TVSquad

(S04E07) The Closer continues to get some great mileage out of the supporting cast in season four. With episodes featuring Flynn and Provenza already in the books, this week Sanchez steps to the front of the stage. The resulting story was quite a bit darker than what we saw with "Dial M For Provenza." As Sanchez dealt with the murder of his younger brother, we got to take a closer look at him than the usual episode provides.

(S04E05) This was probably the most anticipated episode of The Closer ever, for me. I mentioned the episode in the early look at the season, and the idea of Provenza stepping into the spotlight and working undercover seemed like a can't miss. Add to that the dramatic conclusion to last week's "Live Wire" and we really seemed to have the makings of a great episode on our hands. Unfortunately, it didn't really work out that way. "Dial M For Provenza" certainly had it's moments, but overall, I'd call it hit and miss. I'll explain, after the jump..

(S04E04) Nobody would ever doubt that Chief Brenda Johnson is a smart woman, but how smart was it of her to use Fritz the way she did? That's the question I came away with after seeing this episode. Is closing a case so important for the closer that she'd mess up her personal relationship?

Fritz was rightfully incensed by Brenda's tactics, and yet I could see it from her point of view, too. I guess that's why The Closer remains such a good drama -- the conflicts are real and there are no easy answers.

On Two and a Half Men, Charlie Sheen plays a vulgar playboy, a shallow guy who's more interested in booze, women and having a good time than being responsible and working hard. The role has earned him a couple of Emmy nominations and a lot of money. A lot of money. In fact, in a new poll from TV Guide, Charlie Sheen is the highest paid actor on TV, making $825,000 per episode; in a season of 23 shows, that comes out to nearly $20 million.

That's more than he could make in the movies, and unlike films, Charlie can keep on raking it in on Two and a Half Men for years. The show is a huge hit in syndication, so more episodes will simply mean more money down the road.

Right behind Charlie on the list is fellow CBS leading man, CSI's William Petersen. He's making $600,000 an episode. He's only doing ten episodes this season, but since he's also an executive producer on the series, he's probably making even more.

If you like strong women on TV, the kind you've been seeing on TNT in The Closer and Saving Grace, you'll be happy to hear that the network has more formidible females on tap. TNT has given the greenlight to a new drama called Time Heals. And with the kind of top notch talent behind the scenes, I can't imagine this drama not making it to air.

The guy who is creating the show, John Masius, is an Emmy-winning writer, having grabbed two Emmys when he worked on St. Elsewhere. So, yeah, this is sounding better and better because Masius knows about medical drama and Time Heals is the story of Nancy Hawthorne, a single mother who is the head of nursing at Mercy Hospital in Charlotte, North Carolina. She's the type of woman who really cares about her patients and becomes emotionally involved in her job.

(S04E03) "You cannot trust the police. They lie about everything." - Brenda

I think TNT over sold this episode in the preview. If you tuned in a few minutes early you would have heard their tag, "The only thing more surprising than the crime is the twist at the end." Honestly, I didn't think there was much of a twist at the end. I'll save any spoilers for after the jump, but the groundwork for the ending was laid out pretty clearly early on. That's not to say it was a bad episode though, because there was a lot to really enjoy here.

(S04E02) Is this our Brenda? So happy, so horny, so friendly and jovial. After last week's heavy duty episode, with the fires and the serial arsonist with the creepy (also very beguiling) smile, this episode found Brenda in a playful mood. Don't you love a well-rounded character?

It was very romantic the way Brenda was awakened by Fritzie, and for a show that tends to show more of the neurotic Brenda than the sexy Brenda, this was a lovely change of pace. And if you can consider a story in which homeless drunks are run over (and over) by cars -- vehicular homicide indeed -- for insurance money a light, comic turn, then this episode qualifies.

(S04E01) "Hello, just plain Brenda." - Bill Croelick

Isn't it nice to have Brenda back on our televisions? It's like catching up with an old friend. Or, old friends, as the case may be. And what a way to come back. Multiple homicides, an entire park for a crime scene, the return of an old foe, and more shenanigans on the home front. Brenda's plate is very full as we jump into season four, and that's a good thing.

For fans of The Closer, the wait is almost over. Season four finally kicks off next week, knocking off the third of the five shows that I have anxiously been waiting for. Burn Notice and Stargate Atlantis premiered this week. The Closer and Psych go live next week. And Eureka returns at the end of the month. It's going to be a great summer for television.

