I'm behind the writers 100%, but that doesn't mean I understand what's going on.
The WGA rules state that during the strike, the hosts of the late night shows cannot write their own material or do their monologues (except for Letterman and Ferguson, who made their own deal to get their writers back). Leno is in trouble for writing his own jokes. Leno says he got some special deal from the WGA, but the WGA says that he can't write a monologue. But what exactly is "writing?"
Last night, The Daily Show and The Colbert Report returned to Comedy Central, without writers. Both shows were very entertaining. Stewart talked a lot about the strike and even interviewed a strike expert, and Colbert did a running bit about not having anything on the teleprompters to read and then he interviewed The Atlantic Monthly's Andrew Sullivan.
But it got me thinking: why are Stewart and Colbert allowed to do even that much material? Isn't that writing? Even though they're not obviously "scripted" bits, they're still bits. You mean to tell me that neither Stewart nor Colbert (nor O'Brien, Kimmel, and Daly, for that matter) planned any of those words ahead of time? Not the interview portion of their shows, I'm talking about the comedy bits they did. Just because there isn't a script in front of them or words on a prompter doesn't mean that they're just winging the whole thing from the top of their heads. Of course they planned some of this ahead of time. I can understand why Leno is getting flack, because he not only admitted that he's writing his jokes but you can tell clearly that they are jokes because they're in a monologue format. But what Stewart, Colbert and the others are doing ... why is it OK to do that with the strike going on?
Just so I'm clear, I don't see anything wrong with what they're doing. Not at all. I'm just trying to figure out exactly where "ad libbing" ends and "writing" begins, what amount of writing is acceptable and what amount goes against WGA rules.















Reader Comments (Page 1 of 1)
1-08-2008 @ 12:37PM
Dave said...
I was confused too. When the video matches up with the jokes, I think we have to assume we've entered the scripted realm.
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1-08-2008 @ 12:48PM
Laura said...
Well put, Bob! I was pondering this question as well. I love Stewart and Colbert, and I know they want the strike to be over as much as anyone else. I'm not faulting them for not wanting to give a dull performance. This illustrates exactly what I (as a writing instructor)always tell my students. Writing doesn't have much to do with paper or a keyboard and computer. Writing is thinking out loud, or thinking on paper/screen. All of us are writing when we improvise with words or narrate our own lives to ourselves or others. I'm glad the strike is elevating the discussion about writing.
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1-08-2008 @ 2:04PM
Lincoln Paradox said...
Stewart has been catching flak all day for his graphics. You can chalk that up to prop comedy, I guess? According to what I can determine, Stewart and Colbert are riding a line that they will eventually fall from. Busboy's writers, which I assume include Stewart and Colbert, fought to get WGA status a few years ago. They believed in the Guild and I'm sure that they support them.
However, there is also the rest of the Busboy staff to consider. It's been 9 weeks and Jon has been paying staff without any income coming in from Viacom/Comedy Central. I think that once one talk show host crossed the picket line (Leno) everyone else had to just to stay viable.
Speaking of viable, it looks as if some of the casualties of the strike will be daytime soaps. While some writers are scabbing for Y&R and DOOL, only B&B is 100% behind the WGA. The networks have been threatening to cancel soaps for years. Now, they have a reason.
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1-08-2008 @ 2:16PM
Tele-Toby said...
I just received notice from the Paley Center for Media that Jon Stewart will be hosting a tribute to Sumner Redstone, one of the chief weasels of the AMPTP in February.
Now I'm thinking he's gone over to the dark side totally......
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1-08-2008 @ 5:31PM
belly of the beast said...
Tele-Toby,
Kind of like Stephen Colbert speaking at the 2006 White House Correspondents' Dinner, that lovefest between the White House press corps and the Administration?
C'mon, where is our sense of mischief? ;-)
1-08-2008 @ 2:29PM
Katie said...
Bob-
Andrew is now a writer at The Atlantic Monthly, and is no longer affiliated with TIME as of about a year ago. Check the massive banner at the top of Sullivan's blog as a check
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1-08-2008 @ 2:39PM
R said...
I totally hear you on this. I kept saying the same thing while watching both of them last night. For instance, doesn't every graphic that Jon used mean that they would have had to have prepared that ahead of time? Colbert seemed even more prepared, and well, if he came up with some things off the top of his head, well then he is a comic genius. (He is.) Conan, during his monologue last night, also had like on screen facts appear about his personal life. They were graphics that appeared on the screen, and it all seem very prepared. Conan has been the most spontaneous I think (German laser show? Brilliant!), but this was the closest he has come too to "writing."
If you get a definitive answer on this i'd love to hear it.
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1-08-2008 @ 2:50PM
Joey Geraci said...
It's fairly clear, as the hosts can't prewrite whole segments, but they can get the bare structure of the show down beforehand. Leno crossed the line because he clearly was reading his monologue and other segments directly off the teleprompter, which means they were entirely written beforehand. I thought it was really low class. He could have tried at least one day to do the show the way the WGA wanted, and if it was a horrible disaster, he could have gone the way he ended up anyway, with more support from the WGA. But he didn't even try, and I think he deserves to be bitten in the ass because of it.
