TVSquad

(S01E09) I've thought since the beginning that Bryce was more one of the more intriguing characters on the series. The fact that he was on the verge of suicide when he had his flashforward was indicative of some deeper hurts that we hadn't explored yet, but this week he finally got his due. We also got to meet the mystery woman from his vision, and now his sketches.

I've also realized that a lot of you are right about one thing. The character of Mark Benford isn't working for me anymore. He's a dick through and through, and he absolutely proved that this week in how he handled trying to track down some information.

In fact, even though Olivia's a little better than Mark, I'd say the "first family" of FlashForward are the two least likable or interesting characters on the show. I think the drama may have been better served by having Mark die in Al's place a couple of weeks ago.

(S01E08) You mean I'm going to have to start paying attention to this show? What do they think they are ... Lost or something? Yes, I made sure to mention Lost in my article about FlashForward, and yes I did it because I know it bothers some of you. I'm a bastard that way.

There was a lot of forward motion in a lot of important ways. Last week's Al-dying, Tracy-returning finale was a huge set-up for the next few weeks' worth of story. As expected, Al's death became big news when Celia went public with the letter he'd sent to her (so I guess that means the FBI found her?). But it was Tracy's return that added layers to the complex onion we're trying to peel here.

In the middle of it all, we got to contemplate the significance of what bra Olivia might choose to wear in the future. See, everything's important!

(S01E07) You know, even without Dominic Monaghan appearing (save for one scene), this episode really captured my attention. There was some further development in the blue hand case, but for the most part it was about the people of the cast and how they're dealing with their lives at this point between the blackouts and the time of their visions.

Since the beginning, I've been waiting to find some confirmation as to whether these were inevitable futures, or just possible futures. And every week, I got more and more proof that it just seems like they're racing toward these inevitable destinies. Even the contradicting visions, like Zoey's vision of her wedding with Demetri, and his lack-of-vision left room for interpretation: she was a bit away from him on that beach.

But really, this episode was about Al Gough. We finally got to see the rest of his vision, and it's a doozy. Plus, Fiona showed up in the Los Angeles office, where she and Al meet again ... for the first time.

(S01E06) Some big revelations this week, both in the flashforwards case, as well as in the situation at the Benford household. In fact, it was at the Benford household that it went down. I was also very proud of the writers for choosing a more challenging route for Mark's character than the tired cliches we've come to expect.

We also got the first encounter between Lloyd Simcoe's son and the Benford daughter, Charlie, and so many things became more clear. A couple more flashforwards to round out the hour and I'm still happy with the series.

And speaking of Charlies, those who've been waiting all season for Dominic Monaghan to finally get down and dirty as a series regular on this little show need wait no loner. His name was even right there in the opening credits under 'Starring.'

(S01E05) FlashForward took us to Washington, DC to see the political ramifications of the blackouts, as well as some of the maneuverings that the city is made of, at least in this reality. Also in this reality, Peter Coyote is President. I've always liked him, and I like how he plays the characters as a very regular and relatable guy.

We were introduced to a new character in Senator Joyce Clemente (Barbara Williams), and she's definitely set up to be a major thorn in the side of the ongoing investigation. There was always something a little wacky about the LA office taking Mark's vision and building an entire investigative force around it just because they felt like it. And now, they have to face the music and justify their very existence.

It made for some pretty intense television. That and the bullets flying at the heads of our intrepid heroes.

(S01E04) Any time we can go back and look at the blackout itself, I'm interested. But the use of an idyllic park scene and Björk's "It's Oh So Quiet" created an almost peaceful panorama -- until a bus drove into the lake, nearly missing someone lying nearby. Throughout the entire opening sequence, though, the scenes of serenity and death melded flawlessly with the song.

It was a great opening reminder of the event that put the entire series into motion, as well as an introduction to Ned. Ned is Dr. Benford's patient this week, who helps her come to terms with her own feelings about the flashforwards. He's also the calmest and most collected guy you could ever meet. But there's a reason for that.

What might be the most important thing for some people still on the fence about this show, Dominic Monaghan (Lost) finally showed up this week. As expected, he's going to be playing a pretty damned important role in the series. His introduction created a relationship with one of our main characters that I absolutely didn't see coming.

