(S02E06) "No takebacks!" - Jane, to the killer, about her confession
So this episode had two things that scare the hell out of me: prison and mice. I think we all view prison as a place that would freak us out if we ever found ourselves in one. I hate the very thought of being in that situation. I think I'd try to escape like Jane did tonight. What's the worst that could happen, they'd send you to prison?
As for mice, I have a few every winter in my apartment. They come in through the wall behind the fridge looking for warmth and food. Really irritating and gross.
Rules are meant to be broken... especially for these ten television characters. For them, the rest of the world has one standard to live by and they have another. It makes them interesting and fun to watch... you just wouldn't necessarily want to be the person having to deal with them because they could drive you to distraction. Here's my ten pack of characters who live in a world of their own, according to no rules except their own. From the not-too-bad to the really bad.
10. Patrick Jane, The Mentalist
You would think that as a consultant to the CBI -- California Bureau of Investigation -- Patrick Jane would be compelled to uphold the rules and regulations of the department. However, Jane is a free spirit when it comes to office protocol. He does his own thing. For instance, bugging the office of a CBI higher-up is definitely not kosher. Jane doesn't care; he did it anyway and will probably get away with it.
(S02E04) "Everybody is. I am." - Jane, on people who are geeks
Is Patrick Jane really, really brave or just clueless?
I've been wondering that the entire series. He's not a fighter. He's not even one of these "strong, silent" types who acts wimpy but is secretly a karate master or former Navy Seal or whatever. He honestly doesn't have any physical skills but he insists on interrogating people who could turn his bones into mulch. Like tonight's confrontation with bikers in a dive bar. Or maybe he was comfortable because Lisbon was there with a badge and a gun. I think he's done it in the past with no backup though, so I'm not sure if he's brave or just oblivious or doesn't care.
After last season's success of The Mentalist, I made a point of watching the show this season. I wanted to see if vox populi was right and this was must-see TV. Well, now that I've tuned in for a few episodes, my opinion of the show remains the same as when I previewed the pilot in 2008. It's a star vehicle for Simon Baker. He's wonderful in the role and commands the screen.
However, since watching this season, there's one major thing about The Mentalist that's ticking me off. Aretha Franklin sang about it: R-E-S-P-E-C-T.
(S02E03) "I didn't lie ... he made risotto." Lisbon, to Jane, about a certain cooking show with "the angry man" she watched on Tuesday
Hypnotism is a lame shortcut in TV shows and movies. Hypnotists seem to do it so easily, and the subjects seem to be put under so quickly and then remember just enough to solve the puzzle or at least advance the plot to another point.
That's why tonight's hypnotism of Lisbon by Jane was so satisfying. I groaned when it started, but I like the fact that he hypnotized her without her knowing it, how she made a comment about Rigsby and Van Pelt while under, and how the hypnotism didn't really work in the end.
(S02E02) Tonight's episode of The Mentalist was an incisive look at how the ... HEY THAT WAS STARSKY!
Yes, Paul Michael Glaser made an appearance in this episode, and it's good to see him in something else besides those fix-your-credit commercials.
This season seems to be about the personal lives of Jane and Lisbon a lot more than the first season was, how the search for Red John is affecting both of them (Jane is on the outside of the investigation; Jane is seeing a psychiatrist because of what happened in the season finale). Last season I didn't want every other episode to be about Red John, and I still don't, but I'm more intrigued by the Red John investigation than the murder-of-the-week. Where last season the tension in the CBI regarding cases and who was in charge was scattered here and there; that tension seems to be a theme this second season.
(S02E01) "If you sit by the river bank long enough you'll see the bodies of your enemies float by." - Patrick Jane
Where will the second season of The Mentalist go? Will we focus on Red John the whole time or will we get cases of the week until we have a Red John episode? It looks like it's going to be more of the latter (though there's a big plot development concerning the Red John case in this season opener), and that's just fine.
I do wish the cases were more Columbo or Murder, She Wrote-ish, though.
Patrick Jane came very close to catching Red John on The Mentalist last season, but it wasn't to be (not yet anyway). In this clip from the season opener this Thursday at 10 (new night and time), Jane and Lisbon are taken off the case because they are too close to it and we're introduced to the new guy in charge of it.
