always knows just what to say to get what he wants, at one point managing to turn two women to jelly in his office one after the other.