TVSquad

Entering into its fourth season (and second since the NBC/DirecTV deal), Friday Night Lights is a show in transition on numerous levels. The high school football drama returns tonight to DirecTV's 101 Network at 9 p.m. ET (NBC won't air this season until next summer) and for fans of the show, it's an episode they've long been waiting for.

Ever since the season three finale, as Coach Eric Taylor (Kyle Chandler) and his wife Tami (Connie Britton) stepped on to the East Dillon Lions decrepit football field, Eric's new home, the tension has been at an all time high in Dillon, Texas. How can Coach Taylor, a man whom many consider to be a high school football wunderkind, start from scratch with a team that doesn't even exist yet?

Fantasy football is a tricky thing. You either love it or you hate it and that largely depends on whether you're good or bad at it. For the most part, the same can be said about FX's newest comedy The League. When it's good, it is good, but when it's bad... well, you get the picture.

The show, which premieres tomorrow night, Thursday 10/29, at 10:30 p.m. after It's Always Sunny in Philadelphia, is FX's first solid attempt to produce a lasting companion piece to Sunny and, given some of its predecessors (like Starved or Testees), it'd be easy to write The League off. But, like a two-minute drill that gradually picks up steam, The League might actually go... all... the... way.

OK -- no more football metaphors.

Over the span of its first five seasons, Nip/Tuck has had some spectacular highs and some even greater lows. Regardless of how you feel about them (personally, I liked season three and The Carver), as viewers we've all watched Dr. Sean McNamara (Dylan Walsh) and Dr. Christian Troy (Julian McMahon) slowly lose the battle to the one thing they're paid to combat - aging.

Entering its penultimate season, Nip/Tuck could use a little nipping and tucking of its own after the mediocre fifth season that saw a lengthy hiatus at the hands of the writers strike. Fortunately, it seems that things might be getting back to "normal" for McNamara/Troy. And by normal, I mean no more serial killers, organ thieves, or weirdo lip-synching musical montages. Beyond that, it's freak show as usual.

When word broke that the Stargate franchise was moving into darker territory with Stargate Universe, fan reaction ranged from cautiously optimistic to downright angry. The anger mostly came from fans who felt jilted by Syfy's sudden cancellation of the veteran show Stargate Atlantis (it didn't help that Syfy announced the new series in a press release that also announced the cancellation of Atlantis). To some, it seemed like the fan favorite (Atlantis) had to die so the edgy new experiment (Universe) could live.

Universe –- a fine, scrappy show packed with great actors – might now be facing an uphill battle with some of its target audience members. Stargate fans unwilling to give the show a chance should know one thing: The franchise's spirit of adventure remains intact in the first three episodes of Universe. It is different and darker than Stargate: SG-1 and Atlantis – even blatantly dreary at times – but it's still Stargate.

Lie to Me is not a show that grew on me last season. When it first premiered earlier this year, I didn't even bother watching it. I tend to shy away from mid-season replacements to begin with and something about seeing Tim Roth speaking in his normal British accent in promos for the show seemed weird to me.

Then summer arrived, TV viewing options started to dwindle, and suddenly Lie to Me became a viable option. I watched the pilot, was mildly amused, and then dropped it for over a month before I looked at another episode. At first, it wasn't that great, and now that I've had the opportunity to speak to Roth about it, it's good to know that I wasn't alone in thinking that.

Dr. Gregory House has problems. This is not news. We know this. His colleagues know this. He knows this. The issue at the core of tonight's two-hour season premiere of House ("Broken" airs at 8PM ET on Fox), is waiting patiently for our favorite curmudgeon to admit what he knows.

Ever since last season's finale, we've all wanted to know one thing - is House really crazy or has the Vicodin finally done enough damage that he's hallucinating dead people and having imaginary sex with Cuddy? The answer is finally revealed, and despite Fox's viral marketing campaign that presented the possibility of someone having done something to House to cause his problems, it turns out that Mayfield Psychiatric Hospital is precisely where he belongs. Or is it?

The beauty of Curb Your Enthusiasm has always been its roots. Born from the mind of a man who launched a show about nothing, Curb is little more than an edgier version that's still... about nothing. It only makes sense that one day we would witness the colliding vortex created by those two masses of nothingness and that day has finally arrived. Well, almost. Season seven of Larry David's Curb Your Enthusiasm premieres on HBO this Sunday night, September 20, at 9 p.m. ET and having seen the first three episodes, I'll say this about the long-awaited Seinfeld reunion - it's real and it's spectacular.

