TVSquad

It's always interesting when you've been hearing about a series for years and then finally sit down to watch it. All the little pieces and pop references of Ally McBeal are starting to come together, like Fishisms, The Biscuit, dancing babies and Vonda Shepard. I have seen the light. Well, at least season one of the light.

I mentioned in my preview last week that Ally McBeal seems like a mix of The Days and Nights of Molly Dodd and My World and Welcome To It. Having reached the end of season one, I still feel that way, with maybe a little Buffy the Vampire Slayer thrown in (hey, don't throw things at me, Ally looks like Buffy).

Molly Dodd because Ally is funny, desperate, strong and cute. My World because of all her fantasies, though not always in cartoon form as was the case with John Monroe / James Thurber.

I'm watching season one of Ally McBeal for Jane After Dark this week, and will give a full review this weekend. But I have to say, I'm just a few episodes in, and I'm already hooked. It's a weird blend of The Days and Nights of Molly Dodd and My World and Welcome To It.

And it's very weird seeing Calista Flockhart, whom I mainly know from Brothers & Sisters, and all of her co-stars, whom I know from other current shows, on Ally McBeal. What's even more amazing is all of the musicians featured on this show: Elton John, Tina Turner, Mariah Carey, Al Green, and many more.

Certain shows seem to be perfect for certain television networks. That's the point of programming, no doubt, and Lifetime has done a good job filling their female-centric niche with TV movies and series like Army Wives. That said, I think there will soon be a new favorite on Lifetime and it's called Drop Dead Diva. It's chick-flick, rom-com for weekly TV viewers, and while men might enjoy the whimsical plot and attractive characters, this is a show that ladies will adore.

If you were talking high concept like a Hollywood pitchman, you could describe Drop Dead Diva as Ally McBeal for the Lane Bryant set. Or maybe it's Sara Lee meets Heaven Can Wait. However, you put it, Drop Dead Diva is a switcheroo story about a vapid, but lovable, gorgeous size 2 model who dies at the exact same time as a brilliant, generous size 16 workaholic attorney, and in one of those wonderful Hollywood comedy devices, shallow Deb's spirit winds up in good Jane's body.

"This is the first script I've read that made me excited to come back to TV," said the actor about his latest project. The actor is Wilmer Valderrama; the project is a Fox comedy pilot called The Emancipation of Ernesto.

Wilmer, who is best-known from his eight seasons on That '70s Show -- a supporting player on the Fox mainstay -- will be front and center on this new one-hour, single camera comedy. He's Ernesto, and Ernesto is a quirky character.

The show is citing two 1979 films -- for starters -- as reminiscent of The Emancipation of Ernesto: Steve Martin's The Jerk, as well as Chauncey Gardiner, the Peter Seller's character in Being There. Why? Well, it's the Ernesto character.

After more than twenty years at 20th Century Fox TV, Emmy-winning writer-producer David E. Kelley is packing his bags.

One of the longest and most succesful collaborations in television history is coming to an end as Kelley announced that he is entering into a three-year partnership with Warner Bros. TV.

(S04E20) "Shirley, it was good that we oppose." - Carl Sack leaving himself wide open.

Shatner and Spader's celebratory dance upon learning they were accepted into the Coast Guard may have been the best acting I have seen out of the two of them all season.

When I read the synopsis of the season finale I really didn't know what to think. At first glance, of course, the idea of one city seceding from the United States seems ridiculous. However, this being Boston Legal I knew there had to be more to it.

(S04E17) I don't want to seem like I'm not happy for Jerry but did we really need to know so much about him losing his virginity and by "so much" I mean anything at all? More importantly, I have to call BS on Jerry's glowing review of his opening night performance. In my many years of "intimacy," some experiences have certainly been better than others but none of them have ever made me nostalgic for my first time. Not that I don't remember it fondly, it's just not something I would brag about and I really doubt that anyone involved would describe me as caring, respectful or wonderful.

