TVSquad

(S14E19) Now, let the speculation begin!

Did you really think that ER would end its fourteenth season with everything all honky-dory at County General? You haven't watched it recently, have you? Fact is, the season-ender for the last few years has been some sort of cliffhanger. Last season the fate of Neela was unknown. The year before it was Abby and Luka. A few years before that the fates of Pratt and Jing-Mei were undecided.

Now we have two (or three, or four) characters to consider as potential victims. But, who will be the lucky -- or in this case, unlucky -- one who will end up as a patient in their very own Emergency Room when season 15 of ER begins? Let's take a look at the candidates. Oh, by the way, spoilers ahead if you didn't watch the last three minutes of the episode.

(S19E19)"Mom, I can't believe you're here! You keep disappearing and reappearing and it's not funny! You're just like that show Scrubs" -- Homer to his mother after her unexpected return.

Over the past few Sundays this space has been reserved for deeper looks into The Simpsons. Despite the fact that it is an animated series there is usually an underlying base of themes, emotions, and psychoanalytical analysis that takes place amongst the Simpson family and those around them. In fact, one 22-minute episode can contain many layers of subtext that define each character further.

This week, though, not so much of that. What we may have thought to be a sweet story about the return of Homer's mother turned out to be a huge joke fest. Well, actually more a joke fest during the second half of the show than the first half. The first half was actually kind of sad as Homer couldn't take one more of Mona Simpson's promises that she had stopped running from the government and was now ready to devote her time to Homer and his family. The second half was a totally different Simpsons episode.

"Here he comes, here comes Speed Racer. He's a demon on wheels." -- The beginning lyrics to the theme song of Speed Racer.

In this week's installment of 'Saturday Morning' we take a break from our regularly scheduled coverage to talk about a cartoon near and dear to many readers' hearts. A cartoon that, while not the first anime to reach the shores of America of the 60s, it was certainly the most influential.

Even though it was never part on any official network schedule, Speed Racer was on somewhere at sometime during the era of Saturday morning cartoons. And, why wouldn't it be? It had everything that a child hopped up on sugar-coated, chocolate-filled cereal could want: action, drama, comedy, mysterious heroes, villains, gadgets, cars, and a boy and his chimp. It also featured animated characters with more natural characteristics than those previously seen on American television. Plus, it had a kick-ass theme song that dug into your brain.

Much has been written on the history of Speed Racer since it premiered over four decades ago. However, with the new Speed Racer live-action film now in theaters, it's a good time to revisit the origins of Speed, Trixie, Pops, Racer X, and the rest of the players. So, if you have your Mach 5 model kit in front of you, let's Go, Go, Go!

(S14E18) What? An episode where Abby's good luck finally rears its ugly head? Nah, couldn't be! Why would the producers of ER want to give Dr. Lockhart any good luck after the roller coaster that has been her life this past season? Oh, I know why...her life is going to fall apart again on next week's season finale. So, I guess it's like giving her something sweet before she needs to swallow yet another bitter life pill.

Well, we can enjoy it for a little bit, can't we?

(S03E13)"Friends don't let friends' fathers go to the electric chair." -- Angela, on why she wouldn't testify against Bones' dad

Doubt. A word that many of us use in some context at least once a day. We don't doubt it, we doubt it happened or, used in a positive manner, we prove that there isn't any doubt about it. In the legal world the word has a much more powerful connotation. Should a shred of doubt exist during a criminal trial, there is always that slim chance that the judge or jury will see past the crime of the defendant and rule in the opposite manner.

Sometimes, the physical evidence that the prosecution provides is the reason for doubt. Other times, it is the testimony of the witnesses that causes the judge or jury to think. Then, there are those times where doubt is seeded by the team of lawyers who are trying to get their client off.

Finally, there are those very rare occasions where the doubt is provided by the client's daughter. Guess which type of doubt was used in this week's episode of Bones?

Gallery: Bones: The Verdict in the Story

Holy frik! We've only just started to embrace the return of our shows after a shortened strike season. Now, they are almost over. In the next few weeks all of our network favorites will say good-bye for the summer to be replaced with reality shows, reality game shows, reality soap operas, and Regis on primetime (again).

Needless to say, I'm a bit depressed. As I am sure you are as well. But, we will do our duty and press on. Thusly, we here at the sprawling lakefront offices of TV Squad (you choose the lakefront) have compiled list of when your favorite, and not so favorite, shows will be saying good-bye for their summer vacation. As usual, taking the fickleness of the networks, these times and days can change at a moment's notices. We will try to update you of those changes as quickly as our little fingers can type it out.

So, with a leaden heart, here are your season and series finales.

(S19E18)"No more Simpsons' movies! One is enough." -- Marge Simpson

Add Utah to the list of states that the Simpsons have visited since the series began. And, no, they weren't there for some wacky episode about Homer being married to multiple women. They were at the Sundance Film Festival, thanks to Lisa and her wonderful documentary about the family she lives with.

Wonderful to the visitors of the festival, that is. For her family it was a bit humiliating -- as much of Lisa's artistic work is. Being such a free spirit Lisa doesn't think too much of the consequences she wreaks when the creates these various projects. Which is weird coming from someone as smart as her. Then again, she's only 8-years-old. So, should we really be expecting more from her?

The operative word to describe the 1968-69 Saturday morning schedule was 'change'. After two years of superhero and action/adventure cartoons the networks and the animation studios decided to shake things up a bit. When you take a look at the world-altering events that occurred forty years ago, moving away from action and into some more amusing and less dangerous fare was not a surprising move.

