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(S06E07) "I'm living my life. For the first time, I'm not going to change that because of how it might affect him -- or you." -- Cuddy to Wilson, who asked her what she sees in Lucas

I just want to shove House and Cuddy into a room together and let them figure out their relationship. It's clear that even though she's trying to be happy in her current relationship, she just can't get House out of her head, no matter how much she declares that she has or is going to.

I feel for her, because once they end up getting together -- if they don't by the time the series ends, I'll be ticked -- she'll have a long road ahead of her. Or not. People change. There's a good heart beating inside House's damaged psyche. It could work.

I don't know how many of you caught the G.I. Joe movie this past weekend that is based on the cartoon and toy franchise of the 80's. I didn't, but even without seeing it, I think this sketch from Funny or Die called The Ballad of G.I.Joe is far better. Even the costumes are more accurate (if a little, but not much, cheesier).

Of course, there are quite a few television and movie celebrities making up the cast: Tony Hale, Olivia Wilde (pictured as the Baroness), Alan Tudyk and Julianne Moore, to name a few. And whatever you do, stick around for the end of the song to see a special guest star that SHOULD have been in the movie.

I remember watching the cartoon while I was a young lad, and it seems obvious that the creators of this cute sketch knew the show, possibly even more than the people who made the movie. Video is after the jump.

(S5E16) First off, a thanks to everyone who wrote in telling me what the music playing at the end of last week's episode was. Who knew that Hugh Laurie was a composer, too? Apparently, everyone else but me. Also last week, a few of you wrote in expressing frustration with the slow development of House's character. I feel like we've seen other characters on the show evolve and develop, yet House has remained frustratingly stagnant.

Well, this week, I think we got our first peek at what a new and improved House would be like...and, I gotta say, I was not pleased.

(S5E13) "What's going on with everyone today?" -Kutner
"It involves House, Foreman and Thirteen which means it's either dumb, dangerous or tragic..."-Taub

Is House actually becoming a nice guy? One of the most interesting things about this episode was the absence of his trademark jerkiness. Whether he was dealing with an upset Cuddy or trying his best to counsel a disbelieving Foreman, House not only seemed sympathetic, but empathetic as well. I was surprised by the genuine concern he showed for Thirteen and Foreman during the blindness scare and his willingness to be Cuddy's whipping boy.

Again, the patient of the week wasn't very memorable to me. I find myself not even really caring about them aside from how their illness will reflect the doctor's personal problems. That conceit has gotten so obvious it's hard too look past it and see the patient's as real people who are suffering. Is anyone else having this problem?

(S05E12) "We can not let House anywhere near this woman"-Kutner to Thirteen.

Sometimes I think I'm really close to having a problem with the way this show treats women. I know House's sexist and racist remarks are so over-the-top they're meant to expose the hidden misogyny and subtle racism around us every day, but his joke to Cameron about performing oral sex made me cringe something fierce. She did well and good to ignore him, but I think that deserved a slap in the face. I'm not offended by the joke or the copious come-ons he made to Thirteen, but jokes like that straddle the line between making House an unlovable curmudgeon you can respect into a mean-spirited jerk. Which I suppose is the point? Right?

Anyway, there were a lot of oral sex and penis jokes in last night's episode. And I'm no prude, but even I was rolling my eyes after a while. Not your best lines House writers, but considering your past record of total awesomeness you shall be forgiven.

(S05E12) This episode was a perfect teaser to what House fans can look forward to for the rest of the season. It was well done, though not excellent, and set up a couple of key narrative threads that are sure to be slowly unraveled as we move forward.

This week's patient's comes to House courtesy of Cameron, who insists that the team help a man suffering from severe chronic pain that has no known cause. It's gotten so bad that the patient, even with a beautiful wife and kid, tries to kill himself. Multiple times. While his kid is watching. Yeah, it's a bit brutal.

(S05E12) Last spring, I went to hear Ira Glass give a talk about his popular NPR radio (and now TV) show This American Life. He outlined the formula for the show's success, and he also talked about House. Websites have documented the formula for every episode: Every episode is essentially the same. So, why does it work every time? Last night, I was hooked by Emmy the trainer rolling down stairs, and I was then hooked by the discovery of her surgery. I know that every single diagnosis and test and treatment is going to be bunk until the big, strange reveal at the end. However, it's almost like I am the same as House with my need to know what that weird reveal is going to be.

[S04E14] "You don't deserve to be happy." House to Wilson.
"And yet I am. You?" Wilson to House

House treats the symptoms, but he doesn't treat the whole person. He doesn't even claim to. He often makes a clear point that he doesn't care. House likes medicine because he likes to solve puzzles, and what greater consequences can a puzzle have than a human life? But ultimately, even someone dying doesn't matter unless House can't figure out the puzzle.

So, if the above paragraph is true, then why does House go out of his way to kidnap a soap opera star he believes to be dying in order to save his life? Is it really because he can't stand the idea of not watching his soap? I don't think so; he even encourages angsty actor Evan Greer (Sex and the City's Jason Lewis) to quit if he's not happy... well, sort of. But, back to the question: If House doesn't care, then why bother? Because it's a puzzle he can see daily, right in front of him, and he has to solve it. Apparently he has made multiple calls about it, because the actor knows who House is, so House simply takes matters into his own hands because that is what House does. House lives a life without consequences.

Three out, five in. With the resignations of Doctors Eric Foreman and Alison Cameron and the firing of Doctor Robert Chase during the third season finale of House there isn't really anyone that Gregory House can abuse anymore. Don't despair, though, because five new actors are joining the cast of the FOX medical procedural for House to play with like a puppy's chew toy mold into fine healers.

Being added for the fourth season (which begins on September 25th) are Olivia Wilde (The Black Donnellys), Kal Penn (24, Harold & Kumar Go To White Castle), Peter Jacobson (The Starter Wife, Transformers), Anne Dudek (Big Day, Bones) and Edi Gathegi (Lincoln Heights). They will all be in recurring roles for a undetermined amount of episodes; however, I have a feeling if one of their characters clicks with the viewing public they may be promoted to full-time status.

Mark Cuban's HDNet channel has bought the rights to the cancelled NBC series The Black Donnellys.

The first episode of the series will air on Wednesday, June 13, at 8pm. Not only will HDNet air the episodes that were shown on NBC earlier this year, they will also run the seven episodes that never aired.

I wasn't a big fan of The Black Donnellys, but I really like the idea of having so many cable networks that short-lived shows can live on in some way. I still like the idea of have the Short-Lived Channel, a network devoted to all the shows that lasted 1 or 2 seasons. Imagine what that line-up would look like!

[via TV Tattle]