I must admit, Mr. Kelley had me at "THE United States Supreme Court." This was a real test for Alan. On one hand, how does he justify defending a man convicted of raping a child? On the other hand, how will his huge ego be able to pass up the opportunity to argue in front of the highest court in the country?

(S04E05) "It's not everyday you encounter compelling characters, is it?" - Patrice Kelly

There's been a lot of talk about the rhetoric that Boston Legal has concerned itself with lately. It seems a lot of you have an opinion on the political views taken by the show. In an effort to "reach across the aisle" let me point out something that I'm sure we can all agree on...Boston Legal has some of the most original storylines on TV.

Personally, I am hard pressed to think of any show wherein a character asks one of the stars to advise her on how to be found "not guilty by reason of temporary insanity" before committing the murder. This episode had me on the edge of my seat from the very first scene.

I must admit, I was worried when I read that Peter MacNicol would be joining the cast of 24 this season. And I was mighty skeptical.

I knew MacNicol only as John "The Biscuit" Cage from Ally McBeal, a role which scored him an Emmy. (Yeah, yeah, I know he's been on the show Numb3rs since 2005. But I don't watch Numb3rs.) For years, I watched as the "funny little man" dazzled fictional Boston courtrooms with his odd antics and did strange things in his law offices, like "dismounting" from the co-ed bathroom stalls, utilizing a remote toilet bowl flusher and saying that he was "drawn to" various females.

The preview for this weeks Blade teased a kiss between Krista (Jill Wagner) and Chase (Jessica Gower). In celebration of that possibility, I thought now would be a good time to touch on other girl-girl kisses in our television history. Sometimes they are to make a statement. Sometimes they are a ploy to grab ratings. And every once in a while, it's just a natural part of the story. Here are the five that come to mind first for me.

Roseanne (Roseanne Barr) and Sharon (Mariel Hemingway) - Roseanne
This was an important moment in television. At the time, there was no L-Word, and two girls kissing was still a very controversial thing. Roseanne has her faults, to be sure, but standing up to the network to get this episode on the air is something to be proud of.

Ally (Calista Flockhart) and Ling (Lucy Liu) - Ally McBeal
This one strikes me as somewhat the opposite of the Roseanne kiss. There was much less statement, and much more ratings grabbing sensationalism in this lip-lock. In that regard, it worked very well. Of course, the gang over at Ally McBeal had plenty of practice. Along with Ling, Ally also kissed Georgia (Courtney Thorne-Smith) and Elaine (Jane Krokowski). But if I have to pick one, it's Ling every time. And yes, I was an Ally McBeal fan.

Michael Scott (Steve Carell) puts it all in perspective at the end of this episode when he describes why an office needs both men and women to be present:

"You need to have that crazy sexual tension to keep things interesting."

How did we get to this prophetic (for Michael, anyway) statement? It begins with his boss (and unrequited love interest) Jan showing up at the Scranton office of Dunder Mifflin to conduct a "Women in the Workplace" roundtable and gathers all the ladies in the conference room to discuss their lives and how it relates to their careers, and vice versa.

Michael is threatened by the fact all the "Ally McBeal" women are gathered together and thinks they're talking about him. Jan throws him out of the room, so Michael decides to gather all the male office staff down in the "bowels of the office" aka the warehouse, which is run by foreman Darrell, who is not thrilled with what is going on. In addition, let's not forget that Pam's fiance Roy works there too, and Kevin mentions to Jim that he wonders if Roy has caught wind of Jim's previous/ongoing crush on her.

Michael attempts to forge some male bonding and togetherness that although there are white collar and blue collar workers in the same place, he says he is "collar blind." However, the warehouse guys can't hide their obvious contempt for Michael, especially as he drives forklifts into inventory and ends up making a huge mess. Meanwhile, Roy and Jim make small talk and Roy brings up the aforementioned crush. He says he's cool with Jim because all of that took place years ago, so they move on.