(S01E03) I hope that the way tonight's episode was constructed isn't going to continue week after week. It's like they've mastered the big "wow" moment at the end of each episode, but there was a serious lag throughout most of this week's installment. We did get some more clues and hints to the futures of more of our cast, including Demetri's fiance's vision.

Unfortunately, I don't think her vision was as conclusive as the previews of that moment would have lead us to believe. We've got the fiance, Zoey, saying that she saw Demetri at their wedding on a beach while there's the strange woman (what city was that she was in) telling him she read a report that he got gunned down three times. But why could she say no more and why did she have to go so abruptly?

All those little moments throughout the episode were good. It kept me thinking and trying to remember everything we already know as I piece together this April 29 puzzle. What was less compelling was everything with the octogenarian Nazi.

(S01E01) Well, that was it. The most eagerly anticipated premiere of the season, if early buzz is any indicator. Is it the next Lost? Is it as good as everyone says it was? It can be. As much as I liked this pilot, though, I can't say that I know for sure how good the show is going to be based on it.

The opening sequence was every bit as epic and awe-inspiring as the opening moments of Lost. Whereas in Lost we had the aftermath of a cataclysmic plane crash on a deserted island, here we had the cataclysmic crash of ... everything! They dropped us right into the moments after the global blackout to immediately show us the impact it would have. It was like the opening of a big budget summer blockbuster.

Someone you might not expect is going to have a recurring role on ABC's mysterioius new series Flash Forward. Who do you think it is? (Answer after the jump.)

(S05E16/S05E17) "See you in Los Angeles." - Jack

I'm not really sure where to begin, but I think this is a pretty good starting point: holy crap. Just like every season finale before this one, Lost has once again left us all with our jaws on the floor and our brains on overdrive. This changes everything. The big question? How does it change everything? Is it January yet?

(S05E15) "I have a purpose now." - Locke

I can't believe how fast this season of Lost has gone by. There's probably a time-travel joke buried in that realization somewhere, but my head is still spinning from "Follow the Leader," so I'm not really in clever witticism mode. Honestly, I'm speechless. For the most part, this wasn't one of my favorite episodes of the season. But for me to be at a loss for words at one of Lost's sub-par installments - well that says something about the quality of this show. "Follow the Leader" was a lot of set up for next week's two hour finale and the events that have been set in motion (even though it seems they always happened) are mind-numbing.

(S05E14) "Well, I got some bad news for you Jack. You don't belong here at all. She was wrong." - Faraday

After listening to Carlton Cuse and Damon Lindelof ranting in last week's Lost audio podcast, I didn't expect "The Variable" to be this much of a game changer. Everything we thought we knew about the island, time travel, and course correcting - it all got turned upside down. I think it's safe to say that the 100th episode of Lost is going to be remembered for more than just its milestone significance.

(S05E13) "That douche is my dad." - Miles

I've been waiting for an episode like this. We've gotten close to nothing when it comes to backstory on the freighter folk and had it not been for the writer's strike, I'm guessing that "Some Like it Hoth" (or at least something Miles related) would have aired during season four. Last time we got any substantial info on Miles' orgins was "Confirmed Dead" and all that filled us in on was ghost whisperin' powers and his conscience - ripping people off doesn't come easy for him. We got a helluva lot more info this time around.

(S05E12) "Well... John, we don't even have a word for it. But I believe you call it 'the monster'" - Ben

Wow, I'm not quite sure where to begin. This wasn't one of the best episodes of Lost (for lack of a better term, it was safe), but I walked away from it feeling enlightened. It's not often that Lost leaves you with more answers than questions.

That being said, I still have a ton of f%#k&$g questions.

(S05E11) "Maybe there's something they can do." - Juliet

At the risk of sounding clichéd, I'm gonna say it anyway - all the pieces are coming together. While I didn't particularly care for any of tonight's flashbacks (personally, I've never really gotten into Kate at all), what happened on the island in 1977 was mesmerizing. It's looking more and more like the Oceanic 6 (plus Juliet, Miles, etc.) were directly responsible for, well ... everything.