The fine folks over at TNT were nice enough to send along a press kit, so I've just finished watching the premiere and reading up on a few of the things they have planned for the new season. Last year we spent a lot of time on family as Brenda (Kyra Sedgwick) and Fritz (Jon Tenney) moved forward with their engagement. That, of course, involved finally revealing the engagement to Brenda's parents (Frances Sternhagen, Barry Corbin). And we followed along as the two of them began to search for a new house. Season four picks up from there. After the jump, a look at the premiere and a few things coming this season. Possibly a couple very minor spoilers, but no big plot points.

All things considered, the summer television season is off to a pretty good start. I've been enjoying My Boys, The Middleman, Fear Itself, and So You Think You Can Dance, to name a few. The schedules might be a little heavy with the reality programming at the moment, but that's changing soon enough. Over the next few weeks we have the likes of Eureka, Psych, Burn Notice, Stargate: Atlantis, Monk, The Closer, and Saving Grace all making their returns.

With those last two in mind, I thought I would point everyone to some handy recaps the fine folks over at TNT put together to get us back up to speed before the shows return on July 14th. Each of the videos manages to crunch the last season down to about four and a half minutes, and I've embedded them after the jump.

The relationship between the viewer and the network is one that requires a delicate balance. As the numbers for DVR penetration continue to climb, it's pretty clear that a great many of us are successfully dodging more and more commercial breaks. And the networks continue to push back, trying different things to get eyeballs on ads. Some are merely annoying. For instance, as much as I like both Kyra Sedgwick and The Closer, I'm annoyed every time Brenda walks out of the corner of my screen while I'm watching another show on TNT.

While that one is annoying, this latest adventure from TBS crosses a line. During an episode of Family Guy (video after the jump), Bill Engvall walks out on the screen, much like the Brenda spots for The Closer. The difference is that Bill holds up a remote and actually pauses the episode before heading into his pitch for his show. When he finishes, he unpauses the show, which runs for two more seconds before going to the regular commercial break. Please, if it's not too much trouble, strap on your sturdiest combat boots and join me in sending a theoretical kick to the crotch of anyone at TBS that didn't think this was the dumbest idea since starting everything at five minutes past the hour.

When I got a knock on the door yesterday morning from the FedEx guy, I got all excited because I thought it was a pair of Cubs tickets that I bought for an upcoming trip I'm taking to Chicago. But when I looked down, I saw a black box. When I turned it over, the box had the label you see above. It's a press kit for TNT's returning hit The Closer, and it shows star Kyra Segdgwick guiltily nibbling on a bunch of cookies. The tag line on the label is "Everyone has something to confess..." Hmm. Interesting. Obviously this label held some strong clues as to what I would find in the box. So I cut the sealing tape, opened it up, and found what I suspected would be in the package...

(S03E14) I'm sorry to say that I didn't like this "special" episode. It was a little too cheesy, over-the-top, and far-fetched. Yes, yes, it was great to see the cast during this time of the year since The Closer only airs during the summer. It felt comforting to reunite with Brenda, Fritz and Lts. Flynn and Provenza... but the story wasn't really worth it. The whole thing didn't suck, but I did feel let down by the episode.

(S03E13) And so ends another season. To tell you the truth, the way The Closer has been running this season, I could go for another 9 or so more episodes before season three ends, but you know what they say about wishing and hands. We'll have to make due with the fact that there is a boatload of shows ready to premiere right around the corner, and take solace in the knowledge that after 41 episodes, this show just keeps getting better.

I suppose I have tipped my hand there. Yes, I really enjoyed this episode. The case got a little bit squirrely there for a moment, but they got it back under control just in time for the good guys to win, and to cap off the season quite nicely. As fun as that was though, my favorite part of the episode was the Fritz/Brenda relationship drama. More on both of those, after the jump.

(S03E11) This episode was chock full of stuff, wasn't it? I'm trying to figure out which story lines set us up for more issues down the road and I think there are several. But first, let's talk about Brenda Leigh. I was really feeling her pain during this episode. She just had abdominal surgery to reverse her Early Onset Menopause and she was obviously very uncomfortable. The woman should've been in bed, but we know she doesn't relax very well. And she wasn't even hiding her discomfort, which is a bit unusual for her. Also, I loved her near-breakdown when Fritz wouldn't help and she almost started crying about the fact that she couldn't eat chocolate anymore. That's a great personal issue that will no doubt bring on some comedy in the future.