That doesn't mean that Saturday mornings were totally void of any type of heroic action in 1968. In addition to shows like Spider-Man, The Herculoids, and Journey to the Center of the Earth, all entering their second seasons, three of the seven new series premiered that featured a hard-action bent. The rest focused more on humor and slapstick then on flying beings who could shoot beams out of their hands. And, out of the seven, five of the shows were the cornerstones of trends that would continue well into the 1970s.

So, if you have your Thing Maker in front of you, let's journey back in time to 1968.

Gallery: Saturday morning: 1968

Alton Brown is a unique commodity on Food Network. In an environment where most of the action is in front of the stove or above the cutting board, Brown's Good Eats takes us beyond that. Sometimes it's to the origins of the food or the recipe; other times it's into the science of how all of the ingredients of a particular combination of foods work together. He does this with a bit of nerdiness, a bit of hipness, and a good amount of humor.

When he took his love for food on the road in the first Feasting on Asphalt it produced a very successful mini-series that showed the non-corporate side of America's eateries. It also showed us some of the small cities and towns, and their personalities, that we don't normally see off of the interstate at our Applebee's booth.

Now, his second series of Asphalt is out on DVD. While not as fresh as the first series (and, what is the second time around?) it is still a fascinating look into the America that has been nearly forgotten as the corporations took over the country. You'll want to savor this journey because, frankly, that's about all there is in this 3-DVD set.

(S14E17) "I already know. Get over yourselves." -- Archie Morris, passing by a kissing Samantha and Tony.

Ye gads, that was bloody! I mean, we've seen plenty of blood in the ER over the last 14 seasons, but that was one of the more bloodier sessions I've seen in a long time. It was just flowing everywhere. Too bad that its flow was hampered somewhere down the line by a clot because, if everything was okay, then we wouldn't of had a serious spotlight on one Archie Morris.

So, I guess things turned out well. For us, not for the patient. That was actually pretty bad. And, not for the patient's husband who...well, you'll need to find out what happened to him after the jump. So, Spoiler Alert ahead, mateys.

As Bob reported earlier this week, FOX is considering a number of new animated series for its schedule. Most likely due to the fact that their new live-action series tend to, um, stink. One of those being considered is Sit Down, Shut Up, which may have an upper hand over its competitor The Pitts due to the creative talent behind the show.

I'm talking about Bill Oakley and Josh Weinstein. Fans of The Simpsons would know these two as writers and executive producers of the show during its so-called golden years. Others may know them from their WB animated series Mission Hill and their sort-lived UPN live-action comedy The Mullets. Now they have been named executive producers on Sit Down, Shut Up. They will be taking the creative reigns from Arrested Development creator Mitch Hurwitz, who wrote the first script and now wants to be in a more supervisory role.

As AOL Television continues their look at the 50 Best TV Comedies -- Ever with their Top 10, we here at TV Squad are also looking at television comedy, but with a slightly skewed difference. Last week, we took a look at the Saturday Night Live cast members from 1996 to 2006 that made it to the big time. This week, we get a bit more serious.

There are those in the industry who say that it is easier to go from acting in a drama to acting in a comedy than it is the other way around. Yet, as you will see from the list we've compiled after the jump, there are plenty of comedic actors who have jumped from the world of comedy films, stand-up comedy, and television sitcoms into the more serious world of drama. In many cases they have had even greater success than they did on the other side of the tracks. There have even been instances where they stayed in the drama genre and never went back to being funny.

Gallery: Comedians who became dramatic actors

(S03E12) "Dancing Phalanges!" -- Bones playing with Baby Andy

Before I begin I wanted to thank Jen for handling last week's review while I was taking care of some personal matters. Unfortunately I left her with an episode that was postponed for nearly a year, causing her to ask where all of the neat stuff I was reporting on was located. Well, she got me back good as this week's episode of Bones was postponed not one, not two, but FIVE times.

Aaron Brown is ready to return to television. After a two-year hiatus the 59-year-old journalist and ex-CNN anchor will be joining the PBS series Wide Angle as an anchor, producer and part-time field reporter.

Brown left CNN in November of 2005 after a network shake-up that gave his coveted 10:00 PM time slot to up-and-comer Anderson Cooper. He remained off of television due to contractual regulations and instead filled his time with teaching at Arizona State University as its first Walter Cronkite Professor of Journalism. According to an interview with the Associated Press, Brown said he decided to work at Wide Angle instead of another cable news channel in order to "work in an environment where people just think about making good TV and good journalism." He added that cable news networks could be pushed into focusing on sensational, tabloid-like stories.

Wide Angle will begin its seventh season on PBS starting on July 1st. Topics that will be covered this season will be the crisis in the Sudan and the changing role of the military in Japan. Brown hopes to do some field work in Venezuela or the Middle East for future Angle stories.

Television ads aren't fun anymore. There's a sameness to them: the fast edits, the young bodies, the deep-voiced announcers who all sound alike. And, with the advent of TiVo and the DVR, most of them are just a blur to us as we fast-forward from the end of one scene to the beginning of another. You would have to go all the way back to the days just around the advent of the personal VCR to find entertaining commercials that featured characters and slogans that would stick in your brain.

Rebbecca Brown just went back to the '70s. By culling the parents' garage known as the Internet, Brown was able to put together 10 memorable ads from the decade of Watergate, leisure suits and the 8-track cassette. If you were around during that decade you will remember most, if not all, of the ads that Brown picked.