Futurama has gone through more frustrating cancellations than a United Airlines flight leaving Chicago's O'Hare Airport. No one knows that better than voice actor Billy West and actress Katey Sagal who respectively provide the voice, heart and soul of the show's two main characters, Fry and Leela.
But what has kept the show going is the camaraderie of the cast and crew. Everyone from the show still keep in touch in between other jobs and even have the occasional reunion from their regular crowded visits at ComicCon to smaller get togethers like when Katey said the cast got together to watch her last concert at the MBar in Hollywood.
Most of all, they said they have the fans to thank for their next big reunion when Futurama goes back into production. They both took a short time out of their busy schedules to chat about Comedy Central's two season order.
If you thought Futurama had nowhere to go after the climatic series-long ending with Into the Wild Green Yonder (and notice I'm not revealing what that ending is so you spoiler-hating surprise junkies don't lose your half-daily hit of whahuh?!?), think again.
The good news is Cohen seems to be brimming with more crazy ideas than a Hardee's product development retreat, but he doesn't reveal anything too specific in terms of what Fry, Leela and Bender will be doing in the episodes to come.
What was once just internet gossip that spread across the web like a persistent skin rash has now become confirmed fact. 20th Century Fox and Comedy Central are not only reviving Futurama, but they want double the initial number of episodes that Collider.com reported meaning fans can look forward to 26 new episodes the sci-fi comedy series around the middle of 2010.
Variety also reports that actors Billy West, Katey Sagal and John DiMaggio have also signed up to once again provide the voices for Fry, Leela and Bender. I believe that sound you just heard was the universe being ripped open by this awesome time loop.
Well that was pretty impressive. Sons of Anarchy went from a show that I really didn't care for (Kurt Sutter admits that the first two episodes were a bit "ambitious") to one of my favorite new dramas of the '08 fall season. I'm echoing just about every critic around the country by saying this, but Sons really did get better each week. As far as season finales go, last night's capper gave us the perfect amount of answers and questions as well as one of the most layered, metaphorical, and nuanced ending sequences I've seen in quite a while.
It's a rare occasion that I re-trace my steps and openly admit that I was wrong. Typically, I stick with my gut and I'll fight you until I'm blue in the face. But it takes a big man to recognize the error of his ways and it takes an even bigger one to admit it to others. So here goes...
Initially, I wasn't impressed with Sons of Anarchy. After watching the pilot (twice), I panned it. Nothing special, nothing new. The second episode didn't do much for me either. But I promised I'd stick with it since it was on FX (in today's TV landscape, that counts for something) and after last night's installment (S01E08, "The Pull"), I'm here to say something I didn't agree with eight weeks ago:
With Rescue Me failing to bring in the ratings FX really needs or wants, and even this final, and for the record brilliant, season of The Shield under-performing, it's pretty awesome that new series Sons of Anarchy seems to have found an audience. I'm a couple episodes behind (so I'm not helping with the ratings I guess), but after a slow start, this story of a biker gang of criminals is really starting to suck me in.
Apparently I'm not the only one. In five short weeks, Sons has managed to not only retain 3.5 million viewers in the adults 18-49 demo, but it's retained 97% of its total audience since the premiere. Which is why FX decided to pick the show up for a second season.
(S01E02) "I will not look the other way Jax." - Hale
I'm still on board with Sons of Anarchy, but there are just too many things that are rubbing me the wrong way. Much like my minor complaint on this season of The Shield, Jax's father's manuscript has reached the point of becoming über-important just like Cruz Pezuela's blackmail box (the one Mackey stole) without any solid explanation. One gets the feeling that without that manuscript, the story would just crumble.
If this thing is so important, then why didn't Gemma or Clay have it destroyed years ago? Did they even know it existed? It was just lying out in the open in the family storage unit. While I appreciate the tension that builds as Jax slowly reads one page at a time, I'm still unconvinced that when he gets to, I dunno, "page 86," that we're going to be that shocked when the inevitable bomb is dropped. Why else would Gemma want it so bad if there wasn't some horrible family secret buried in it?
(S01E01) "Just pretend it's carve-your-own steak night at Sizzler." - Jax
FX is taking a fairly big gamble with Sons of Anarchy. With their trademark drama The Shieldending its seven season run this fall and their other two big hits (Damages and Rescue Me) pushed to 2009 because of the WGA Strike, the network is in dire need of some fresh buzz. The one thing they have going for them? Even FX's previous flops (Dirt, Starved, Over There, Thief) were better than a lot of other things on TV and Sons of Anarchy certainly fits that mold. Once the fall season is in full swing, the only network competition will be CSI: NY, as I don't see Lipstick Jungle or Dirty Sexy Money getting in the way. Sons has the potential to do well. It'll just rest on creator Kurt Sutter and how he plans to make the show appealing beyond this pilot episode.
