There are few signs in this crazy business that you have become an indelible and beloved member of the pop culture lexicon than getting a cameo appearance on an episode of Sesame Street. Case in point: Gallagher, O.J. Simpson and Kanye West have yet to appear on an episode of Sesame Street.
Well, would you want West teaching your kids the difference between "near" and "far," things that are yellow and why George Bush hates black people?
Some upcoming episodes of the long running PBS kids' show will include appearances by Christina Applegate on Jan. 25, Hugh Jackman on Jan. 27, Debi Mazar and Sarah Jessica Parker on Feb. 16 and Paul Rudd and Eva Longoria-Parker on Feb. 18.
Hugh Jackman has come a long way since he played Curly McLain in a TV version of Oklahoma in 1999. Now we know the Aussie star mainly for his work in movies like X-Men Origins: Wolverine, Australia, and Van Helsing, but early in his career, he earned a communications degree with a journalism major from the University of Technology Sydney. Fortunately for us, he went on to pursue drama at the Western Australian Academy of Performing Arts, then met his future wife Deborra-Lee Furness while starring in the ABC prison drama Correlli.
How do I know all this? Because Biography did a show on him and told us all there is to know about Hugh Jackman. Ok, maybe not ALL there is to know, but enough to get a behind-the-scenes look at the guy who would go on to become famous for his spiky hands and song-and-dance numbers while hosting awards shows. Here's a look at the episode straight from our sister site, SlashControl.
Oscar roulette is usually played when it comes time to figure out the nominations. However, this year there seems to be a wheel of fortune spinning with the names of possible hosts for the show. Of course, the folks running the show have intimated that they might want to have a few stars sharing the duties. Historically, that hasn't worked out too well.
He's currently on Broadway in a play -- with 007 Daniel Craig -- and he "quietly turned down the job" according to sources. It's not because he was a bomb emceeing the proceedings either. He didn't do the "Oprah, Uma, Uma, Oprah" joke nor did he trip on his shoelaces in the opening number. Quite the contrary, in fact. Hugh Jackman was a perfectly fine host.
But he doesn't want to do it in 2010. Maybe he doesn't want to push his luck? Maybe he just doesn't want to work that hard.
Are you ready for 2011? Not the first part, the latter part. That's when FX is going to have all of your favorite blockbuster movies from the past few months. According to Variety, FX has secured rights to show X-Men Origins: Wolverine, Taken, The Wrestler, The Day the Earth Stood Still, and Marley and Me. Variety also points out that it takes about 30 months for films to go from the big screen to television in these kinds of deals.
So, if you can keep from seeing them in the theater, or on DVD, or on demand from whichever cable system you subscribe to, on Netflix or Blockbuster, or from one of the torrents these scofflaw kids are into these days, you can see it for free on FX!
Well, it looks like rejiggering the format of the Oscar telecast paid off; ratings for the 81st annual back-patting orgy were up 13% from last year's record-low ratings. Maybe it was the "faster-paced" ceremony, or maybe it was just that there were some intriguing storylines (Slumdog, Heath Ledger, what kind of nutty stuff would Mickey Rourke have said if he won... that kind of stuff). Or it could have been a matter of more people being at home to watch because, uh, they don't have the money to do anything else. But at least the ratings are back to being semi-respectable.
One interesting aspect to these ratings numbers, though, was brought up by Newsday's Neil Best: the total number of female viewers for the Super Bowl (38.3 million) surpassed the entire audience for the Oscars (36.3 million). So, despite the conventional wisdom, it looks like the "Super Bowl for women" is actually... the Super Bowl.
At the very least, the ratings will probably earn Hugh Jackman and producers Bill Condon and Laurence Mark a return engagement. Now if they can just get this thing under three hours, they're all set.
It was the best of Oscar it was the worst of Oscar. It wasn't the best show I've ever seen, but was it the worst Oscars ever as one friend emailed me? I think there were features that worked and features that tanked. There could have been more star power -- where were Tom Hanks, George Clooney, Jim Carrey, Sandra Bullock, Christian Bale, Tyler Perry (he had the biggest box office opening last week!), etc.? Forget about stars from the '70s...
Anyway, I had predicted that the Oscars would stink. Well, I was wrong, or half-wrong. Separate from whether you agreed with the winners -- I did by and large -- or you didn't, what about the broadcast? I think if you had seen all the nominees (or at least the Best Picture noms), you probably had a rooting interest and were amused by most of the show. However, the other half was pretty bad. After the jump, what worked versus what did not.
It's the age-old question that comes up just about every year, but after last night's marathon Oscar ceremony, I need to ask it again: Is it about time for the Academy to award most of the technical prizes (for editing, art, costumes, makeup, visual effects, etc.) either another day or before the televised ceremony starts?
The reason why I ask is because of the way the producers formatted the show this year. They did a nice job of grouping those technical awards together, threading them through the life cycle of a film's production. Believe me, it helped; instead of dragging out new presenters for each and every category, one set usually presented a few at a times (poor Will Smith was out there presenting the post-production awards almost as long as host Hugh Jackman was on stage). But somewhere around 10:30, I was still looking at the clock and trying to count how many categories were left.
