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The Wire's David Simon takes on Post-Katrina New Orleans in Treme - TCA Report

David Simon, Wendell Pierce, and Eric Overmyer promoting Treme at the Winter 2010 TCAsIf there was anyone working in TV today who could create an accurate, in-depth portrait of post-Katrina New Orleans, it's David Simon. Many people call Simon's previous HBO series, The Wire, one of the greatest dramas of all time, and they do it for a reason: it has rich characterizations, well-examined stories, and it gives viewers a real feel for the underbelly of Baltimore.

So, with Treme, debuting on HBO in April, Simon tries to examine the lives of ten people who are trying to pull things together three months after Hurricane Katrina flooded out New Orleans.

"New Orleans, to me, represents a place where it's a triumph of American urban culture," said Simon. It's what - it's the best that an American city can be and also the worst in a lot of ways, as I said before, but it has created a culture that has gone around the world."

Continue reading The Wire's David Simon takes on Post-Katrina New Orleans in Treme - TCA Report

David Simon's Treme gets a teaser trailer and a premiere date

treme logo hbo
David Simon, creator of The Wire, is shifting his lens from the mean streets of Baltimore to post-Katrina New Orleans with Treme. The HBO series is set in a Crescent City neighborhood rich in Créole and African American history. Unlike The Wire, Treme will tighten its scope to focus on the musicians and working class people living among the city's ongoing reconstruction efforts.

The Wire was a dense and sprawling tale, unearthing corruption and secrets everywhere from grimy back alleys to city hall. Treme's reportedly smaller scope recalls Simon's first series, Homicide: Life on the Street. The pioneering NBC drama centered on the tough and streetwise detectives sweating away at a Baltimore police precinct. Simply put, the show was a masterpiece that offered a rich, compelling and sometimes avant-garde micro-study of overworked cops.

Continue reading David Simon's Treme gets a teaser trailer and a premiere date

All Jonathan wants for Festivus

David Simon on the set of 'Treme.'
Festivus is upon us once again here at TV Squad and regardless of whether or not I've been naughty or nice, all my wishes had better come true because I've already sat through all ten crappy episodes of FlashForward -- I deserve all this.

  • First off, as you can probably tell by the picture above, I've got high hopes for David Simon's upcoming HBO drama Treme. Set in a post-Katrina New Orleans, I am in no way asking for this show to be The Wire meets the bayou, but I do want it to be good. Judging by the cast (Wire alums Wendell Pierce and Clarke Peters, Steve Zahn, and Khandi Alexander to name a few), I'd say Simon already has another hit on his hands.

Continue reading All Jonathan wants for Festivus

David Simon says advertising is ruining television

Josephine the PlumberEveryone has an opinion about TV commercials. Some people think that advertising is a cancer that has to be erased, and they fast forward through all of the ads when they record a show. Other people love advertising and understand that commercials pay for a lot of our entertainment options (I would put myself in that category). David Simon, creator of The Wire, is in the former category. Is he right?

Is advertising ruining TV?



[via TV Tattle]

Jane After Dark: The Wire - season four ends, alliances shift

The Wire, Season 4, Final Grades, Bodie

Well, well, well. How interesting to see the purchase of the nail gun we saw in the first episode of season four of The Wire come back around to bring everything together. "It's a tomb," says Freamon in "A New Day," and it all makes sense to me. Well, some of it makes sense anyway.

And then there's the teetering decision of whether Freamon will keep getting crap from the higher-ups about going out and looking for Marlo's bodies, using up manpower, and upping the murder rate of the city, or whether they'll do the right thing and actually do their jobs. Oh, the bodies that rolled in.

Continue reading Jane After Dark: The Wire - season four ends, alliances shift

Is The Wire the biggest Emmy snub of all time, forever and ever, amen?

The Emmy nomination process is clearly more flawed than a line of Dora the Explorer lawn darts.

The system is outdated and always in need of a revamping, as technology and the proliferation of programming increases every year. Some contenders are just going to get a big, ugly, high school prom date snub.

That doesn't mean the process is without its no-brainers. I'm referring, of course, to the shows that deserve special recognition for changing the course of the medium and showing the world its possibilities and not to the people actually doing the nominating. The last season of The Wire will go down as one of the biggest no-brainers of all time.

Continue reading Is The Wire the biggest Emmy snub of all time, forever and ever, amen?

Jane After Dark: The Wire, season 4 - The kids are not alright

The Wire - Season 4
I'm well into season four of The Wire (just finished "Margin of Error"; read my other Jane After Dark installments), and getting into the guts of the Baltimore political scene and how it's all interwoven with the cops and drug business.

Oh, those kids! It really makes you see how they've gotta be extremely driven to get out of that life, because a lot of the adults are just priming them to continue the drug business into the next generation. Not only their parents -- which is really sad -- but people like Marlo, who has his minions handing out back-to-school cash to build goodwill with the kids. At that rate, those kids don't have a shot of clawing their way out of a life of crime.

It will take me another run-through or two to really fit all the pieces together, but I'm digging how all of the characters have evolved ... or not ...

Continue reading Jane After Dark: The Wire, season 4 - The kids are not alright

Jane After Dark: The Wire, season three - Oh, Stringer!

The Wire - Middle Ground

Well, holy cow. I did not see that coming, although from what you've all said, I was prepared for just about anything to happen on The Wire. Except that!

I feel like season three ended on a high note. Well, sort of ... at least for McNulty, now walking the beat in the Western Division. Even though he's wearing a uniform, which is just weird for him, he's talking and laughing with the residents, and that's really what it's all about. And Rhonda and Cedric are together (oh, that chiseled butt of his!).

Even with all the busts, though, the drug business sails onward, with Marlo moving up in the hierarchy and Dennis' boxing gym virtually deserted, all the kids lured back into the streets. But mostly, season three was all about Episode 11, "Middle Ground"; in particular, a few penultimate scenes...

