TVSquad

(S03E19) Talk about ending a season in an explosive way!

In the past three years, this week's episode was probably the second episode of Criminal Minds that I watched in its entirety. It's not a bad show but I just can't watch everything that airs on TV. However, since I stop watching any American Idol season after Hollywood Week, so I wasn't going to watch the finale, and because my usual Wednesdays at 9 PM shows were done for the season, I tuned in to CBS and watched the BAU at work.

There have been a lot of stories floating around about Mandy Patinkin's departure from CBS' Criminal Minds. That he's only going to be in one scene of the show to wrap up his storyline, that his costars didn't like him. Turns out neither of those stories are true.

Co-star A.J. Cook says that Patinkin has actually been phoning all of his Criminal Minds castmates and explaining to them what happened. Cook says that the cast didn't know what was going on, and now that they know they "just want him to be happy."

When we first announced that Mandy Patinkin was leaving Criminal Minds, fans were pretty devastated. A lot of commenters felt no one could replace him and some even said they wouldn't watch the show without him. Today, there's word that actor Harvey Keitel is in negotiations to replace Patinkin on the popular series. Keitel is a pretty heavy hitter, but will he be enough to keep fans tuning in?

Keitel will no doubt bring a much different feel to the show. Patinkin's character was rather subdued and kind-of morose, but I don't see that coming from Harvey Keitel. And, who would want that anyway? A new character needs to bring something new to the table. (Geena Davis was reportedly in negotiations for Patinkin's role but those broke down last month)

Would Keitel make an adequate replacement for Patinkin?

**TV Guide says the deal is "no longer on the table." Keitel joins the long list of celebrities who considered--and then decided against--joining the show: Geena Davis, Michael Keaton, and Bob Hoskins.

(S02E23) "Frank's back." - Morgan

Just like last year, Criminal Minds knows how to properly handle a season finale. This was a spectacular episode, and even thought it ended with a cliffhanger that came completely out of left field, I still ate up every second of it.

Frank, the most prolific serial killer ever, has returned and this time he's out to get Gideon. First off though, I have to say - I am terrified of Keith Carradine. Man... that guy is creepy. However, he played his part to perfection and it made for a thoroughly engrossing chase.

(S02E22) It's not often that Criminal Minds disappoints me. So when it does happen, it's a little unsettling because the show is generally so good.

There's really no better way to put it other than I didn't like this episode one bit. It was bland, unimaginative, and to be perfectly honest... it felt like a total rip-off of the Saw films. A sadistic killer, ridding the world of people who aren't living their lives to the fullest potential. A "house-cleaner" as Morgan put it. Big deal.

(S02E21) "Only one thing you run that hard for. Your life." -Gideon

It's been a few weeks since we had a new episode of Criminal Minds, but when I first saw the preview for this installment I have to admit - the plot sounded a lot like something out of a cheesy b-movie. People... hunting people [insert sinister laughter].

However, this being one of the better hours on TV right now (and using this episode as proof), I'm fairly convinced that the writers and producers behind Criminal Minds can make even the most ridiculous ideas into something compelling.

(S02E20) When this episode started off, I have to be honest - I was bored to death. It was slow, the case didn't feel like something the team would normally take on, and I honestly didn't care too much for the mommy/daughter issues between Prentiss and her mother (played by Kate Jackson). Those sentiments remained for the majority of the episode. But in true Criminal Minds fashion, things changed and the final minutes of the show were just as good as any previous episode. Kudos to the writers for turning around a rather lackluster episode in its ending moments.

(S02E19) Well that was just about the most disturbing episode of Criminal Minds yet. I can't remember a past installment being as graphic as this one. It was an excellent episode, but I'm surprised some of the scenes (especially the opening one) made it through the cut.

It was hard to stomach at some points. That opening scene was downright creepy as the arsonist watched the family burn. While not as graphic, the scene where he tossed kerosene all over that SUV with the family inside was equally hard to watch. This show definitely knows how to push the limits though because as I said, this was a great episode with a well done ending.

