TVSquad

Talk about a wealth of choices! When it comes to the Primetime Emmys in the supporting actor and actress categories for drama, there are a plethora of worthy candidates. Some shows, like Mad Men or Lost, for instance, have multiple choices in the supporting ranks, especially since these ensembles seem to have a hard time determining who's really the lead.

Earlier, I shared my wish list for the Outstanding Lead Actress in a Drama nominations, and I mentioned that Chloe Sevigny from Big Love would be a deserving selection. A TV Squad reader let me know that Chloe has actually been submitted in the supporting category. Good to know, and with that in mind, I'll start my wish list by talking about that category. (Remember, there are six nominees per category.)

(S02E11) After last week's episode, I thought we might have a moment where Walt came back to Jesse and said that it was back on. He'd got the passion for cooking in his soul and he couldn't shake it out. It's really starting to make me worry more about those foreshadowing opening sequences we've seen with body bags and destruction. Explosion at the White house? Is his family going to be collateral damage?

We didn't get any further on the foreshadowing sequence in the opening segment, instead we got something equally devastating in the here and now. If you're going to get into drug distribution, you have to learn to expect collateral damage. When that damage came it was perfect that Walter didn't even recognize him by name.

(S02E07) The episode opened with a video by Mexican cousins Los Cuates de Sinaloa; the song is our episode title. It looks like the boys were hired to pen a tune that explains exactly what is going on in the drug community now that White and Pinkman are peddling their blue meth. The video is produced like something you'd see on Latin MTV (sort of) in Spanish with English subtitles. It also goes on to tell us that White, as "Heisenberg," has gained notoriety of the not-so-great sort in the drug cartel world further south. It was a unique if strange way to open the episode, as well as provide exposition on White's growing infamy.

As for Walt, one of the benefits of his newfound career in drugs is that he's a much more aggressive taskmaster in the classroom. No more timid Mr. White; Walt's apparently becoming a badass in all walks of his life. Or at least much bolder than he was. Meanwhile. Jesse is finding out that it's a lot tougher to be the badass everyone thinks he is when he doesn't have the self-confidence to be as hardcore as his image.

(S02E01) Three hundred and sixty-four days after the first season finale, the second season of Breaking Bad finally began last night (Damn you, writers strike!). While we only got seven episodes last year, the show still made a huge impact on the television landscape, primarily by being just amazingly produced and acted. The action and tone pick up here as if we've never been away, and despite a year since new episodes, it feels like only last week that we first saw Tuco go ballistic and viciously beat his own man.

Of course, if it had been last week then I doubt we'd have rewound the scene and replayed it in its entirety. Still, it was a nice reminder of just how crazy and unpredictable Tuco is. And it was the problem of Tuco that pretty much drove the entirety of the main plot tonight. It says something as to how perfectly disturbed Raymond Cruz portrays Tuco that despite being in the episode only during two sequences, his presence hovered over every moment.

(S01E07) Well, I have to say that while this finale did establish a certain status quo, albeit a highly precarious one, it was by no means a satisfying series ender. Thus, I fully expect that AMC will renew this amazing show for a second season post haste. Did you here me, AMC? Whatever you need to do to secure these actors and get this ball rolling. And maybe give us at least 13 episodes next time, eh?

(S01E05) This episode served as a bridge in our larger story to the next chapter of both Jesse and Walt's lives. In the previous installment, Walt withdrew from the sordid world of drug trafficking and focused on his family, revealing his cancer and looking at the varying options available to him. Meanwhile, his erstwhile partner Jesse had a bad drug reaction and sought refuge in the home of his parents, which didn't turn out as well as he had hoped. Here they both continued their efforts to move on with their lives, to varying degrees of failure.

(S01E03) "I thought we were going to Cold Stone Creamery." Walt, Jr. with Hank

With this episode we come to the conclusion of what would be considered the "First Act" of the Breaking Bad saga. I have to say that I was very impressed with this conclusion, and with the opening arc. Cranston continues to dominate the screen with his tragic portrayal of a desperate man who's health is clearly failing more and more with each passing moment. Hard decisions are made, and the hardest and best decision he's made yet looks to be the one the episode ends on.

(S01E02) "Is this going to be on the murder?" -- question asked by a student in Walter White's class, or at least how he heard it.

Things are starting to unravel fast for our "odd couple" of meth makers. Last episode left them with two dead bodies in the back of a wrecked RV filled with meth ingredients. How could it get worse? Well, what if one of those dead bodies isn't so much ... dead that is? The boys haven't sold any drugs yet, Pinkman's house is falling apart and White's marriage may not be far behind. Cranston's getting well deserved raves for his stellar performance, but as with most buddy comedies, and let's face it this is becoming a very dark comedy, it takes two great actors to pull it off, and Aaron Paul's Pinkman is an amazing foil for Cranston's White.