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Five uncomfortable minutes with Sally Field - TCA Report

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Maybe Sally Field was having a bad night. Maybe, after forty-plus years of dumb questions from reporters, her tolerance for us press types is low. But for the entire five minutes that our lives intersected at Sunday's ABC all-star party, I felt like I wanted to jump off the terrace we were on and lie in a fetal position next to the koi pond in the adjacent Japanese garden.

It's not that Field (pictured at the party with ABC president Steve McPherson) didn't answer my questions. It's just that for every question I asked, the Brothers & Sisters star and two-time Oscar winner gave me this look that said, "Can't you think of anything better?" and initially gave me one-word responses (I'm usually good at asking open-ended questions, but after a Sierra Nevada or two those more disciplined journalistic thoughts go out the window). She finally elaborated on those responses, but in a way that made me feel like I was encroaching on her time. Considering she was at an event where the majority of the attendees were reporters, that notion seemed a little strange.

Let me back up a bit and talk about our first encounter, in the main party area about a half-hour prior to my interview. I was patiently waiting, with my recorder out, to talk to her while she spoke to another reporter (I wish that reporter luck with trying to hear anything from that recording; it was noisy in there). That's how it goes: the celeb comes to the event, and reporters take their turns to attempt to interview them over the din. I even caught her glancing at me. But when she was done with the other reporter, she turned heel and walked away, leaving me to let out a loud groan and say, "Why the hell am I standing here?"

After mingling some more, I caught up to her on the terrace. I politely asked if she minded a couple of questions, and she said no. But what transpired after that made me realize why she's such a good actress: she's five-foot-nothing and like a hundred pounds, but she scared the crap out of me.

Here is the entire transcript. Again, she answered my questions, which I appreciate. But this doesn't even come close the conveying the daggers she was shooting at me the whole time we spoke:

Me: So this is the first time you've done a regular series since The Flying Nun. How does it feel to get back into that grind?
Sally: Great.

Me: Is the process of making a series different now than it was forty years ago?
Sally: Very different. Of course. It's very different.

Me: I mean, in what way?
Sally: How long have you got? They're very different. First of all the shows I did (back then) were situation comedies filmed for a half-hour show. So they were very different. This is an hour show with (uninteligible). So it's not just drama, it's drama and comedy. So it's very different. The hours are different. It's a different world.

Me: You were cast after the pilot. So was this a case of your agent calling you and saying, "They're replacing the mother character. They need you now," or did you have more time than that? Did it happen really suddenly for you?
Sally: Relatively suddenly. (Jon) Robin Baitz (the creator) called me asked would I at least consider looking at what they had and hearing what they wanted to do. So I looked at the pilot that they had. I love Robin Baitz, just loved his work. I said yeah, I'd hear what you have to say. I came in to talk to (somewhat uninteligible... I think she said "Robin and Ken," referring to Baitz and director Ken Olin), who are extraordinary. And I was so excited about what they wanted to do. So I said OK.

Me: So even though it was a commitment, you had no problems making the leap of faith?
Sally: Well, life is sort of a leap of faith.
Me: Right.
Sally: The best things happen because of a leap of faith.

Me: Did you use the ER experience to help you ease back into the routine?
Sally: (incredulously) No. The ER experience was a long time ago.
Me: True. Well, I mean...
Sally: It was only six episodes, it was a very confined arc. (unintelligible) It was very contained.

Me: I always liked the role you played in ER, as Abby's mom. Did you do anything to prepare for the role? Did you study manic-depressives?
Sally: Of course I did. I went and studied... I did a lot of research that they set up for me here in (unintelligibnle) helping illuminate what an extraordinary disaster the (uninteligible) is, and to illuminate the underlying mental health (issues) altogether. So they set up extraordinary work i could do to help spell it out. I worked with the doctors at UCLA for about a month. I became... I interviewed and became... constant interviewing with about six patients in various stages of manic-depressive behavior. So I kept in touch with their process in all these various times in their lives, and (executive producer) John Wells wanted it to be as authentic as possible, so all the information I gathered and relayed was incorporated into the role.
Me: That's why...
Sally: That's why it was as authentic as it was.

Me: I forgot, did you get an Emmy or a nomination for that?
Sally: I got an Emmy.
Me: Where is that in relation to your Oscars (in your house)? Is it kind of in the same spot?
Sally: (gave me that look again) It's on a bookshelf (unintelligible). But the work is (unintelligible). The fact that I had the opportunity to play that, I thoroughly (unintelligible... she was proud of the role).

Me: It's good that there are now meaty roles like that on TV, even more than say ten years ago. And a lot of movie stars have made the leap to TV. Is it because TV has the meatier roles these days? How have you been seeing that?
Sally: (stares at me)
Me: There are a lot of movie stars on TV right now. What I'm saying is: are you seeing meatier roles on TV than in the movies these days?
Sally: Uh... no. I think it depends on the person, it depends on the project. I think what's happening to television is that it's becoming incredibly creative. It had to be because it had to compete with cable, and they stepped up to the plate. So actors... most actors... real actors will go where the role is. (unintelligible) Whatever, you go where the work is. If it's a good character, it doesn't matter whether it's on film it's on stage, you go where it is.

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