TVSquad

With a healthy stable of hits including The Shield, Rescue Me, Nip/Tuck, and Damages, you can easily make the argument that FX has a pretty good idea of what makes a good drama and what doesn't. Unfortunately, you can't say the same thing for comedies.

The cable network has scored a huge hit with It's Always Sunny in Philadelphia (now in its fourth season), but they've had no other comedic successes. You might recall that when Sunny premiered back in the summer of 2005, it aired in tandem with FX's only other sitcom attempt, the Eric Schaeffer vehicle Starved. Personally, I thought Starved was a great show and deserved a second season but the ratings didn't justify it. The subject matter (eating disorders) probably didn't help either.

So after a long hiatus, FX is finally giving comedy another shot with Testees, a new sitcom from the mind of Kenny Hotz (Kenny vs. Spenny). I had a chance to see the pilot episode and after viewing it, I think it'll probably do OK.

(S01E01) "Just pretend it's carve-your-own steak night at Sizzler." - Jax

FX is taking a fairly big gamble with Sons of Anarchy. With their trademark drama The Shield ending its seven season run this fall and their other two big hits (Damages and Rescue Me) pushed to 2009 because of the WGA Strike, the network is in dire need of some fresh buzz. The one thing they have going for them? Even FX's previous flops (Dirt, Starved, Over There, Thief) were better than a lot of other things on TV and Sons of Anarchy certainly fits that mold. Once the fall season is in full swing, the only network competition will be CSI: NY, as I don't see Lipstick Jungle or Dirty Sexy Money getting in the way. Sons has the potential to do well. It'll just rest on creator Kurt Sutter and how he plans to make the show appealing beyond this pilot episode.

You're going to hear a lot of things about FX's new motorcycle club drama Sons of Anarchy. It's different, it's edgy, and it covers a fairly taboo topic that, up to now, hasn't really been addressed in a TV drama.

However, strip away the leather jackets and exhaust fumes and you're looking at something we have seen before: Sons of Anarchy is The Sopranos on Harleys. You've got your powerful crime family, illegal gun smuggling, rival gangs, conspiracy, and for good measure? Drea de Matteo (of Sopranos fame) plays a crank addict. Trade the crank for blow and we've seen that before too.

Is AMC determined to shed its image as the second-best old movie channel -- number one id TCM -- to become a serious rival in series TV? It seems that the great success of Mad Men and the nearly as great success of Breaking Bad has emboldened AMC and they are itching for more. AMC has ordered a political thriller pilot from executive producer Jason Horwitch.

The plot involves two potential fascinating elements: a secret society that has political power around the world and uses it to manipulate countries, and also an analyst working in a think tank who discovers that the people with whom he works are not who they seem to be. That last part sounds like a very Hitchcockian idea, especially if he's wrongly accused of something that happens on the job and has to go on the run or go undercover to suss out the bad guys. We'll see...

"This is a world you have not seen on television before -- it's not your typical spy thriller." That's what AMC is saying about the show, and if they can catch an All The President's Men or Parallax View paranoia vibe, they might be right.

"We tell the stories others refuse to tell." - Richard "Ringo" Langly

Like many of you, I have a growning collection of DVD sets from shows that left the airwaves too soon. If I had to pick just one to have back, it would probably be Firefly, but The Lone Gunmen would certainly be in the conversation. It was a great example of a spin-off done right. After years of service, fighting the good fight, lending a hand to Mulder, the boys finally got their own gig. Melvin Frohike, Richard Langly, and Johy Byers weren't your typical prime-time, leading man, characters, and The Lone Gunmen wasn't your typical prime-time show.

Remember back in February when we told you that Edie Falco was signed for a new dark situation comedy from Showtime about a harried nurse?

Well, they've started filming the show in New York and given it a tentative title, Nurse Jackie. What's more, the cast surrounding Edie includes some familiar faces.

Nurse Jackie will have a boyfriend and he will be played by Paul Schulze. The name may not be familiar, but the face sure is. Paul was Father Phil on The Sopranos, the priest who spent a lot of time with Carmella and had her thinking they were going to replay The Thornebirds.

On this Showtime series, he's Eddie and he works in the hospital in the pharmacy. That's important because reportedly Edie's character has a problem with drugs.

What's this, she's a female House? Could she be popping Vicodin as prodigiously as he does? Could anyone?

To some people, George Clooney's affable good nature and sincerity comes off as smug over-confidence. I fall into the former rather than the latter category.

I think George is ambitious and grateful to be working in the business. I think he remembers the years of struggling to become a star -- those years on The Facts of Life and Riptide and E/R (the Elliott Gould sitcom, not the Emmy award-winning NBC medical drama).

Failures like Leatherheads have to keep him humble. Anyway, his efforts to expand as an actor and director and producer strike me as someone who is wisely not resting on his laurels. That said, today it was reported that Clooney's production company, Smoke House, is behind a new pilot for Showtime called The Fall of Bob.

With our ever expanding channel lineups it is getting harder and harder for a new show, especially one tucked away on cable with no big name stars attached, to get noticed. Seeing a network release a show online before the premiere isn't new, but seeing one release a pilot on P2P networks with no DRM is a bit more original. And that is just what the folks over at Spike have done with their new show, Factory.

The network has made the show available on its website, at downloadable video stores like iTunes, and in working with the Jun group, on P2P networks. Although my first reaction at the mention of Limewire was surprise that people are still using Limewire, I do agree with their thinking behind the move. Todd Ames, marketing VP at Spike, said they went with the P2P as an acknowledgment of "what people are really doing, and the way consumers are really looking for content." He also notes that there are no plans to make any additional episodes available that way, but it's a step in the right direction that they are paying attention to the viewers.