Continue reading Jane After Dark: The Wire, season three - Oh, Stringer!

Jane After Dark: The Wire, season 3 - Stringer wears a suit, Omar gets rash

The Wire, season 3 - Omar and Bunk
After a brief break to watch season four of Weeds last week, Jane After Dark is back with The Wire. I'm half-way into season three, and while there are definitely parts of this show that put me to sleep (ducking and running for cover), it's still a brilliant drama. My teenage son popped in for part of an episode, decided it was too "real," and promptly lost interest.

To help me organize my thoughts, let's take a look at a few characters:

Stringer Bell.
I'm really digging Idris Elba dressed up in his fancy suit, running the real estate company, working with government officials, and holding drug meetings using Robert's Rules of Order. It's fascinating that there's this whole hierarchy within the gangs that most of them respect and follow.

Continue reading Jane After Dark: The Wire, season 3 - Stringer wears a suit, Omar gets rash

Jane After Dark: The Wire - Season two ends, the Sobotka clan crumbles

Chris Bauer as Frank Sobotka on HBO's The Wire
As John Howard noted in the comments in last week's Jane After Dark column, I really haven't talked much about Omar yet. I just finished season two of The Wire, and to be honest, most of my thoughts right now revolve around the Sobotka clan.

First of all, how stupid was Ziggy? The guy's always been a live wire, and you could see the bad karma building throughout this season, with him flashing money around, showing off his Italian leather coat, and going a little bonkers with the stolen Mercedes. Things were bound to go bad for him, and they did just that when his deal with Double-G went oh so wrong.

Continue reading Jane After Dark: The Wire - Season two ends, the Sobotka clan crumbles

Jane After Dark: The Wire season two - on the waterfront with Amy Ryan

Amy Ryan in The Wire
I'm three episodes into season two of The Wire. I tried watching it online as Usama suggested in last week's Jane After Dark comments (thank you for that awesome site!), but decided to just buy the DVDs, because I stop and start a lot and need easy access to it. So I looked around town and found a fairly reasonably priced season two at FYE. It's new; no one seems to have any used sets, which makes me think - as you all have suggested - that no one ever gets rid of their DVDs of The Wire. They keep them around to watch again and again. I'll probably just buy each season as I work my way through the series.

And speaking of starting and stopping, The Wire does not get any easier to watch while doing something else at the same time. Whenever I try to do that, I end up replaying those parts again, because there's way too many subtleties to be only half-paying attention.

Continue reading Jane After Dark: The Wire season two - on the waterfront with Amy Ryan

Jane After Dark: I'm still watching The Wire

The Wire - Season OneI just watched the last episode of season one of The Wire. You guys are right. It's good stuff. Most of season one was pretty slow-going, but things started to kick in during the last few episodes, about the time Greggs got shot.

As in last week's Jane After Dark column, I'm still a bit lost on exactly what's happening, but that doesn't seem to really matter. The characters are so interesting to watch. It's almost like you're watching a documentary about the real thing, rather than a scripted TV show. I took the suggestion of some of you and started watching with the subtitles on. It really does help!

I noticed that Alan Sepinwall is also blogging on The Wire -- and writing a masters thesis on each episode. He even has two different versions -- one for newbies and one for veterans. I'm the anti-Sepinwall, just trying to grasp the storyline and get the basic gist. But I did read his newbie editions and found them helpful.

Continue reading Jane After Dark: I'm still watching The Wire

Jane After Dark: The Wire

The Wire - Jane After Dark
I never intended to watch The Wire next in my Jane After Dark pursuits. In fact, I planned on watching Veronica Mars, as many of you suggested. But a good number of you also recommended The Wire, and I had season one sitting here, so I popped it in one night.

I'm not gonna lie to you. It's been slow going. Here's how it went down:

Episode 1: I was completely lost, so I watched it twice to see if I could grasp it the second time around. Then I read the detailed synopsis on The Wire's official HBO site. Clearly, this show is not meant to be watched while you're doing something else. You need to sit down and focus on what's going on.

Continue reading Jane After Dark: The Wire

HBO picks up The Wire creator's new New Orleans show

The Wire and Treme creator David SimonHBO has picked up four new shows, one of which could be the smartest and most compelling thing in the history of the universe, as long as the hype doesn't kill it.

David Simon, the creator of The Wire, has received a nine-episode greenlight for his new show Treme, a character drama that looks at the lives of New Orleans musicians in the post-Katrina reconstruction.

Simon brought the show to life with Eric Overmeyer, both of whom worked together on Homicide: Life on the Street. It will also star former Wire stars Wendell Pierce and Clarke Peters as well as Steve Zahn, Khandi Alexander, Melissa Leo, Kim Dickens and Rob Brown.

Continue reading HBO picks up The Wire creator's new New Orleans show

HBO plans Lincoln assassination mini-series

logo HBOA week from now, HBO will probably be one of the big stories from the Primetime Emmys thanks to the success of the John Adams mini-series. But it's not sitting on that success, the premium cable net is banking on it. HBO announced today a mini series based on the assassination of Abraham Lincoln called Manhunt. That news would be interesting enough because the series will deal with the 12 days after Lincoln was shot when the assassin, John Wilkes Booth, was on the run. However, the guys that HBO have tapped to work on Manhunt are two of the best in television -- David Simon and Tom Fontana.

HBO knows Simon and Fontana's work really well. Simon was the creator of The Wire and Fontana's brainchild was Oz. This is also not a new collaboration. Fontana turned Simon's book, Homicide: A Year on the Killing Streets, into the Homicide: Life on the Streets TV series for NBC.

Continue reading HBO plans Lincoln assassination mini-series

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