(Side note: it's funny that this clip is sponsored by - at least when I watched it - Red Robin! Is that a coincidence or on purpose?)
CBS has posted a season one recap of The Mentalist, and if you don't watch the show you'd think that every single episode was a hunt for Red John. They're not, of course. This recap doesn't give you a feel for what Jane and company do on the show but it does give you the background on that case and Jane.
I just saw a promo for the new season and the gang is getting a new boss this season. It starts September 24.
The fine art of interrogation may seem lost thanks to suspects lawyering up and the Miranda warning. Whatever happened to the days when a snarling cop could throw a perp against a brick wall to get him to squeal? Or a sly questioner could finagle a confession by laying on a guilt trip? Still, there are some very clever, brilliant interrogators plying their trade on these days. In fact, when you look at these eight interrogators, you'll probably agree that they know just how to get to the truth. Here are the eight top interrogators on TV today:
8. Captain James Brass, CSI Brass is the most "old school" of all these interrogators. He's like Andy Sipowicz from NYPD Blue, only without the violence. Brass talks to suspects with a modicum of respect, but a healthy cynicism. He's seen it all and knows the truth is in there somewhere. He asks questions and waits for them to trip themselves up. When they do, he has them write it down. Despite the laconic attitude, Brass has the brass to get the job done.
I was happy with the way The Mentalist ended its first season. It didn't go overboard with a season finale cliffhanger scenario with someone in a coma, an explostion, or someone vanishing, it just had a case end and the characters learn something from it. Sure, the episode focused on Jane's nemesis Red John, so there was more urgency and importance to the plot. But he was never caught (though we did learn some facts about him, which will lead nicely into next season). What did everyone else think?
(S01E18) This was a fun episode of The Mentalist, reminiscent of parts of the psychic episode, "Seeing Red," in that we got to see Jane in a comfort zone of his, something that he knows well. The difference is that Jane believes in hypnosis.
And we got to see Jane do his thing tonight ... his hypnosis thing anyway. He was clever enough to put the tracer in Rigsby's pocket, but my favorite episodes of The Mentalist are when Jane knows whodunnit ahead of time and sets them up. When Jane is a step -- or two -- ahead of everyone else, he shines.
(S01E17) "This is a goat turd about six months old." -- Cho, about Jane's "fossilized worm"
Ah, a few things I love about The Mentalistshowed up in tonight's episode: a quote from Cho, a setup from Jane, and Lisbon and Jane banter. Top that off with a couple of my favorite guest stars and you've got yourself a fun episode of The Mentalist.
Oh, and we can't forget Jane doing his Jane things: trying to get Rigsby and Van Pelt together in a car for three hours, monologuing about the beauty of the desert, teasing Lisbon and Faulk (the "Boom!" line) and smiling throughout everything.
(S01E16) "My other senses are heightened. They're super-heightened. I'm like Daredevil." -- Jane on his blindness
Now, this was an interesting episode of The Mentalist. We veered from the formula a bit, and I liked it. We got to find out a lot more about Jane's past, albeit Red John-free. Sadly, this episode was fairly Cho-free, as well, but we did get a lot of Rigsby / Van Pelt payoff.
Mostly what this episode was about, though, was Jane's questionable past: the lies he told to people, the money he unabashedly took, and the lives he ruined with his greed and his false representation of his psychic abilities. Jane is clearly carrying around a lot more guilt than just his family being killed, although that was obviously the defining moment for Jane.
Here we are in the middle of the March sweeps period (March this year instead of February, because we were supposed to switch to digital TV on February 17 and Nielsen was worried that would screw up the numbers) and The Mentalist is a repeat tonight. Not only that, but it's the third week in a row where the show has been a repeat.
(S02E03) "I didn't lie ... he made risotto." Lisbon, to Jane, about a certain cooking show with "the angry man" she watched on Tuesday
(S02E01) "If you sit by the river bank long enough you'll see the bodies of your enemies float by." - Patrick Jane
Here we are in the middle of the March sweeps period (March this year instead of February, because we were supposed to switch to digital TV on February 17 and Nielsen was worried that would screw up the numbers) and The Mentalist is a repeat tonight. Not only that, but it's the third week in a row where the show has been a repeat.
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