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The X-Files: Pilot

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(S01E01)  As I watched this episode, I realized that, even though I call myself an X-Files fan, I did not watch the series when it first aired on FOX in 1993. In fact, I can't quite pinpoint when I became a die-hard fan or what the first episode was that I watched. I'm pretty sure I was hooked by one of those Monster-of-the-Week episodes and not part of the overall aliens-on-earth conspiracy storyline. I think I was hooked sometime during season three. All I know is my husband and I caught up on The X-Files early on in our college years when reruns played back-to-back each night (possibly on F/X?).

Before I get to the pilot, it's important to note just how important The X-Files is for FOX. It was one of the network's first big hits. It actually helped legitimize the network as something more than the home of The Simpsons, which was still controversial and people couldn't get past the fact that it was a cartoon. The X-Files combined science fiction with clever dialogue and humor-- something later done in Supernatural, Buffy the Vampire Slayer and Firefly. Let's just say that it's an important show in the science fiction genre and, if it weren't for that darn Star Trek, it might've been the most important science fiction program ever.

About the pilot: watching it again was illuminating. I had forgotten that Dana Scully had joined The X-Files as sort-of a mole, called in to debunk Fox Mulder's hair-brained theories about monsters and aliens. The pilot does a remarkable job of setting up so much for future episodes. While many pilots feel like pure set-up, this one is seamless between storyline and set-up. We meet Agent Dana Scully at the beginning as she's bummed out to find out she's been assigned to The X-Files and Agent Fox 'Spooky' Mulder. We also meet The Cigarette Smoking Man, a key character throughout the entire series. At the end, we get to see that giant government warehouse where evidence is logged and forgotten. And, of course, the writers set up the sexual tension between the agents-- some of the best sexual tension ever written for television. It all starts when Scully runs into Mulder's hotel room and has him look at a couple of bumps just above her butt, because she's worried she has the same bumps at the supposed alien abductees they're investigating.

We also learn that Mulder's sister disappeared when he was 12 years old. He says he didn't remember the event until he underwent hypnosis, a study that Scully's not too fond of. We also get to see Gillian Anderson laugh as she's trying to make sense of Mulder's crazy theory that a comatose boy killed a bunch of his classmates. That is one of the few times where Scully ever laughs during the entire series.

The Pilot is quintessential X-Files. The case about murdered kids in Oregon (or, Or-ih-gone, as Mulder pronounces it) is never clearly solved and, of course, their paperwork disappears. An interesting note: the episode begins with the text, "THE FOLLOWING STORY IS INSPIRED BY ACTUAL DOCUMENTED ACCOUNTS." Not so. That's just for effect.


The sticklers for detail over at The X-Files Wiki note these "In-Jokes" for the premiere episode:
  • The location of case, in Bellefleur, Oregon is a nod to creator Chris Carter's hometown of Bellflower, California;
  • David Duchovny's father is sitting behind Gillian Anderson on the plane to Oregon;
  • Scully's autopsy begins at 10:56, a reference to Carter's birthday of 10/13/56;
  • At one point, Scully's clock reads 11:21, a reference to Carter's wife's birthday of 11/21/48.

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