
(S01E06) "Excuse me -- can I get a cheeseburger, no cheese, to go?" - Jonathan
Despite its overall mediocrity thus far, those of us out there who have been sticking with Bored to Death in the hopes that it would get less, well... boring, were finally rewarded. Not only was "The Case of the Beautiful Blackmailer" the best episode of the season to date (I know I've said that before, but clearly I spoke too soon), but it definitively justifies the show getting a season two renewal. This episode proved that the ensemble can actually work well together, and it also made one other thing very clear -- individually, Schwartzman, Danson, and Galifianakis are funny guys. But, together? Comic gold.
First things first -- up until now, the private detective aspect of the show has been lacking, to say the least. Simply put, Jonathan's second job is the real selling point of the show. It's why I tuned in. However, most of his "cases" haven't really felt worthy of that premise, but that changed here. "The Case of the Beautiful Blackmailer" had mystery, a thug, injured parties, and, even though it sounds clichéd, real lives hung in the balance. If Jonathan didn't come through, his client's marriage would have been over. The reality of the stakes brought much more tension to the situation.
At the same time, George and Ray being left alone in the Subaru to smoke pot and doodle each other on sketch pads, relieved all that tension. The A and B plots really merged together quite well, and as exciting as Jonathan's ordeal in the motel room was, George and Ray really stole the show here.
The highlights:
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George's lack of common knowledge is amazing: "What's a Subaru?"
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The opening scene at the diner as Jonathan got out of the car really set the tone for the episode -- he seemed more confident.
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Jonathan's client hired a hooker he found on Craig's List, and that obviously didn't work out well for him. So... he goes back on Craig's List to find a private detective?!?
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George in the surveillance store -- amazing. Patton Oswalt, as the store owner, should have been the highlight here, but Danson was just too good. The night-vision goggles, looking at the cameras, wanting to shop there all the time. Very funny scene. Oh and don't forget the voice box - made me think of Scream.
- Janet, the unicorn. "She extends!"
- Glad to see that Jonathan's big nose has become a running gag.
- Ray wears his diver's watch in the bathtub... suddenly, the fact that he's selling his sperm to a lesbian couple isn't so tragic. This might actually be the best he can do.
The set-up for the final two episodes is also quite good. Now that George has hired Jonathan and Ray to collaborate on a comic for the magazine, it really changes the group dynamic. First off, despite Ray's constant complaints about money, he's clearly just looking for someone to take an interest in his talents and this satisfies that need.
George also gets two things out of this. One, he's a slave to his job and this helps the magazine, and two, he's taking Jonathan and Ray under his wing so it assuages some of his guilt about the daughter in Seattle he never calls.
Most importantly, though, as we learned from Jonathan's conversation with Sophia, the blackmailer, he's not over Suzanne and this gig with Ray gives Jonathan steady income. He can try and win her back now. Assuming he can kick the white wine.















Reader Comments (Page 1 of 1)
10-26-2009 @ 7:47AM
bruce said...
I still don't understand Jonathan's motivation (especially his continued motivation) to be an "unlicensed private investigator" ... he's not making money (quite the opposite), not overcoming his writer's block, and not getting his old girlfriend back. Maybe from now on Ted Danson will join him on all his PI adventures and that might make for a less pointless show. I just don't see how this show was greenlighted, let alone given a second season.
Yes I've watched each episode, trying to like it and yeah it's entertaining enough. But I'm sure there are 10,000 better shows HBO could have given the greenlight to in order to fill up a half hour of its timeline.
Lucky Louie wasn't that great, but it was better than this. That got cancelled real quick. I like the actors (loved Silverman since Rushmore) and that's the show's only real strong point and the reason I keep sticking with it week to week. I can invest 30 minutes once a week to watch a semi-nonboring show. It's not like I'm watching reality shows, so there's little else to watch in terms of scripted TV.
HBO can do better, though. If this episode is as good as this show gets, just cancel it and try something else. I expect more from HBO.
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10-26-2009 @ 7:47AM
jason said...
I usually follow the edict that any new show on television needs some time to find it's footing. This is especially true for 30-minute shows.
Beyond the obvious jump in the quality of the storyline, we are also getting to know the characters which helps. With a majority of the exposition out of the way, I think good things will come of this one.
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10-26-2009 @ 1:38PM
George said...
Three things I love about 'Bored to Death':
1. The naive, innocent cluelessness that Schwartzman brings to his character. The only way BtD can work is if the fictional Jonathan Ames character approaches every situation with little or no concept of the possible consequences of his actions. Schwartzman does this very well. Needless to say, that could just be Schwartzman.
2. The character comedy. This episode nailed it, obviously, by finally putting Danson and Galifianakis together.
3. Using "big story" frameworks to tell small stories. Other shows have tried this, but BtD does it particularly well. Most of Jonathan's cases are mundane affairs at best, but they're told as if they're film noir masterpieces, and without the leering irony you'd get if BtD was a Comedy Central show with a mandated Laughs Per Minute quota. Why? Because he thinks they are.
I never expected to like the show as much as I do.
Also, I hope they find a way to bring Janet back.
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