ABC has cast some familiar television faces in an ambitious family-oriented pilot called Captain Cook's Extraordinary Atlas. The West Wing's Janel Moloney (yes, she's done other stuff, too, but to me she's still Donna) and Patrick Breen (who's been on lots of shows like Eli Stone and The West Wing, too), will play the adopted parents of Gwen Malloy, the star of Captain Cook's Extraordinary Atlas. Jodelle Ferland, a 13-year-old veteran has landed the Gwen role, and the show will revolve around her. Ferland is a vet, having appeared in features like Tideland, a Terry Gilliam film, Dark Angel and The Collector. On TV, she was in Stephen King's Kingdom Hospital.

Captain Cook's Extraordinary Atlas is being talked up as a Harry Potter meets Pan's Labyrinth, although the plot also has elements of Nim's Island in there, if you ask me. Gwen is an adventurous kid who discovers a magic atlas. The atlas is the key to a secret world beneath our own reality.

It didn't take long for Kelsey Grammer to bounce back from his Back to You flop stint. The Fox sitcom, a high profile one at that with Emmy-winner Patricia Heaton as his co-star, was dumped by the network recently. Kelsey was so bummed out that he even tried to get other networks, CBS in particular, to pick up the news room comedy. No dice. Back to You was a dead shark.

Now, less than two weeks later, Kelsey Grammer has been cast in a new ABC sitcom called Roman's Empire. This is big news for a big star and he's the emperor in the title. He's playing Roman.

Roman's Empire is not a three-camera, traditional sitcom, which has been Grammer's playground since Cheers. Frasier may have been one of the best three-camera sitcoms ever. As an actor, Kelsey's accustomed to having an audience watching him work. Empire is a single-camera comedy -- like The Office or My Name Is Earl or Samantha Who? -- and revolves around a nice guy named Leo (Nick Thune), who's dumped by his heiress-like girlfriend (Christine Woods), but remains connected to her crazy family, the Prettys. That's especially true of Roman Pretty, the family patriarch, an outspoken, outrageous character.

Can you write? Do you think you know what makes people laugh? Have you ever tried banging out a sitcom script? If the answer to these questions is yes, yes, and yes, you might want to read on. Fox TV is teaming with the New York Television Festival (NYTVF) in creating a Comedy Script Contest. Wannabe writers are invited -- hell, encouraged! -- to enter an original comedy pilot for a potential Fox sitcom series. The winner (or winning team if you collaborate with someone) will be awarded $25,000 and a development deal with Fox to turn the pilot into real, honest-to-God TV show.

Considering the pitiful pros passing as live action comedy on Fox these days -- Til Death, Back to You, Unhitched -- you might think this contest was an act of desperation. It's not.

I suppose most people would lead with the fact that Jay Mohr has signed on to Ed Yeager's untitled comedy pilot for CBS. After all, Jay does have that regular gig on Ghost Whisperer. In a nutshell, Mohr and Paula Marshall play a couple that has recently divorced, after fifteen years of marriage. The funny is scheduled to arrive as we watch Mohr's character try to juggle his ex-wife, their two kids, and his new girlfriend, played by Jaime King.

That's all well and good. For me though, the far more interesting bit is Paula Marshall's involvement. I find her career fascinating. She's been on a bunch of great shows. The Wonder Years, Seinfeld, Nash Bridges (don't laugh, Nash was very successful), Spin City, Sports Night, Just Shoot Me, Nip/Tuck, and Veronica Mars, to name a few. Yet, for whatever reason, whenever she gets a starring gig, it all seems to go to hell. See Cupid, Snoops, Hidden Hills, and Out Of Practice. I don't get it. I like everything she's ever done, but it just doesn't work. So, I don't have high hopes for this production. However, it does offer a thought. It's quite possible that Paula was all set to star in a great new show for Tim Minear. Unfortunately, the sheer power of their combined abilities to kill shows sent the series itself back in time, canceling itself before the idea even came to be.

Hollywood people are strange folk. In the normal world people who are sacked by the company they worked for wouldn't normally return to it in another capacity, especially if they were treated poorly during their employment. Yet, for some reason, when actors are let go from a network because of a show cancellation they tend to go back for more punishment.

Take Jason Bateman as an example. After his critically-acclaimed and fan-favorite comedy Arrested Development was unceremoniously canceled by FOX in 2006 you would think that he wouldn't step anywhere near the network. In fact, you would think that he would jump to another network and make it big just to rub it in FOX's face. Yet, there is news that he is directing a comedy pilot for them. Go figure.

Jack Bauer's daughter is trading in angst for romance. Actress Elisha Cuthbert has been cast on the CBS pilot Ny-Lon. That's the one-hour romantic-drama-with-comedy based on the British series of the same name that aired on the Channel 4 TV in 2004 (only there it was called NY-LON; apparently the American version is initial cap only).

Back in January we reported that the still popular 70's game show Match Game was ready to be revived once again by Fremantle Media, which pretty much owns rights to every single game show on the planet. In that report we mentioned that Fremantle was talking to a number of cable networks about this project, but no permanent home was established yet.

That problem may have rectified itself in the last few days, though, as a pilot has been commissioned by...Ah, you thought I was going to say GSN, didn't you? That would seem the most logical place since reruns of the 1973-82 version of Match Game have had a successful run for years on that network. Unfortunately, that is not the case. This time around the cable network requesting the pilot is TBS (as Bob mentioned earlier this month in a post about Turner's new shows).