That was some Mad Men finale, wasn't it? If you haven't seen it yet, please stop reading now, because there was just too much going on for me not to just launch into some discussion.
OK, I'll wait until after the jump to really get into things. But, suffice to say, the end of season three left some characters going down a pretty well-determined path, but others have entered a sort of limbo state, where we don't quite know what their roles will be in season four.
Week two of the revival of TV Squad's APB podcast has arrived! In this episode, Bob Sassone and Danny Gallagher join me to talk about TV's doings this week:
The cancellation of Southland and the role of The Jay Leno Show in that cancellation,
Are you shocked? Apparently, the industry press is. Gordon had risen from personal assistant to writer's assistant to member of the writing staff. After the Emmy, you would think that she was in like Flynn.
However, something must have gone awry or why has she been given her walking papers? And if you think it's not a dismissal, listen to this announcement from the show:
It's hard to say that a show that's already won a small U-Haul's worth of Emmys and other awards can be having a breakout season, but that seems to be what's happening with Mad Men during its third season. The buzz around the show has been as loud as we've heard since The Sopranos went to black, and that's not a coincidence; the man who created the early-1960s world of Sterling Cooper, Matt Weiner, was a writer on the landmark HBO drama.
Weiner just completed shooting season three, and he took time out of his post-production process to sit down with me on Monday and talk about how the season has been going so far. I tried to get him to talk about what seems to be the show's inevitable roll towards the cataclysmic event of 1963, the Kennedy assassination, but Weiner was tight-lipped as usual. However, his observations on how he approaches events like that is an interesting read. Oh, and we also touch upon how he came up with the idea to run over a British ad exec's foot with a lawn mower, which is a good story by itself...
This should come as no surprise to even the most casual of TV Squad readers. Mad Men has been picked up for a fourth season, assuring that Matthew Weiner's engrossing and demanding tale of Don Draper and the people at Sterling Cooper will be played out for at least another year.
When a show like Mad Men comes along, not unlike The Sopranos in quality and pop culture appeal, the question usually isn't whether the network will stand behind it for the duration, but whether or not the creative team envisions a long run.
When I was in LA a couple of weeks ago, I was among a number of critics who were able to get a look at the first episode of Mad Men's third season, and I have to tell you, I liked it a lot.
Here's the problem: What do I say about it?
In the various conversations the other critics and I had with Matt Weiner, Jon Hamm and the rest of the cast during the TCAs, we were very politely asked not to reveal anything about the show, especially when it comes to when the first episode takes place. Remember that there was a two-year jump between seasons one and two, and I guess Weiner wants to keep the timeframe a secret this time around.
"You're going to get to see stuff before the audience does," said Weiner about me and my fellow critics. "Let them have the same experience you had."
Fair enough. But without the timeframe and a couple of other tidbits, it's tough to talk much about season three. But I'm gonna try. If I spoil anything, it'll be after the jump.
Among the Hollywood industry insider columnists, Nikki Finke's hit rate is pretty high, so it's troubling to read a report from her about the acrimonious contract negotiations between Lionsgate and Mad Men creator Matthew Weiner. It's gotten so bad that Finke is reporting that Lionsgate is calling around looking for someone to replace Weiner as show-runner.
As everyone else in the industry is saying: What the hell?
Mad Men just finished its second season with record ratings. It's the first basic cable show to win an Emmy for Best Drama, and Weiner is the show's heart and soul. Believe me when I tell you that it's his vision and attention to detail that you see in every scene. Weiner gave critics a tour of the sets during the July TCAs, and he was able to speak about the look and feel of the show as easily as he was able to talk about the stories and characters. I can't imagine anyone else running the show, even if it's someone that's already on staff.
Is there a new trend in the television landscape? Could be. At the TCA panel for Mad Men, creator Matt Weiner, revealed that the show is only going to run four more years.
That's right, the man has a plan. Each season of Mad Men will jump ahead approximately two years, so that when Don Draper's story comes to an end, it will be 1969. Can you imagine how radically the show will look by the end of the 1960s? With their attention to detail, it'll be amazing.
So what's the trend? It's setting an endpoint for a series. Battlestar Galactica did it, and Lost has as well. Traditionally, American television series run and run and run until the creators choose to end or the network calls it quits which usually corresponds to viewers having tuned out.
(S01E03) At first I thought I had found the one thing I didn't like about this show: the ads. Not the ads discussed in the show, I'm talking about the commercials that run during the show. There aren't a lot of commercial breaks, just two or three, but they are rather long, and they have these trivia facts flashed on the screen before the ads.
(S01E02) "I can't tell you about my childhood. It will ruin the first part of my novel." - Don Draper
Is it possible to fall in love with a TV show? I don't mean a show that you really like and respect and put on your TiVo season pass, I mean a show you actually want to date and kiss and walk hand in hand with on the beach? Mad Men is that show for me. I'm even in love with the credits, a montage of black and white graphical images of buildings and people and subtle, sly music.
I also like how this show is set in 1960. It's firmly set in the attitudes of the 1950s but there are more than enough hints that the "60s" that we all know is coming fast. And these people are trying to prepare for it (some a lot more than others, of course).
(S01E01) I think it's really appropriate that the Emmy Award nominations were announced on the same day this show premiered, because if there's any justice in this TV land, we'll be hearing a lot about Mad Men at this time next year.
The television landscape is filled with a lot of shows that are just the same as other shows on other networks. Even when we say "there's nothing else like this on TV right now," it's usually not true. There's usually something a bit (or a lot) like the show we're talking about. Mad Men is one show we can truly say is rather original. Of course, it's original by being retro. It's New York City, 1960. The world of Madison Avenue advertising men. And it is men, as most of the women are in the secretarial pool or gum chewing telephone operators.
But the women have power too, in ways the men don't see.
Week two of the revival of TV Squad's APB podcast has arrived! In this episode, Bob Sassone and Danny Gallagher join me to talk about TV's doings this week:
Last month, Mad Men was celebrating winning a slew of Emmys. One of them was for Outstanding Writing for a Drama Series, the episode entitled "Meditations In An Emergency." When creator Matthew Weiner went onto the stage to grab the Emmy, with him was Kater Gordon, the co-writer of that episode. Today, Kater Gordon was let go from Mad Men. 
It's hard to say that a show that's already won a small U-Haul's worth of Emmys and other awards can be having a breakout season, but that seems to be what's happening with Mad Men during its third season. The buzz around the show has been as loud as we've heard since The Sopranos went to black, and that's not a coincidence; the man who created the early-1960s world of Sterling Cooper, Matt Weiner, was a writer on the landmark HBO drama.
This should come as no surprise to even the most casual of TV Squad readers. Mad Men has been picked up for a fourth season, assuring that Matthew Weiner's engrossing and demanding tale of Don Draper and the people at Sterling Cooper will be played out for at least another year. 
Among the Hollywood industry insider columnists, Nikki Finke's hit rate is pretty high, so it's troubling to read a report from her about the acrimonious contract negotiations between Lionsgate and Mad Men creator Matthew Weiner. It's gotten so bad that Finke is reporting that Lionsgate is calling around looking for someone to replace Weiner as show-runner.
Is there a new trend in the television landscape? Could be. At the TCA panel for Mad Men, creator Matt Weiner, revealed that the show is only going to run four more years. 
(S01E01) I think it's really appropriate that the Emmy Award nominations were announced on the same day this show premiered, because if there's any justice in this TV land, we'll be hearing a lot about Mad Men at this time next year.
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