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30 Rock: The Break-Up

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30 Rock The Break-UpIt's karaoke night on NBC! After The Office's hilarious round of pop send-ups, Liz Lemon sang her break-up blues away with a drunken rendition of Janis Ian's "At 17." Karaoke - always funny - as are Chris Hansen jokes, diversity training scenes and Alec Baldwin.

With 30 Rock getting a full-season pick-up and a handful of WGA and Golden Globe nominations, TV Squad could ignore it no longer. Alec Baldwin is the obvious reason to show up to the party, but it looks like things are finally coming together for Tina Fey and her crew. Now that we're seeing a little more of Liz Lemon's home life, the show is taking on a Mary Tyler Moore feel - except this Mary is hopelessly flawed in ways that I find completely identifiable. God bless her.

Liz and Jack dealt with floundering romantic relationships this week while Tracy and Toofer worked out their Uncle Tom vs. Bamboozled Brother issues. A move of complete and utter brilliance on the writers' part - having Jack secretly date Condi Rice. Unfortunately, she just doesn't have time for Jack and is way too into fantasy role-playing. Jack draws the line at "Abu Ghraib." Damn.

While Baldwin always knocks the ball out of the park on the acting front, the best material this week belonged to Tracy and Toofer. This episode had to have been written weeks before the Michael Richards incident, but it couldn't have been more timely. Toofer files a complaint against Tracy for using the "N-word," but Tracy gets off the hook because he meant it in a brother-to-brother, term of endearment kinda way. Then, Toofer drops the "N-bomb," but in his "white black man" English, it just sounds wrong so Tracy files a complaint against him. This, of course, becomes a sketch the two of them decide to write together. The show does have a tendency to telegraph its punchlines, but it was nice to have the two men's differences resolved by finding the funny in a Star Jones/excessive vomiting sketch.

Jane Krakowski's comic timing was impeccable as usual, but it would be nice to see her character get a tad more three-dimensional. I don't know how, but there are theoretically only so many times she can get a laugh by sticking her ass out or unzipping her top. Rachel Dratch is, in my mind, always wasted in her weekly walk-on, but hey, you can't have it all. You've got Alec Baldwin in a career-defining role. The writing's top-notch, and the whole operation is finally jelling. What more could you want? A Land of the Lost sleestack pankcake house joke? Done. Slee's Stacks.

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