The level that FX's Sons of Anarchy's second season has to reach to top their outrageous first might seem unfathomable. But the man helming this ship is writer, creator and executive producer Kurt Sutter - the man who helped steer The Shield through seven strange and unpredictable seasons of treacherous waters that were once deemed unchartable for the likes of basic cable.

It's tight control on what appears to be complete chaos. Sutter and company are a fleet of reckless Sledge Hammers who are willing to blow up whole buildings to get the job done. Trust him. He knows what he's doing.

FX's white hot biker drama kicks off Tuesday and it brings all of the blood, guts, bullets and glory that the first season did in buckets. And that's just in the first five episodes.

Certain shows seem to be perfect for certain television networks. That's the point of programming, no doubt, and Lifetime has done a good job filling their female-centric niche with TV movies and series like Army Wives. That said, I think there will soon be a new favorite on Lifetime and it's called Drop Dead Diva. It's chick-flick, rom-com for weekly TV viewers, and while men might enjoy the whimsical plot and attractive characters, this is a show that ladies will adore.

If you were talking high concept like a Hollywood pitchman, you could describe Drop Dead Diva as Ally McBeal for the Lane Bryant set. Or maybe it's Sara Lee meets Heaven Can Wait. However, you put it, Drop Dead Diva is a switcheroo story about a vapid, but lovable, gorgeous size 2 model who dies at the exact same time as a brilliant, generous size 16 workaholic attorney, and in one of those wonderful Hollywood comedy devices, shallow Deb's spirit winds up in good Jane's body.

Like many shows before it, Entourage has officially reached a point where the title of the program doesn't exactly make total sense anymore. Think season two of Prison Break after they had, you know... broken out of prison. In this case, we've spent five seasons watching boys become men, and much like the tagline for Entourage's sixth season plainly spells out, "life changes, friends don't." What exactly happens when Vince no longer has an entourage?

The show gets a helluva lot more interesting is what happens.

I really wanted to love Warehouse 13. It's a fun show with two compelling leads, an adventurous spirit, and just enough subversive stuff seemingly bubbling beneath its surface. But the two-hour pilot, airing tonight on SyFy, only hints at the greatness we've seen from its creator's previous work. The premiere, scripted by Jane Espenson (Buffy the Vampire Slayer) and original writer Rockne S. O'Bannon (Farscape), begins with a strong quirky heartbeat, but a stale mystery plot quickly slows the pulse.

Over the span of Hung's first few episodes, Ray Drecker utters a lot of depressing one-liners. Things like "everything's falling apart" and "I used to be a big deal" are common phrases for him. However, as the title of the show suggests, Ray Drecker (played by The Punisher's Thomas Jane) has at least one thing to be very happy about.

The new HBO dramedy is set in Detroit against the backdrop of a financially ruined automotive industry skyline, and as the world crumbles around him, Ray is forced to re-evaluate his life while everything he cares about slowly slips away. It's unsettling and sad, but in some ways, fortuitous ... at least for HBO anyway. Considering the current economic crisis many Americans are experiencing, a lot of people are going to relate to this show. Just probably not to the big penis part.

During the pilot episode of the new FOX drama Mental, Annabella Sciorra's Dr. Nora Skoff tells Chris Vance's Dr. Jack Gallagher that his recent decision to strip down butt-naked to help a patient deserves some of her Harvard business school advice - ask for royalties because the video of it is sure to be more popular than Paris Hilton's sex tape. To that, I offer some insight from a Syracuse University TV production graduate - there's a reason FOX held off on premiering Mental until the summer. It's not very good.

If you heard about Fox's new musical drama/comedy Glee and thought it's probably going to be something like Disney's High School Musical, you're wrong. Gleefully wrong. Glee is one of the best entertainments I've seen on television in a long, long time.

Writer/producer/director Ryan Murphy describes the show as a hybrid, and he's right. It is. For me, I saw elements of the movie Election, plus Fame and Friday Night Lights, with a bit of The Wonder Years thrown in, only it's not nostalgia. Glee is all the best parts of all the above, plus music and dancing and great characters and really witty material.

Southland, the gritty new police drama from film producer Ann Biderman, puts the spotlight on the dark and grimy corners of Los Angeles as seen through the eyes of uniformed cops and plainclothes detectives. Unfortunately, the series premiere is mired in cop show clichés and forgets to deliver anything we haven't seen before.

The first episode – stream it now or watch it below, a week before it debuts on NBC – owes a lot to NYPD Blue, Homicide: Life on the Street and countless other cop shows that came before it. It's a procedural with a large cast about cops struggling to balance "the job" with their personal lives.