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BSG podcast recap: Episodes 408, 411 & 412 commentary

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bsgNow that the show is over (for the time being), Ronald D. Moore got back with releasing podcasts this week. However, he seems to have skipped a couple in the middle.

As I've done in the past, I'll just summarize some of what I thought were the more interesting parts of the podcasts. If you're interested in learning more about Moore's insights and details about each episode, you really should take the time to listen to the podcasts yourself. Now if only someone could sync up these podcasts with the Hulu videos, that would be awesome.

Here are the highlights ...

#408 ('Faith')

  • The audio quality in this podcast is awful. He really needs to consider re-recording it for the DVDs, though in the next two podcasts he remarks how badly it was recorded and moves to doing them elsewhere.
  • One of Moore's favorites of the season.
  • Originally Kara and Athena had guns drawn on each other during their confrontation.
  • There was discussion about how bad Gaeta's leg would be, which seems to me to say that it's not entirely significant, leg or no leg.
  • Mary spent three hours in a makeup chair for the bald cap.
  • This episode marked the first time we saw a jump while looking out the window.
  • Originally this episode had Baltar in it, spouting off politically. Instead they went with the radio.
  • Moore considered the scene of the Six's death a tribute of sorts to Lawrence of Arabia. If you know the movie you know what he's talking about.
  • Moore had a lot of good things to say about the hybrid actress, how she was able to stay immersed in that tub for hours on end without a complaint and memorize those complicated lines with ease.
  • The network wanted the episode to end with the hybrid getting unplugged, before the patient dies.
  • Moore goes on about Mary's performance, not getting the Emmy, calling it a "fucking crime" that she hasn't gotten a nod for her role yet.
  • He remarks that the scene on the boat was clearly a dream, not a vision or from the afterlife.

#410 (
'The Hub')

  • Much better recording, as he did it in the show's editing room. This time he had writer Jane Espenson with him, along with editors Michael O'Hallorann and Andrew Seklir.
  • Here's a really interesting tidbit that might further put Billy out of the running as the fifth Cylon (as if there needed to be more reason). Billy was originally going to be in this episode as Roslin's guide instead of Elosha but there was a scheduling conflict with Paul Campbell.
  • Something like 20 minutes were cut. A scene in the opera house was cut, for one.
  • Lucy Lawless had a caveat that she would come back "wicked" and not nice -- unaffected now that she has seen the final five.
  • Moore pointed out that this was the first time Cylon flight suits were shown.
  • Lots of good production talk that's better to hear for yourself.
  • Baltar's wound was not meant to be "Christlike," as many people seem to have commented.
  • Moore hated that Sci Fi put D'Anna's "you're a Cylon" comment to Roslin in the previous week's teaser.
  • Elosha won't be "head Elosha," as Ron put it.

#411 (
'Revelations')

  • This time Ron was joined by writers David Weddle and Bradley Thompson, and editor Julius Ramsay.
  • This podcast was recorded the day after the early premiere shown to a crowd on the Wednesday before it aired, in L.A.
  • They remarked how it was convenient that they were allowed for Athena to "slip out" of jail, due to the circumstances.
  • People in the audience (of the premiere) cheered when Tigh said he wanted to go out the airlock, which Moore said he thought was great.
  • There was a much longer scene with Adama going bonkers over the news of Tigh being a Cylon; puking in a toilet, Lee pulling him off it, and him saying he "knew for months."
  • Kara was originally going to kiss Sam at one moment but they cut it out, during the moment of her finding out he was a Cylon -- not putting a bullet in his head. The actors didn't feel it felt right.
  • Moore remarked how he and the other writers have a talent for painting themselves in corners and getting out of them. I can think of a few instances they're surely talking about ("they have a plan" anyone?)
  • Ron defended Starbuck not picking up a phone and instead running to stop the final four Cylons from being jettisoned. It was just more dramatic and felt right for the moment.
  • First draft of the script had raptors going down to investigate the planet, to do recon, before sending down everyone else. Moore just wanted viewers to get that "boom" from hopeful to distraught -- no time to wonder, just time to cheer and have the rug pulled out from under you.
  • The music the final four Cylons heard was the rhythm to 'All Along the Watchtower.'
  • Ron said this should play like it's the final episode; yank the run out from under the audience and leave you hanging, but without that hopeful "to be continued" at the end (which he was adamant to Sci Fi not to include).
  • Stole some scenes from 'Dirty Hands' in the celebrating.
  • The final scene originally had very definite looking skyscrapers still standing, much more "Manhattan looking." More of the bridge showing, even. He made no mention of it definitely being Earth or it being purposely vague. It just wasn't a subject he entertained in the podcast other than the mention of the original cut.

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