TVSquad

I wasn't really prepared to like The Middle. I had no expectations, really, because aside from knowing that it was Patricia Heaton's latest sitcom, there had been very little scuttlebutt about it. So, when I tuned in, I expected the typical Patty Heaton I had seen for years on Everybody Loves Raymond or the upscale version I'd watched on Back to You.

Well, what a surprise when I saw her on The Middle. This is a Patty I had never seen before, and I not only liked her character, I admire her performance.

It'll be how I met Lily's dad on How I Met Your Mother. Chris Elliott has been cast as Lily's father on the CBS sitcom, a character who is supposedly something of a good-for-nothing parent. Elliott is hilarious and specializes in playing these kind of goofy roles. On Everybody Loves Raymond, for instance, his was Robert's overly familiar brother-in-law, Peter, who liked Ray just a little too much.

On HIMYM, Lily's dad will appear for the upcoming Thanksgiving episode on November 23. According to Michael Ausiello of EW.com, there will be series of flashbacks to illustrate exactly what's what with Lily and her father, why their relationship is "troubled." I'm hoping for more from this casting than Eric Braeden as Robin's dad; they never really used him right.

Do you think there are times when Patricia Heaton wishes she was still working on Everybody Loves Raymond? What about Kelsey Grammer...don't you think there are days when he reflects on how lucky he was to have played Frasier Crane first on Cheers then on Frasier all those years, winning awards and having job security, critical acclaim, the knowledge that you were at the top of your game? That's not to say that either Patty or Kelsey are not on the top of their game now, but the failure of Fox's Back to You last season must have been a shock to the system.

Now they're both working on new sitcom projects and hoping for the best. Scrubs' Neil Flynn has joined Patricia Heaton in The Middles, an ABC sitcom pilot about a middle-class family living in middle America struggling in these tough economic times. They have three kids, too, just like the set up in Everybody Loves Raymond. Meanwhile, Kelsey Grammer's also doing comedy for ABC. The network has ordered a Grammer pilot about a corporate big shot who tries to reconnect with his estranged family.

The TV neighbor has served many useful roles over the years; some that many thought had been lost by the unrelenting sands of time.

They've become the great modern philosopher like Wilson, the evolving thinker like Bill Dauterive, the bearer of bad news like Newman, and even the court jester -- as long as you don't count one of these guys.

Not only would we not want some of them living next door to us, we wouldn't want them living. Period. These are the annoying next-door neighbors who should have been run out by the Neighborhood Homeowners' Association with torches and pitchforks.

Last week another terrific cable drama, The Shield, took its final bow in a series finale that still has fans talking. The talk is mostly about the last three minutes, which featured Vic Mackey's silent contemplation of the life he now leads after losing his friends, family and, some say, his freedom. Right before the screen went dark we saw Vic stride out of the cubicle that is now his home -- unsure of what his fate would be from now on.

Some fans of the series were unhappy with this ending, saying that there was no closure to the life that Vic had led over the last seven seasons. Some hearken the ending to the now-famous series finale of The Sopranos, which featured several seconds of nothingness before the credits rolled. This concept of not giving finality to a series finale is a new one for viewers to grasp onto. But, when you look at it further, it makes complete sense. Why should the lives of our favorite characters come to a complete ending when our own lives don't?

Primetime Wednesday seems to be the toughest night of all for TV programmers. There's not one network that seems to do particularly well in the 8-9 p.m. time slot, and the juggling has begun. Fox yanked Do Not Disturb weeks ago, admitting it was a dud.

Now the Brad Garrett-Joely Fisher sitcom Til Death will be off the air for two weeks, effective immediately. In that time slot, instead, we'll be seeing more House, albeit repeats. Still, you watch, those reruns will do markedly better than the sitcoms did.

Til Death, to be frank, has regressed this year. I defended the renewal of the show when Fox gave it a third season, based on the episodes I watched last spring. But the comedy has really strained since its season premiere in September. There's no other way to put it -- Death is in the death throes and should be put out of its misery. This two week hiatus should be the end of the series.

Sam Briggs is a schlemiel. Everything that can go wrong in his life, every dumb thing a guy can do while trying to do the right thing, happens to Sam.

The preview of Worst Week (premiering Monday at 9:30 PM ET on CBS) has not changed dramatically from this ready-to-go pilot. The premise is simply this: can a good guy like Sam overcome all the stupid things he does and find happiness with the girl he loves and her family that loathes him?

For the pilot, Worst Week works really well as broad farce. The situation of this situation comedy goes from bad to worse to worse still. It's funny. It's over the top. It's very, very outrageous. Whether or not they can sustain this level of silliness and maintain some semblance of believability week in and week out is the big question for Worst Week.

Where are the family comedies these days? They're a rare commodity on the big three plus Fox, and even if you include the animated clans on The Family Guy and The Simpsons and American Dad, you can count the family-type comedy shows on one hand.

However, TBS has a throwback family comedy, one in The Cosby Show mode, and they're sticking with it. TBS's The Bill Engvall Show has just been given a third season renewal. The sitcom will be back in the summer 2009 with ten new episodes.

I've watched The Bill Engvall Show and enjoyed it. It's meant to evoke Cosby, but I also found a lot of Everybody Loves Raymond and Home Improvement in it as well, and that's a good thing. Engvall's a funny guy, and he's greatly aided in the show by sitcom vet Nancy Travis as his smart, attractive spouse.