You're going to hear a lot of things about FX's new motorcycle club drama Sons of Anarchy. It's different, it's edgy, and it covers a fairly taboo topic that, up to now, hasn't really been addressed in a TV drama.
However, strip away the leather jackets and exhaust fumes and you're looking at something we have seen before: Sons of Anarchy is The Sopranos on Harleys. You've got your powerful crime family, illegal gun smuggling, rival gangs, conspiracy, and for good measure? Drea de Matteo (of Sopranos fame) plays a crank addict. Trade the crank for blow and we've seen that before too.
Day three of Comic-Con 2008 began with waiting in a line that streched the length of the convention center for the Futurama panel, which was followed by The Simpsons panel. Futurama featured the primary voice cast of Billy West, Katey Sagal, and John DiMaggio as well as creators Matt Groening and David X. Cohen.
Due to time limitations the panel when right into audience questions. One that was asked pertained to Matt and David's plans for the show. Both meant said that they had the entire story of Futurama planned even before the show began. They didn't know where the show would go, and they still have plenty of secrets to reveal in upcoming DVD releases.
The FX panels on Tuesday were pretty uneventful, aside from the news from network president John Landgraf. There was supposed to be a panel for It's Always Sunny in Philadelphia, but that was mysteriously dropped from the schedule. I'm guessing that the boys figured they'd get too hammered at the FOX party the night before to handle questions from the reporters. Indeed, I witnessed Rob McElhenny and Glenn Howerton try to ride the Tilt-a-Whirl at the Santa Monica pier right after they pounded a couple of beers. Maybe canceling the panel was a smart idea.
Anyway, the three shows that paneled were Damages, Sons of Anarchy, and The Shield. More on what transpired after the jump.
Thanks to the extreme generosity of Fox Home Entertainment, TV Squad has scored an advance copy of the latest direct-to-DVD Futurama release titled The Beast With A Billion Backs. Previously, we directed you to another DVD review of the show, but now this one is ours! All ours! MWA HA HA HA!
A-hem.
The second direct-to-DVD release of Futurama is a fun movie with loads of extras that make the purchase worth it. They include outtakes, deleted scenes, commentary tracks, and an extra I particularly enjoyed: a "Lost Episode" made from a Futurama video game (which was a bit like watching a video game demo, but with jokes). The DVD also comes with a preview of the next Futurama DVD release which looks to be a satire of Lord of the Rings. Guest voices include Brittany Murphy as Fry's new girlfriend, David Cross as the planet-sized Yivo and Professor Stephen Hawking as himself.
The CSI/Two and a Half Men writers switch was a very clever promotion for CBS. Fortunately, the writers saw the opportunity to change places as more than just a publicity stunt. They really took the scripting seriously and came up with inventive episodes for each program. If this were a competition to see which team would deliver the better show, who would take on the task of writing winning TV in a genre not their own and succeed beyond expectations, the comedy scribes take the gold. Chuck Lorre and Lee Aronsohn's CSI was pure genius, and if it were up to me, CSI should submit it for an Emmy.
But first there was Two and a Half Men. In an episode called "Fish in a Drawer" (and if somebody could explain what that title means, I'd be most appreciative), the story picked up after Evelyn married Teddy. In the teleplay by CSI regular writers Evan Dunsky and Sarah Goldfinger, Charlie and Courtney check out of the reception for a little romp in his room upstairs only to find Teddy's dead bod on the bed. Talk about spoiling the mood. Teddy wasn't only a corpse, he was a corpse with his pants pulled down around his ankles and lipstick stains on his hoo-ha. The cops were called in, a detective who was a dead ringer for Marg Helgenberger -- played by redhead Jamie Rose -- had the vaguely Bondian name of Jagov, Sloane Jagov. Naturally, Charlie had to make a move on her. He couldn't keep his eyes off her cleavage.
I can't believe this is actually happening. I've told you before how much I hate cross-overs on TV; it's tolerable if it's at least the same genre of show. This is like in-breeding. If CSI and Two And a Half Men were brother and sister, then their deformed, incestual love-child is what's going to air on Monday, May 5th.
We actually reported on this almost a year ago, that the writers of CSI and Two And a Half Men were going to flip-flop and pen an episode of the other show. Well it never happened. Now, according to this press release, it's a go. I would imagine that the Writer's Strike played a role in resuscitating this awkward match-up.
(S01E12) What the hell? Did I really just see what I thought I saw on Eli Stone? The entire episode was predicated on Eli having a vision that if it were to come true, would be catastrophic. He sees the Golden Gate Bridge destroyed when an earthquake hits San Francisco. This isn't the first time he's seen this kind of destruction, but the last time nothing happened. So, then, what are we to make of the fact that this time around, it really does! Like I said, is this really real? Tune in next week for more of the thrilling days of Eli Stone...