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Matt Groening talks about Futurama's comeback

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Matt GroeningProbably my favorite moment during the TCA press tour week -- and this is a week where I joked around with Greg the Bunny and visited the set of Scrubs -- was when I met Matt Groening at FOX's party on the last night of the tour. Because just about all the questions I had about The Simpsons were asked during the show's press session earlier in the day, I took the opportunity to concentrate on his other show (and a perennial favorite amongst our readers), Futurama, and its impending return to TV.

Groening gives the show's loyal fans all the credit in the world for helping the show come back. "The continued devotion of the fans, chiefly on the Internet, kept us thinking that maybe we could bring this back," he said.

"And so, whenever people would ask, I'd say, 'Futurama lives,'" Groening continued. "And, you know, that was wishful thinking on my part." But the continued fan interest, including online petitions, good ratings on the Cartoon Network, and high DVD sales, couldn't be ignored, especially when Family Guy was brought back based on its DVD sales "That gave us a blueprint," said Groening.

Groening and the show's executive producer, David X. Cohen, were happy that the demand was there, because they both felt they had more to say. "Not that I think our show is like Star Trek, but (the original) Star Trek didn't last that long, but it went on and on and on (after it was cancelled). And David Cohen and I talked about it; we had so many story ideas and so many characters that we hadn't gotten around to introducing yet. So I'm so pleased."

Something he really enjoys about the show is that below it's cartoon exterior lies some really sophisticated science-fiction. "Our goal in the beginning was... We know that it looks like a silly cartoon show, with a cyclops girl and a lobster alien and all that stuff. But that we were actually going to have, underlying the goofy comedy, was going to be legitimate literary science fiction concepts," Groening said.

He acknowledges that Futurama got more "science-fictiony" as the show went along, and he gave an example of how complex things got. "Like the one where Bender gets shot out in the universe, and a civilization grows on him, and he becomes their god? That's great!"

It's a nod to the fact that Groening, Cohen and the other writers don't underestimate the intelligence of their audience, even if that audience is smaller and maybe a little geekier than the average fan of The Simpsons. "I love the character of Fry," he gives as an example, "but the reason that Fry exists is that we thought maybe he would be somebody the audience could relate to that was from our times." But the audience bought into the world of New New York in the year 3000 sooner than they planned. "We quickly realized in the second episode was that everybody was on board, and he just became another character."

During the Simpsons session earlier in the day, Groening had mentioned that, even though he's still very involved with The Simpsons his "day job" is creating the sixteen new episodes of Futurama that will be airing on Comedy Central starting in 2008. But he also still draws Life In Hell, the weekly comic strip he's been doing for almost thirty years (he told reporters that he "puts it off for as long as possible," doing the strip on Friday afternoons -- it's due at 5:30 PM on Fridays).

He clarified the Simpsons / Futurama balance to me during our brief interview: "I would say David Cohen runs Futurama and I'm along for the ride. And Al Jean is the show runner for The Simpsons, and he's running (both) The Simpsons and The Simpsons Movie. I get to go wherever I want to go." Ah, the luxuries of being the mogul of the bunch.

Groening "loves" the fact that Futurama has landed on Comedy Central, because "we have a lot of leeway" there. He didn't give me too many details about the episodes they're developing for the new season (David Cohen gives more details in this interview), but he left me with an interesting preview of what I'd imagine would be the first episode: "We have a really funny run about being cancelled; it's a metaphor for being cancelled; it's very funny." So, instead of a straight take on cancellation, like Family Guy did, cancellation will be represented by something else. Wonder what it is?

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