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(S04E08) As promised, this week's episode of Heroes took us back to the heydays of the first season. Back when this was a world of wonder filled with new and exciting characters and mystery. Their futures lie before them, and it all centered on Charlie, the poor waitress that Hiro failed time and again to save back then.

Now that he's working on his bucket list before he kicks it, the time has come to head back three years and try to undo her death by Sylar's hand. Which means we got to see HRG, Claire, Hiro, Ando, Sylar and even Isaac as they were three years ago.

The question was whether or not he could change the past and save Charlie, when he failed to before. Furthermore, could he do so without changing all the subsequent events that had happened. He'd already had a taste of success with Ando and his sister, but this sojourn had much higher stakes.

(S04E07) We'll have to wait until next week to see Hiro try to save Charlie. This week, we stayed with Noah and Jeremy, checked back in on Claire and Gretchen, and saw how Matt was faring with his unwanted head-guest. And things didn't really go well for any of them.

The series is really finding a nice stride, for those of us left to enjoy it. I'm racking my brain trying to think of ways to inject a sense of excitement into the show to lure some of its wayward former viewers back. Who could they cast for an arc on Heroes that people would have to tune in to see. Summer Glau? Jennifer Aniston? Bill Cosby (he has the power of slow dancing)?

They're keeping things pretty simple now, not stretching us beyond three storylines per episode, and the sense of excitement and wonder really is back in a way I've not seen since the first season. I'll not go so far as to say this is the Heroes of old, but it's a helluva lot better than the Heroes of lately.

(S04E06) If there was a theme this week, it's about nurturing and guiding people with abilities. We followed up with Sylar, now in the nefarious embrace of the Sullivan Brothers Carnival, as well as Peter and Hiro, and by extension Emma. The quest to save Hiro's life from the brain tumor that's killing him even affords Noah the opportunity to atone for his cold past by providing support to a former kid he and the Haitian had "visited" back in his Company days.

We got some very nice character moments this week. I like Hiro in the role of mentor to Emma, as it gives him a focus for his crazy optimism. Plus, we got to see how stopping time makes a magic show even more awesome -- I know that's the kind of crap I'd be doing with that ability. Screw saving the world, watch me make this woman vanish.

(S04E05) I know I'm starting to sound like a broken record, but sometimes I wonder if we don't have more people reading TV Squad than Heroes has viewers. And so I want to keep reminding fallen fans who may have jumped ship over the past two not-so-great seasons that things are going much better this season.

There's a better balance in each episode than there's been. In the past few weeks, we've been sticking to mostly three storylines per week. This time around, we checked in on Peter, Claire and Sylar (after his unearthing last week). They're allowing the characters room to breathe and be themselves, rather than just rushing into the next adventure.

It was character growth and development that I'd missed the most, and we're finally getting it. Zachary Quinto was fantastic this episode, and even Hayden Panettiere showed an inkling of range. Oh, who am I kidding, she was as wooden as ever, but that's why we like her ... right? That kind of looks like a cardboard cut-out up there, doesn't it?

(S04E04) What are you doing with your life? Are you happy with what you do every day, 40 or more hours a week? If not, then you're not truly living your life, you're living someone else's. Only when you realize that this life is a gift and it's so much shorter than any of us can possibly realize, can you truly start to live for yourself. Take a risk. Do what you want. Do what makes you happy.

That's pretty heady stuff, but it was apparently on the Heroes writers' minds tonight, because that's exactly what this episode was about. And it turned out pretty well. There were moments of true growth for several of our characters, some good and some probably not so good.

(S04E03) Let's talk candidly. After all, it looks like you and I are the only ones left watching this show. Remember the good old days when Heroes was the top-rated show on NBC and all the talk at the proverbial water coolers? It feels like it was only three years ago.

It's a shame that it looks like this ratings erosion is a permanent one, as tonight was a good installment. Unless things turn around immediately, it's a pretty safe bet this will be the last volume of Heroes. They need to sneak in some stunt casting or film a live episode or whore the stars out to all the talk shows relentlessly if they want to save the show. If they want to.

(S04E02) Things are definitely getting interesting again. I'm glad Heroes went with a two-hour premiere, because it wasn't until the end of this hour that we had enough to really grab our attention again. As expected, Samuel Sullivan and the Sullivan Brothers Carnival are right at the heart of the mystery right now.

