(S01E10) My first thoughts upon watching the beginning of tonight's episode: that teaser segment was quick. It seemed to go right into the opening credits.This episode focused on a lot of the moral implications of the technology to copy personalities. This is the sort of philosophical story that Joss and company excel at.
I suppose it would be hypocritical of Adelle to not permit Topher to program a "gaming buddy" once a year on his birthday, particularly considering her own personal use of the Actives in previous episodes. It does strike me as odd that Topher wouldn't at least want to have sex with such an obviously compatible female. Perhaps Topher, despite his genius, is emotionally stunted to an age where sex doesn't matter to him.
The identity that Topher programmed into Sierra was kept somewhat vague, but I have a theory: Topher copied his own personality into her. It just happened to be Sierra, but an Active would have done. Gender was irrelevant in this case. I'll bet Topher was lonely growing up and couldn't relate to anybody except himself.
Of course, then we have the main story of Adelle's dead friend Margaret using the Dollhouse to extend her own life after death by putting her personality into Echo's body. We did get a little background information of how the Dollhouse collects their personalities for use (I believe it was a year and a half of powerful, painful brain scans). We also learn that when a personality is copied, it also copies the handwriting (although I think Topher touched on that in a previous episode).
Either of these scenarios open up a world of possible storytelling. I envision some overbearing mother copying her personality into a mate for her son. Or some ruthless, wealthy dictator using an endless supply of bodies to obtain immortality. Or some psychopath could create an infinite number of copies of him/herself. Thank goodness the Dolhouse practices some degree of morality.
I'm surprised that the Actives aren't tagged with some sort of subcutaneous tracker. That would certainly have prevented Margaret from skipping the country in Echo's body.
And then we have Ballard, who is starting to understand the powerful attraction of an institution like the Dollhouse. I'm still not sure if he's Alpha, but we'll find out next week. It's either him or Alan Tudyk. Here's how my brain works: when Ballard and November starting getting it on, I was wondering if they were just going to leave those candles as they were to potentially fall over and burn the apartment down.
The mystery that served as the main story seemed kind of obvious to me. I called the son as the killer shortly after he was first introduced. It was further confirmed to me once he mentioned his gambling debts (there's a motive). I think it was the interaction of the deceased (using Echo's body) with her family that made for good storytelling.
The family itself even acted like the stereotypical television wealthy family. You had the artsy one, the drunk one, the cold one, and the one with gambling debt.
After tonight's interesting episode, I think it would be a crime to cancel this series and not let Joss and company further explore these concepts. Come on, Fox. Cut this show a break.















Reader Comments (Page 1 of 2)
4-25-2009 @ 3:20AM
eugene said...
I hate these ghost whisperer knock off shows... why? Because they painfully and cruelly expose Eliza's inability to act as anyone other than Eliza.
Reply
4-25-2009 @ 1:45PM
eugene said...
Moron? Again? Your insults are just like Eliza's acting, one note.
4-25-2009 @ 2:14PM
Dorv said...
I don't mean to be impolite, but not to let the other commenter be just one-note:
Your analysis is short sited, and biased to, what I assume to be your favorite show, Ghost Whisperer. To say that Dollhouse is a knock off of GW shows a complete lack of understanding of the complexities and philosophical questions raised by Dollhouse.
I'm not going to say that Dushku is going to win any awards for her portrayals here, but considering she's taking some chances by taking a roll where she'll have to play a completely different character each week, I'd take her work over Hewitt any day of the week.
4-25-2009 @ 2:27PM
eugene said...
Sorry, it doesn't betray anything. My comment was neither meant to be a deep analysis or even a promotion of Ghost Whisperer. And frankly, my hyperbole should have made it clear I was speaking rhetorically. That you or anyone else could divine *anything* other than I hold Eliza's acting skills to be somewhat unfulfilling is beyond me.
I actually enjoy the episodes that deal with the Dollhouse and their moral and ethical questions. What I can't stand are the episodes where Echo gets imprinted with a personality and then she has has to, a'la ghost whisperer or that other stupid ghost show or like tru-calling, has to work to resolve that "other's" problems.