(S07E01) It seems like only yesterday when Monk, the ultimate obsessive compulsive Sherlock Holmes, began on USA Network, and now here it is the start of its seventh season. In all that time, for a man who doesn't like change at all, Adrian Monk has had to endure quite a bit of upheaval. The untimely death last April of actor Stanley Kamel, who played Monk's security blanket/therapist Dr. Kroger, was written into this premiere episode, in -- what I believe -- was a very subtle, graceful way.

Monk's sudden displeasure with his home is rooted in his discomfort in his life now that Dr. Kroger is gone. The ultimate egotist, in that Monk cares most for himself, Adrian is desperate to throw himself into work to avoid the irritating piano-playing coming from the little girl across the street and disturbing the sanctuary of his home. Kudos to the new therapist, Dr. Bell, for connecting the dots and quickly sizing up why Monk finds the music so displeasing.

Frasier has left the building, but Kelsey Grammer hasn't. Or maybe he just doesn't want to. The actor, whose Fox situation comedy, Back to You, was canceled after just one season, doesn't want to call it quits. He wants the show to continue and he's so determined, he's even lobbied for the show personally. The Emmy award winning star phoned CBS executives -- including CBS CEO Les Moonves -- to plead the case for Back to You.

When Kelsey phoned, Les took the call, and he even told Grammer that he'd "think about it," that is, moving Back to You to CBS. However, when Kelsey followed up with a call to Nina Tassler, CBS Entertainment prez, she dismissed it. There really was no room on the CBS schedule for another sitcom; even Rules of Engagement (which CBS has a vested interest in bringing back) won't be broadcast till mid-season next year. There's no mention of Kelsey calling ABC or NBC; perhaps they didn't take his call?

Recently, the AOL list of the 50 Best Sitcoms of all time got me thinking about ten all time great sitcom sidekicks. Working on that list inspired me to look at the best in sitcom siblings -- ADULTS ONLY. The brother/sister relationship, brothers, sisters, family dynamics are great fodder for comedy. For my collection of the best, I've limited it to grown-up siblings only because there are some truly funny things that happen only among adults brothers and sisters that are unique and universal at the same time. After all, unlike the childhood years when kids are controlled by parents, adult siblings remain close and in each other's lives by choice -- and that has made for some wonderful situation comedy.

Niles & Frasier Crane, Frasier
Two brothers, both psychiatrists, both opera buffs, both wine connoisseurs, both heterosexual despite evidence to the contrary. The Crane brothers were like two peas in a very funny pod, sparking each other in comedy, competitive and supportive at the same time. Making their brotherly friendship even funnier was the fact that their Dad, Martin, who was nothing like either one of them. What's even funnier is the fact that when Frasier was originally spun-off from Cheers, the writers didn't include the character of Niles. It was only after seeing an 8x10 of David Hyde Pierce, and how much he looked like Kelsey Grammer's brother, that they put him in the pilot. Frasier would not have been nearly the hit comedy it was without the brother angle.

Fox has made the call, and it's a big "see ya later" for Kelsey Grammer and Patricia Heaton. But their loss is someone else's gain. The pilot for the Jason Bateman directed comedy series The Inn has been picked up for a 13-week commitment, while Back to You has been axed. The Brad Garrett-Joely Fisher sitcom, Til Death, meanwhile, has been given another year.

Bateman, who starred in Arrested Development -- the Emmy-award winning comedy that the network dumped unceremoniously because of low ratings -- was behind the camera for The Inn pilot. The show, which is about the haves and have-nots in a fancy, five-star New York City hotel, has a promising cast of funny folks including Niecy Nash (Reno 911!), Jerry O'Connell (who looks like Jason's twin), and the really hilarious Jesse Tyler Ferguson (remember him on The Class -- he was so funny!).

AOL Television has compiled a list of the 50 Best TV Comedies -- Ever, this week revealing numbers 50-41. Inspired by what they did, I've decided to list my favorite sitcom sidekicks, those funny foils that oftentimes make the star shine even brighter than you might have thought. Coming up with just a ten-pack hasn't been so easy. Many times, I'd look at a show and think, "No, it's more of an ensemble. There isn't one sidekick." Falling into that category were B.J. and Trapper John on M*A*S*H. Neither were Hawkeye's sidekick, really (any more than Radar was). Same thing with Friends -- they were all each other's sidekicks. Also, on The Odd Couple, Oscar and Felix were equal; neither was a sidekick. Ditto Two and a Half Men and Laverne & Shirley. Also, because it's my list, I decided not to include married couples -- sorry Rob and Laura, Ricky and Lucy, Archie and Edith.

Whew, after all that, here, in alphabetical order, are the ten I love -- within my own parameters! Feel free to comment with your choices, if your favorite isn't on my list.

Welcome back, Raymond.

TNT has signed Ray Romano for a new one-hour comedy/drama pilot, Men of a Certain Age. After the success of Everybody Loves Raymond for CBS -- 1996 -2005 -- Ray Romano left television sounding very much like a guy who wasn't interested in another show. After all, he could have kept Everybody Loves Raymond going for years. It was an Emmy-award winning, Nielsen champ. The show is doing great in syndication.

A new study at Marymount Manhattan College has concluded that real-life dads are less supportive and accepting than dads on sitcoms. Happy Father's Day!

The study went like this: a communications researcher showed episodes of various TV comedies, including The Simpsons, Everybody Loves Raymond, My Wife and Kids and George Lopez, to 108 college students and then asked them how the TV dads compared to their real-life dads. In every instance, the TV dad was better than the real dad.