There's another mystery brewing at Claire's college. Or maybe there isn't. Could what happened with Annie be as straightforward as everyone seems to want us to believe? But now that's the least of Claire's problems, due to her little impromptu experiment.

This episode focused primarily on four main storylines, and it progressed very smoothly for it. It wasn't too confusing, and I came out if it with a sense of confidence that there's a plan for the season. I'm still not sure if it's accessible enough for new viewers, but you never know. Maybe people are smarter than I give them credit for.

(S04E01) Volume Five - "Redemption"

A new volume and new faces ... on the show, that is. At this point, I think it's a bit of a pipe dream by NBC to think they can nab new viewers. And as much as I was hoping they'd make this as accessible as possible, things are still pretty hopelessly complex. The situation with Nathan/Sylar alone is enough to make any new viewer change the channel. Maybe see how House is coping with life in the asylum.

On the other hand, Robert Knepper has joined the cast as Samuel, the leader of the Sullivan Brothers Carnival, and I couldn't be more excited. No matter how ridiculous Prison Break got over four years, Knepper was just deliciously villainous as T-Bag. And he's just as enigmatic on camera here.

Tonight's premiere is a two-hour extravaganza, including the first two episodes of the new season. Look for my review of the second hour in a separate post.

Long-time readers of this site might remember the recurring feature "Short-Lived Shows." While this column may bear a resemblance to that beloved early TV Squad staple, there are notable differences. In particular, I'll be going much more in-depth about the show's fate, its cast, continuing fan support, and possible story continuations in different mediums.

Also, to make this column, a show must have actually been good. Shows that are canceled and deserve it certainly aren't "Gone Too Soon." They're perhaps not gone soon enough. Furthermore, a GTS could just as easily have been on the air for years before ending abruptly. If I'm sitting here wondering what happens next and now I'm never going to find out, that's gone too soon.

Which brings us to our first entry. HBO is known for groundbreaking television, but even they didn't know how much ground they broke with Carnivàle in September 2003. On the surface, it was yet another brilliantly produced period piece, perfectly capturing the look and feel of the Great Depression era United States. Underneath, it was nothing short of the epic struggle between good and evil.

This is Spoilers Anonymous, a weekly column here at TV Squad where we supply you with the dirt on some of the more popular shows on the air. We'll never put spoilers up here on the main page in order to help the reformed stay unspoiled. If you have anything to add to the group, feel free to step up and let yourself be heard, either with our tips form or by emailing us at tvsquad at gmail dot com, or call and leave a message at (775) 640-8479. Your anonymity is guaranteed, if you wish to remain as such.

This week we have a light version of the column as more and more series are on summer hiatus so production is halted. Look for spoilers for: Greek, Heroes, Lost and Nip/Tuck. (SPOILERS FOLLOW!)

(S04E21/S04E22) "I don't want to run anymore." - Michael

I'm happy that Prison Break is over. I've been a fan since the beginning, and even though it tested your threshold for absurd and ridiculous TV moments on more than one occasion, Prison Break was still one helluva ride. While part of me wishes that it had gone out on a creative high after maybe a season or two, I still appreciate what Paul Scheuring, Matt Olmstead, and Co. tried to do in season three and on some level, I even respect what went down here in the final season - arguably the drama's worst. That being said, tonight's two-hour finale offered some solid closure while wrapping up most everyone's story in ways that actually felt believable.

(S04E20) "What kind of loser gets set up for two high profile assassinations within five years?" - Lincoln

That's a question I've been asking myself for some time now, except that my query was a bit more broad - what kind of loser gets messed up in this many conspiracies period? Lincoln Burrows and Michael Scofield (Quick sidebar: different last names. Obviously they weren't brothers.) haven't exactly had it easy, but it's finally starting to look like there might be a light at the end of the tunnel ... at least for Michael anyway.

(S04E19) "Maybe I can meet my grandson one day." - Cristina

With only three original hours left in Prison Break's run (not counting the two hour telepic that may or may not air), it's about time we got some solid answers. Despite her plea saying otherwise, I feel pretty confident now in believing that Cristina ain't one of the good guys. While General Krantz isn't much better, he's starting to look like a saint compared to Michael and Lincoln's mother.

(S04E18) "I warned you not to come Michael." - Lincoln

Eighteen episodes into Prison Break's final season and we finally got some solid explanation as to what exactly The Company has been up to all this time. Answers are a good thing - except when they create more questions. After learning about Scylla's true contents (at least some of it anyway), I'm more confused than ever.