I have no evidence that any of the strikes I'm about to mention will actually occur (nor do I have an exact definition of what some of them actually do). It is simply a hypothesis of the effects of such strikes.One issue with being a television writer is that a writer's contributions are not as tangible as certain other creative roles. Only slightly more visible is the director's role. The most tangible and visible is the actor, who is immediately seen on camera.
Currently, the television writers are on strike. There is a good possibility that the actors will strike next year. But what if other people that work in the television studios went on strike, the ones who are even less visible to the public. I think those would also create problems for the industry in different ways. For example...
Gaffers' Strike: A gaffer has many definitions from the head of a motion picture electrical department to just a lighting technician, but it is someone who deals with the electricity and lighting of a show. It's a silly, outdated term that sounds a little too much like "Goofy" for my taste. Nonetheless, if the gaffers went on strike there would be no lighting for any production, so we'd be watching a black screen while the actor's spoke their lines (unless the sound directors went on strike too). Most people would think the screen on their TV went out. This would be a good opportunity for voice actors.
Key Grips' Strike: If the grips went on strike, nobody would be able to hold the cameras or the dollies, so every shot would appear wobbly. It would be like one of those low-budget independent flicks which are made with a camcorder. This would be particularly problematic if the viewer was prone to seasickness. Granted, it would make watching TV more like a video game but I think more people would tune out and turn it off rather than watch it continuously.
Extras' Strike: We all know from the Ricky Gervais' HBO series that extras have it tough. What if they went on strike? Then the social scenes of any television show would have to use some sort of stand-ins for the people. Perhaps cardboard cutouts or blow-up dolls? Perhaps they'd simply throw in any old thing on the set into the scene, such as the Assistant Director's pet frog. I think the viewing audience would initally be taken aback but eventually adjust to this new format.
Caterers' Strike: If the caterers went on strike, then all film crews everywhere would go hungry. This is particularly problematic for the actors. For some of them, the catering table represents their sole source of food. If the caterers went on strike, more film crews would have to either eat out more or starve to death. This could cripple television production.
In conclusion, let us not forget the contribution of the myriad of other laborers who work for our entertainment. Have I forgotten any?















Reader Comments (Page 1 of 1)
12-12-2007 @ 1:29PM
Anita said...
MakeUp Artist Strike - They give us the fantasy, without them, only reality
Wardrobe Strike - Ditto
Reply
12-12-2007 @ 1:30PM
Jack said...
Sigh, another lame joke post when it looked like a serious article. Your buddy, Jason Hughes just did one of these yesterday.
Reply
12-12-2007 @ 5:22PM
sitruc said...
I don't think it has occurred to them that their readers are genuinely interested and would like to be informed with facts and not fluff pieces.
12-12-2007 @ 6:04PM
Oreo said...
Fluff pieces are fine, if they are funny and a little serious at the same time.
Reply
12-12-2007 @ 6:12PM
m said...
lol in nyc there is no way any of those groups could go on strike without the rest of their unions, the gaffers and key grips are in local 52. they are just the heads of their departments, gaffer-electric key grip=grip. local 52 also includes sound, props and set dressing. extras are sag members so they could only strike if sag did so,
and if the caters struck in nyc they would hire another on since they are not union here. The only bright side to this strike is it will probably prevent a sag and dga strike next year
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12-13-2007 @ 3:31AM
Brent McKee said...
Gaffers and Key Grips are covered by IATSE, which as a group is the only union kissing up to (sorry, supporting vocally) AMPTP.
Extras, if they're covered by anyone are probably in the Screen Actors Guild, which will be in a position to strike at the end of June.
Caterers are independent contractors. The various companies that cater for movies may be unionized, but probably not. Well except for the drivers who may very well be Teamsters.
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