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Is Aunt Jemima back?

Pine SolLargely a retread of August's New York Times piece on black women in advertising, today's Detroit News has published a feature on the use of Aunt Jemima imagery on TV today. The piece sticks mainly to commercials, but this type of criticism has also come down on Weeds' creator Jenji Kohan for giving us the kitchen-bound, dope-dealing Heylia who proclaims herself a member of the original NPR - "Negroes Preachin' Right."

The article asks if Aunt Jemima is back. They probably should be asking if she ever went away.

For those of you who haven't seen Bamboozled, the mammy character being discussed here is stereotypically full-figured, smart-alecky and powerful. Her purpose in life is to solve white people's domestic problems by hawking products or using her sassy attitude to make things right, and according to the scholars quoted in both articles, to emasculate black men.

The critical mass of ads that spawned the original New York Times and today's Detroit News piece include televised spots for Universal Studios, Meijer, Pine Sol, Dairy Queen, Ex-Lax and McDonald's.

The ad agencies responsible for the offending commercials claim that they weren't consciously using the historical "house-slave" figure in their campaigns. Most reported just wanting to find the best person for the ad regardless of race.

Are you offended by these ads? By Weeds' Heylia? Are performers like Mo'Nique reclaiming the image for more empowering purposes? Or, do you think the Times and Detroit News have gone off the PC police deep-end?

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