Ricky Gervais won't be hosting the Oscars tonight, but he'll be doing the next best thing. It looks like Gervais will be writing some of the jokes to be used by host Hugh Jackman and company. If so, then I draw a few conclusions from this:
Tonight's jokes will be swipes at Hollywood and probably the entertainment industry in general. As one can tell from The Office and Extras (and even the BBC article itself), Gervais excels at self-deprecating humor. They will be nasty, but nasty in a funny and cute way that industry insiders and the audience will enjoy. He could even recycle jokes from Extras.
Also, tonight's jokes will be extremely funny if Jackman can deliver them in a Gervais-like style. Hopefully he'll practice them beforehand. I wonder if Stephen Merchant was involved with the joke-writing as well?
If this works out, perhaps he'll accept that offer to host the event next year? Fingers crossed.
Do you remember what film won the Oscar for Best Picture last year? (No Country for Old Men). What about Best Actor and Actress? (Daniel Day-Lewis and Marion Cotillard). If you didn't remember, don't feel bad. You're probably like most people. Most of us weren't watching in 2008. Even though they were celebrating the 80th anniversary of the Academy Awards, it was the lowest rated and least watched telecast ever.
As I perused the Academy Award nominations yesterday, I couldn't help but think that this year's broadcast is going to have a hard time drawing a huge TV audience. And considering that the only thing you can usually count on with the Oscars is that they'll run over three hours long, the show will probably leave something to be desired, too.
In fact, here's six reasons the Oscars -- which will be broadcast live on February 22 on ABC -- will probably stink.
Hugh Jackman, probably the only Tony Award-winner to be named People's "Sexiest Man Alive," will host this year's Academy Awards ceremony. Yep, it's an odd pick. The last few Oscar night hosts have been comedians (Jon Stewart, Ellen DeGeneres, Chris Rock), but something tells me this broadcast will be the funniest in years.
Why? Because Hugh Jackman likes to sing. And dance. And he usually looks pretty silly when he does those things at the same time, like in that episode of Viva Laughlin.
She's an experienced host, an Oscar-winner, a Broadway star. But is Whoopi Goldberg hosting the 62nd Tony Awards the answer for the struggling annual broadcast? The Tony Awards, which honors the best in Broadway theater is considered one of the four major entertainment awards, along with the Oscar, Emmy and Grammy. But the Tonys have been losing viewership year after year despite the stars lured onto the broadcast. After having no single host the past two years, CBS has tapped Whoopi to be the emcee for the June 15 live broadcast from Radio City Music Hall in hopes that she'll make a difference in the Nielsens. The last single host was Hugh Jackman in 2005.
While this is Whoopi's first turn as Tony host, she is well regarded for her four stints as Oscar hostess. At the most recent Oscars, when Whoopi was left out of the host-highlight clip package of years gone by, she was ticked off and talked about it the morning after on The View. Perhaps doing the Tonys will be her way of sticking to the Oscars?
In the world of TV, one of the riskiest things a creative team can do is shoot for the "quirky" factor. It's an all-or-nothing deal: either it works, where everything clicks and the audience embraces the show, or nothing works, and the show explodes in a big awful mess over the poor suckers who decided to tune in and watch. At the beginning of the 2007-08 season, we have two shows who went for the quirk: Pushing Daisies and Viva Laughlin. And as it turns out, one show works and the other show is a disaster. Considering Daisies is one of the most praised new shows of the season, we all know where we're going with this.
CBS probably has one of the more interesting schedules of the fall, just for the fact that they are making a concerted effort to try something different. They could have rolled out yet another procedural (CSI: LA?), and who could really blame them. Those shows have performed extremely well for the network over the past few years.
Instead, in what is a definite gamble, the network will be bringing out some decidedly alternative programming. There is a musical drama about the casino business in Laughlin, a vampire detective, a drama about a Cuban family and their rum making business, and some swinging couples getting their freak on in the 70's. The kind of fare that would probably cause Horatio to tilt his head to the side and remove his sunglasses. Will it work? Time will tell, but we've seen three of them and have a rundown after the jump.
CBS is on a good run, being the most watched network for the last five years, but they have taken a bit of heat for the formulaic way they have gone about doing it. Not arguing with success, the whole family of CSIs, and their crime based cousins, will be back, but the network is trying to branch out with some edgier programming. Most notably, Swingtown, Viva Laughlin, and Moonlight.
Returning:The Amazing Race, Cold Case, 60 Minutes, How I Met Your Mother, The New Adventures of Old Christine, Two and a Half Men, Rules of Engagement, CSI: Miami, NCIS, The Unit, Criminal Minds, CSI: NY, Survivor, CSI, Shark, Without A Trace, Ghost Whisperer, Numb3rs, 48 Hours Mystery.
New: Viva Laughlin, Swingtown, Moonlight, Cane, Big Bang Theory, Power of 10, Kid Nation
Out:King of Queens, Jericho, The Class, Close To Home
Moving:Without A Trace moves back to Thursday at 10. Shark heads to Sunday at 10.