TVSquad

This week TV Squad has been paying tribute to Arrested Development with special Retro Squad pieces. I decided that I would highlight my favorite character from the show, GOB. After watching several episodes of Arrested Development, I realized that I couldn't just narrow it down to the five greatest moments. I would have to do a list for each season.

You've already seen Five greatest GOB moments (season one) and Five greatest GOB moments (season two). After the jump, I have my favorite moments from season three.

The segue. The illusions. The initials. The menacing raspy voice, calling "Michael." GOB is my favorite character on Arrested Development. And this week, I will pay tribute to him by bringing you The Five Greatest GOB Moments, one list per season.

It's gonna be good times after the jump!

Do not adjust your web browser. You are now entering the Retro Squad, where we are reviewing past episodes of classic TV shows.

(S02E01) Here's the rundown. Michael and his son leave for Phoenix. Well, not really. Michael needs money so he ends up going back to his old life at the model home in order to track down the company check book.

While Michael tries to do something productive, the rest of the siblings are into the usual mischief. When she and Tobias decide to explore an open relationship, Lindsay falls for a real estate agent. Tobias readies himself to join the Blue Man Group, excited at this new acting opportunity. GOB, who has been put in charge of the company, finds the contracts with Saddam Hussein but inadvertently gives them to his father who is dressed up like Oscar, George Sr.'s twin brother. Buster reconnects with Uncle Oscar but gets enlisted in the army by Lucille.

And at the end of the day, the Bluths realize they all need each other. If they didn't, it wouldn't be Arrested Development.

Do not adjust your web browser. You are now entering the Retro Squad, where we are reviewing past episodes of classic TV shows.

(S01E01) Some shows come out of the gate with such a power that you can't help but stand up and take notice. For the far too few of us who happened to catch Arrested Development when it premiered, it quickly established that it was going to be something a little different than the other comedy fare on the television. The trend at the time was moving toward the single camera format, that's almost become the norm for comedies nowadays (The Office, My Name is Earl, hell NBC's entire Thursday night lineup).

There was a time when audiences were less receptive to this kind of television. It was funny, but minus a laugh track. So while shows like The King of Queens, Everybody Loves Raymond and even According to Jim had this comfortable format with the basic house set and laughter to cue us into the funny bits, AD was something a bit more challenging. Perhaps it was just a few years ahead of its time, or perhaps it was on the wrong network (FOX), or perhaps it was just too smart for its own good.