(S02E18) You have to give this show credit because it frequently blends so many disparate topics together and it always does it well. Here we had a look at post-Katrina New Orleans coupled with the emergence of a Jack the Ripper copy-cat killer -- two things you probably wouldn't expect to see together.

It was really was one of the more interesting cases that the BAU team has been assigned. I think the only thing that bugged me a little was the way the preview sold the episode as having this massive twist. It wasn't so massive and I figured it out even before I realized it was the twist. That's never good.

(S02E17) This was a bit of a different case for Gideon and the team. For once they weren't really hunting a true criminal, but rather a poor guy who had gone off the deep end largely due to circumstances that were completely out of his control.

It's kind of interesting if you think about it. There's a huge range of cases that this team probably gets called in for and we'll never know about it simply because it might not make for dramatic TV. However, someone suffering from severe post-traumatic stress disorder definitely fits the bill and it earned the BAU team a trip to Houston.

(S02E16) Not bad, pretty much what I've come to expect from this show even when the episodes are just so-so. To me, this was one of those episodes.

Before I talk about the case, first we have to chat about Reid. I'm already disappointed with the way this story is being handled. It's being played out precisely the same way that Elle went downhill at the beginning of the season just as I predicted it would. Reid is having flashbacks to his kidnapping and torture, he's contemplating using the drugs, and he's becoming snippy and distant with his co-workers. There are a million other ways to handle this, so why go the same route as Elle? I don't think he'll be leaving the show as she did, but it's still disappointing to see the same thing over again with a different character. Here's to hoping I'm wrong and that something fresh is in store for us.

(S02E15) No sense in getting into the circumstances about Reid's abduction. I'm assuming that if you've come back to read this, then you saw the spectacular first part that aired after the Super Bowl.

More than anything else, this episode was all about Reid. It's the first time we really got some explanations about his past, his childhood, and what it was like to grow up in his house. It has me a little worried though. Why's that? Because it reminded me a lot of this season's premiere episode. And we all know what that led to - the downfall of Elle.

(S02E14) I remember reading an article about a month ago (I forget where) about how CBS had chosen Criminal Minds as the follow-up to last night's Super Bowl. The reason I mention it, is that in the article Edward Allen Bernero (the show's EP) said something along the lines of how they weren't planning on making this episode any different from a normal installment.

Well, I have to disagree. This was episode was spectacular and easily exceeded any expectations I had going in. If this didn't "wow" you, then you haven't been watching Criminal Minds enough. Not only was the case one of the most gruesome things the BAU team has ever tackled, but it's only the third time the series has left us with a "To Be Continued" cliffhanger. All that sounds like a bit more than the average episode to me.

(S02E13) Once again, due to an outrageous amount of business trips, I'm playing catch up with my TV viewing. I finally got around to seeing last week's episode of Criminal Minds and I had forgotten how much I missed this show. I had been looking forward to this episode too, especially since it had been bumped from the previous week because of President Bush's address to the nation.

It was a decent episode and for the most part, it's the type of story that I've come to expect from Criminal Minds. That's a good thing though, because with the types of cases this show tackles, you never know what to expect. Who knows what's in store for the post Super Bowl episode.

Maybe it's because they work on such a dark show. Maybe it's because many of the actors on the show have at least some comedy in their backgrounds. But the folks from Criminal Minds really like to yuk it up. At least that's what I got from the "informal" (again, that means "jammed in a far-too-small conference room") session for the procedural. The panel consisted of executive producers Edward Allen Bernero and Mark Gordon, and stars Thomas Gibson, Paget Brewster and Shemar Moore.

Gibson started off the comedy by lifting a jar of candy from the table and offering them to the gathered crowd. "They're wah-fer thin," referring to a classic bit from Monty Python's The Meaning of Life.