It's not that I don't find the idea interesting, it's just that Eliza really can't act as someone other than herself. The actors that portray Victor, November and Sierra are much capable in this regard. Their paroxysms, november's in particular, come off as believable and fluid... while Echo, just seems like Echo, who seems just like Tru, who seems just like Faith who seems just like whatever her character's name was from Bring it On.
If they're so enamored with this idea then please, please use Victor or anyone else for those episodes, why not make it the episode where the principle actors take a week off?
4-25-2009 @ 3:02PM
Dorv said...
I hear what you're saying. I've got to say that Miracle Laurie instantly became my favorite actress on the show during the pilot.
4-25-2009 @ 3:30AM
Evocatus said...
I dont understand what you are saying eugene
Reply
4-25-2009 @ 3:45AM
Greg said...
While this episode wasn't action packed and fast paced like others this was still really good this week. With Topher I think it was more about companionship than sex. His life is completely about the Dollhouse. He doesn't have any friends obviously. I like that after the Echo engagements of the week episodes we have learned more about the characters.
I would like more info about Boyd though. We know he's a cop and not as heartless as the other handlers and people who work for the Dollhouse. I would like to know how he got the job after all it's a secret society.
I would have liked to see Topher saying goodbye to Sierra, his friend. He usually enjoys that part, would have been interesting to see his reaction to saying goodbye to his friend for another year.
"Thank goodness the Dolhouse practices some degree of morality." Miss Dewitt has morals but what about the Dollhouses all over the world? How do we know this isn't happening? Excellent questions raised by Joss this week, something that I don't think others have thought about.
Next week looks awesome, the preview for the fight scene with Boyd and Ballard looks good, I wonder if it'll top the fight scene Ballard had with Echo earlier this season
Reply
4-25-2009 @ 10:55PM
Sho said...
I understand well enough what you’re saying (and I too have viewed or glanced other works that have dealt with the concept), but I still believe you were being hasty and a bit shortsighted in ruling the show’s contention as wrong.
You’re parsing life out into its “physical state” vs. its “substance”, adhering to the former and dismissing the significance of the latter. Yes, life can be interpreted in terms of the perpetuation of a physical body, and in those limited terms the ending of said body could be viewed as a definitive end of said life.
However, life can also be interpreted as the collective experiences of a person and how they have shaped and molded that person in their emotions, views, and choices (the aforementioned substance). In this case the show is not wrong in proclaiming the process shown as being (at least a form of) “eternal life”, since it extends the natural time-span in which said substance would be able to experience and impact the living world indefinitely, and arguably Boyd’s concerns about what broader implications such a development could have remain valid (though maybe overly fatalistic).
4-25-2009 @ 10:57PM
Sho said...
Sorry, the above comment was meant for Wes, who posted below.
4-25-2009 @ 6:03AM
Wes said...
"This is the sort of philosophical story that Joss and company excel at."
Um, no -- as with so many episodes of "Dollhouse," the "philosophical" content in this episode was sickeningly shallow, if not outright moronic. I absolutely *hated* how they kept throwing around the words "eternal life" like that's what this actually was. It wasn't, and -- unless you believe that what constitutes your *life* is akin to transferable data -- it so obviously wasn't that I'd have expected at least one of the characters to comment on that fact.
For me, the most hateful thing about this show is that it actually does have a premise with a lot of potential for depth, but it's written by really shallow thinkers for a shallow audience while still pretending to be kinda deep. Ugh.
Reply
4-25-2009 @ 9:08AM
Sho said...
“I absolutely *hated* how they kept throwing around the words "eternal life" like that's what this actually was. It wasn't, and -- unless you believe that what constitutes your *life* is akin to transferable data…”
What is life if not the whole created by your memories, thoughts, experiences, and emotions? And what is eternity if not the ability to continue developing, experiencing, and influencing through such things indefinitely?
You can make arguments about the concept of a "soul", but then how do you distinguish the soul from the above?