It is less clear on the Daily Show, Colbert Report. Clearly some of the show was prepared beforehand, but how much writing was completely finished is unclear.
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1-08-2008 @ 2:56PM
ac said...
Colbert has a background in improv so his teleprompter bit could of been made up that second and we couldn't tell. Look at Whose Line is it Anyway, sometimes that comes off as written comedy but its all improv.
As for the graphics Stewart had to of written that, but it was during a speech about the strike so the WGA may not call him on it because like every other host he was explaining the situation. Those explinations had to planned out somehow and the WGA didn't yell at them for that (even Leno). They were yelling at Leno for doing what he usually does, a full monologue planned out completely. None of the other shows are doing that. They seem to be going, "Lets do this and see what happens." After that its all unwritten.
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1-08-2008 @ 5:58PM
Chuck said...
I think the writers (and I do support them) need to place their focus on someone else besides the backlash that Leno is having to take. Yes, he's been writing his monologues, but I do believe (and my improv actor friends will concur) that whether it is improvised or not it is still "writing". Improvisation is usually what sparks the creative process in these types of shows. And have we forgotten, that only two days into the strike Ellen returned and followed the same format of her show with or without writers? Set aside the excuse that her show is syndicated, she returned and wrote for herself under the same creed that Leno used. "As host you are allowed to write for yourself".
Again, I support the writers, but I think their focus is on the wrong people. Leno has always been a class act and has always been an integral part of his show (he shows up at 8:00 in the morning and I wouldn't doubt if he's one of the last to leave with his staff). Let's ask the writers what they received from Leno when he celebrated his 10th year as Tonight Show host...
I just want to get back to work and it's becoming a silly feud over $$ between the writers and producers when it's those of us who are the below the line folks who are suffering the most.
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1-08-2008 @ 9:43PM
Pumpkinhead said...
I think it has to do with the "capacity" in which the host is acting. I seem to remember reading something about how material that would normally be written by the writing staff on the show is considered written material, and material that would not normally be written by a writer on the show is not considered written material. Hence, a monologue, which would normally be written by the writing staff, is written material, even if the host just does it himself. When something is done by a host who is also a writer, and it is not something his writing staff would normally have written for him, they don't consider him as doing it "in his capacity" as a show writer, but in his capacity as the host. Pre-written monologue, normally done by writers = writing. Extemporaneous monologue or interview, not normally written by writers = hosting, not writing... at least that's how I'm understanding this thing, anyway. Clear as mud, right?
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1-08-2008 @ 9:55PM
David Woods said...
Can someone explain why Letterman is allowed to work a deal with writers? I am confused.
Thanks
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1-09-2008 @ 3:57AM
Brent McKee said...
Letterman's company is the sole producer of The Late Show and The Late Late Show. That is to say that there is no co-production deal with CBS. In fact during the strike, not only was Dave paying his staff salaries and paying insurance for them, he was also paying rent on the Ed Sullivan Theater. While the other hosts have their own production companies - Big Dog for Jay Lenno, Conaco for Conan, Busboy for Jon Stewart - their shows are done with the networks as co-producers. The WGA wants a deal with all of the production companies involved with the show and that deal must include all of the shows that those production companies (and their corporate owners) produce. So deal for "The Daily Show" would not only mean a deal with Busboy, but a deal for all of the Comedy Central shows and (since Comedy Central is owned by Viacom) all of the Viacom shows.
1-08-2008 @ 11:02PM
Arsh said...
Apparently Letterman and his own independent production company struck a separate deal with the Guild in which he accepted their terms and the writers for his shows went back to work.
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1-09-2008 @ 12:49AM
Argus said...
Well apparently John Oliver will be deported if he strikes, so maybe he's taking over writing duties at The Daily Show??
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1-09-2008 @ 1:42AM
Jeff said...
This has got to be the most useless discussion ever. It is their show, if they want to "write" for it that is their perogitive. I generally support labor, but everything has a limit.
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1-09-2008 @ 5:35AM
Bash said...
Yeah Bob, I wondered that too. I think Colbert and Stewart should've stood up against that mini-company Viacom and, in the process, get their shows cancelled, so we can finally return to Fox News and enjoy unbiased reporting.
Speaking of unbiased reporting... ah wait. Wrong blog-entry to do that...
To be blunt: get over yourself. Is blogging about the strike not writing? Shouldn't you support your fellow writers by not blogging? Shouldn't Ken Levine fully shut down his blog? No? Why? Is not-blogging about American Idol good or shouldn't he stop blogging altogether, since writing is writing is writing? Or is writing just writing when you publish your stuff on TV? Is a newsbit on BBC America, which Levine was proud of recently, not writing for TV? Or is BBC America just not "US TV"?
Or, to sum it up: BLAH!
Ít's bad enough we had to live without Colbert and Stewart for 10 weeks. Go bash Leno, he's a nitwit. It's an election year, you should be glad we finally get some sarcastic insight again on the BS that's on the news-channels.
Seriously. Chucking Colbert and Stewart in the same category as Leno is blasphemy. Shame on you.
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1-13-2008 @ 8:40AM
Joe said...
"I'm behind the writers 100%, but that doesn't mean I understand what's going on."
If you don't understand what's going on, how can you possibly support one group or another?
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