Listen to the Joystiq Podcast (because your ears can't read)
AOL Television

Doctor Who: Human Nature / Family of Blood

The Family of Blood(S03E08 / S03E09) Haven't I always said that the best episodes of Doctor Who are generally set in the past?

I deliberately waited until the second part of this two-part episode had aired before making any judgments on it, partly because the first episode promised so much, but left things hanging in the balance -- but also because it was a sharp turn away from the recent filler episodes which had found me falling asleep on the settee.

But this was a different beast altogether; classic Doctor Who with sinister villains, a curious plot, some romance and a whole heap of adventure and emotion.
Significantly, this unusual departure from the recent norm was written by Paul Cornell, who scripted my favourite episode from Christopher Ecclestone's initial run, 'Father's Day', which not only provided the backbone to the finale of the second series, but a fabulous variation on the time-travelling danger of trying to prevent key events (like the death of a loved one) from happening before they occur.

Cornell understands Doctor Who's audience better than any other writer on the series, including Russell T. Davies. He knows which buttons to press, and he understands the fundamentals of plotting and pace.

Unlike most of the recent episodes, this one didn't kick-off where the previous one ended; it jumped straight in to a plot about a schoolteacher at the turn of the century in England called John Smith, who employed a servant called Martha Jones and dreamed of his travels through time in a strange blue box.

It wasn't long before we discovered what had happened; Martha and the Doctor were being pursued by aliens who would be able to track him across space and time for eternity -- and his only means of escape was for him to re-write his DNA to make him human and hide his consciousness (somewhat appropriately) in a watch.

The aliens decided to permanently occupy the bodies of several townsfolk in order to sniff the Doctor out, as they pursued a life of eternal existence wiping out the galaxy.

Of course, it was up to Martha to prevent this from happening, but with the Doctor falling in love and pursuing his own life as John Smith, his inevitable death at the hands of the Family of Blood and an army of straw scarecrows seemed on course.

I've deliberately attempted to avoid giving away plots and storylines in my reviews this season, and this week's double-header is no exception, but I will say this; in my opinion, allegory is the best form of storytelling, and if Doctor Who is at its best when it is set in the past, then its stories are usually at their best when they are allegorical.

As with 'Father's Day' Cornell not only delivered a fine story, with well-rounded characters, a decent cliff-hanger and a terrible moral dilemma -- but he gave us a clever ending, peppered with the type of menace and malevolence we rarely see in the Doctor, along with an emotional nod to the sacrifices people have made throughout history. 7

I get the feeling our favourite time-traveller is heading for trouble over the coming weeks, and I wouldn't be one bit surprised to soon learn that he might not be quite as good a guy as we think he is...

I'll be away on holiday for the next few weeks, but I promise a bumper cache of reviews when I return, which should set us up nicely for the grand finale on 30 June.

I think I'd have to give this double-header a 7 out of 7.

(Doctor Who - S03E08 / S03E09) How do you rate these episodes?

Related Headlines

Reader Comments (Page 1 of 1)

Featured Stories

fall tv schedule
meet the tv squad

Categories

RSS Feeds

Powered by Blogsmith

AOL TV's Top 5


More Features


watch full episodes online

TV Squad Newsletter

Get TV Squad's daily posts emailed to you daily. Sign up now!

Sponsored Links

Most Commented On (7 days)

Blog Roll

Other Weblogs Inc. Network blogs you might be interested in: