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Did ABC make the wrong move with Daisies and Sexy?

ABC logoAs you all know by now, ABC failed to pick up three of its sophomore shows -- Pushing Daisies, Dirty Sexy Money, and Eli Stone -- for a full season, essentially ending each after 13 second-season episodes (in other ABC news, Scrubs will start on Tuesday, January 6, and Life on Mars gets four additional episodes for its new post-Lost timeslot, which starts on January 28).

Daisies and DSM (and Private Practice, which is being moved to Thursdays after Grey's Anatomy in the "duh" move of the season) were both held back after the writers' strike last year and didn't come back until the fall. Seems like a logical thing to do, right? I mean, the shows had growing followings but still very modest ratings. ABC learned from the CBS Jericho disaster that holding a freshman show for any period of time will sink the ratings. Turns out, though, that holding them for even longer will sink the ratings even further. Who knew?

All sarcasm aside, though, ABC was in a tough spot. What could they have done differently? More thoughts after the jump.

The logic really did seem sound at the time; let the shows retool and come back fresh and strong the next season. NBC did the same thing with Chuck, and the show came back stronger than ever (though its ratings are only now starting to become respectable after being in the toilet to start the season). But here's the problem: both Daisies and DSM -- and, to a lesser extent, Eli Stone -- were both very dependent on quick-moving and complicated storylines. Heck, just explaining the rules behind Ned's power to bring people back to life takes an episode all by itself. As much as these creators thought that they could "reset" and pick up new viewers who never saw the first season, they were wrong.

Daisies' season premiere contained a very long throat-clearing segment, for instance, where Jim Dale explained Ned's "gift" and his attraction to Chuck. But in no way did it convey the chemistry that the adult Ned and Chuck had, which was one of the more attractive elements to the show's first season. So, new viewers were plunged into this odd world of beehives and pies, and tiny singing waitresses and agoraphobics with eye patches. I'm sure that new viewers had so many questions that they decided to drop out after awhile.

DSM, on the other hand, did a slightly better job at getting new viewers up to speed. But, its audience in its first season wasn't that big to begin with, and with economic disaster looming, people might not have wanted to see rich people misbehaving week after week.

But would either show have benefited from a summer run of repeats? Remember, more than ten months passed between new episodes of each show; it's not inconceivable that a summer set of reruns would have reminded people that the show existed and caught people up. Yes, reruns of dramatic shows rarely do well. But in this case, they probably could have made an exception. Reruns are what gave Everybody Loves Raymond the boost it needed after a low-rated first season, and reruns played a part in growing Grey's after its first year, when it was merely well-watched instead of the blockbuster it is now.

What do you folks think could have saved ABC's sophomore shows? Or do you think they were just brought back because the network didn't have anything better? Let me know in the comments.

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