4-25-2009 @ 2:22PM
Dorv said...
I disagree. I think that with a 13 (ha) episode run, we're seeing an introduction to a lot of different ideas and concepts that can (and hopefully will be) opened up for greater examination in future seasons.
In fact it opened this question within your comment: Does a collection of memories constitute consciousness? The character tonight seemed to be a perfect live extension of her dead self (minus the month since her last scan)? Why is this not "like" eternal life?
4-25-2009 @ 5:30PM
Wes said...
Sho: (Hey again, by the way!) The distinction is exceedingly simple. Suppose that we clone you and then put the clone on ice. Then I prepare to murder you and explain that, once you're dead, the clone will be thawed and introduced into society as you. If you aren't worried -- because you assume that you'll just wake up again shortly after your death (as opposed to simply not fearing death at all) -- you're misguided. Yes, it's *sort* of like eternal life in that your personality will endure, but *you* will obviously still be dead. You don't even need to refer to souls to grasp that the same physical consciousness isn't enduring (especially since, in "Dollhouse," things had happened to the real woman that had not happened to the imprinted personality).
Maybe it's not so obvious (it occurred to me immediately, but I wrote papers on similar topics in intro philosophy courses... and saw the same ideas explored to better effect and ad nauseam in the modern "Outer Limits" series), but it should still come up in even a brief foray into the subject.
Dorv: I'll grant that it's "like" eternal life, but it's not eternal life -- and there's enough of a distinction between actual eternal life and the faux variety that some acknowledgment of it would have been nice. Instead, they just kept pushing the eternal life idea, even going so far as to rephrase it in ways that made the distinction even more obvious.
4-25-2009 @ 11:00PM
Sho said...
Accidentally posted this as a reply above, so I'm reposting it here:
I understand well enough what you’re saying (and I too have viewed or glanced other works that have dealt with the concept), but I still believe you were being hasty and a bit shortsighted in ruling the show’s contention as wrong.
You’re parsing life out into its “physical state” vs. its “substance”, adhering to the former and dismissing the significance of the latter. Yes, life can be interpreted in terms of the perpetuation of a physical body, and in those limited terms the ending of said body could be viewed as a definitive end of said life.
However, life can also be interpreted as the collective experiences of a person and how they have shaped and molded that person in their emotions, views, and choices (the aforementioned substance). In this case the show is not wrong in proclaiming the process shown as being (at least a form of) “eternal life”, since it extends the natural time-span in which said substance would be able to experience and impact the living world indefinitely, and arguably Boyd’s concerns about what broader implications such a development could have remain valid (though maybe overly fatalistic).
4-26-2009 @ 3:56AM
Suntzu said...
Wow you keep throwing the word shallow around. It leads me to wonder if A: It was on your word of the day toilet paper. Or B: You don't understand the show and have such a high opinion of the depths that is you. Either way throwing around generalizations like that is well shallow. If you don't like it I hear they have Anime on Adult Swim on Fridays watch that instead.
4-25-2009 @ 7:48AM
GL said...
I assumed the year and a half of treatments for Adelle's pal was because she kept updating the version of herself on file.
Reply
4-25-2009 @ 8:26AM
AL said...
I thought the same thing, especially since she thought someone was trying to kill her. I figured she kept going back for new scans so that she would have the most current information after she died.
4-25-2009 @ 8:12AM
Ashley Boyd said...
I love how you class overbearing mothers as belonging in the same league as dictators and psychopaths. :p
Reply
4-25-2009 @ 8:44AM
Sony laptops said...
"Thank goodness the Dolhouse practices some degree of morality." Miss Dewitt has morals but what about the Dollhouses all over the world? How do we know this isn't happening? Excellent questions raised by Joss this week, something that I don't think others have thought about.
---------
http://www.laptopshop.co.uk
Reply
4-25-2009 @ 9:48AM
Don said...
Has anyone ever noticed that all of the Dolls' names are taken from the pilot's phonetic alphabet? Echo, Sierra, Victor, November....
Reply