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Seinfeld: The Note

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Seinfeld - The Note

Do not adjust your web browser. You are now entering the Retro Squad, where we are reviewing past episodes of your favorite shows, in order, every week.

(S03E01)
Most of my fellow Squadders are starting their Retro Squad coverage at a particular show's pilot. Not me. I decided to be different in my coverage of Seinfeld and start with Season Three. Why? Well, let me put it in as delicate a way as I possibly can: the first two seasons of Seinfeld kinda sucked.

Don't get me wrong; the first 18 episodes had some brilliant moments, like the episode where Jerry, George and Elaine wait for a table at a Chinese restaurant, or the one where George does everything he can to keep his girlfriend from hearing a bad phone message of his. But, overall, the episodes in those first two seasons moved pretty slowly and concentrated on a single plot, often to an episode's detriment. Even Seinfeld and Larry David would likely acknowledge that the show really found its legs creatively in Season Three (1991-92), which is also the first one where a full slate of episodes were ordered. So that's where I decided to start.



In this episode, Jerry freaks out his physical therapist by chit-chatting about child abduction during his massage. Elaine and George also get massages from the same office, though George starts to panic when his massage is perfromed by a man. In the meantime, George convinces Jerry's dentist friend Roy to write insurance notes for the therapy, for which he gets in trouble. And Kramer recounts his close encounter with Joe DiMaggio at Dinky Donuts.

Really, picking apart the plots on Seinfeld has never been important, especially because the episodes have been shown hundreds of times over the years. The best thing to do here is make some observations:

Best line: This one's obvious... "I think it moved."
Best facial expression: This one is a tie... the smile on Elaine's face as she sees Raymond, the man who goes to massage George, and the eyeroll Jerry gives after Elaine explains how he was scrunching her on the couch instead of vice-versa.
Best Kramerism: When he explains the focus DiMaggio has, he concentrates on a coffee mug while he flails his arms behind him. He looked like a hipster octopus right there.

Some interesting observations and episode factoids that I got from the DVD:
  • First appearance of Jerry's grey couch and chair. In previous episodes, the couch and chair were black-and-blue.
  • First appearance of the classic yellow-and-red Seinfeld logo.
  • This was the only episode where the theme had vocals, done on Jerry's suggestion. Turns out everyone liked it... except the network and viewers.
  • At the end of Season Two, in the episode "The Deal", Jerry and Elaine were together as a couple. But Larry David and Jerry decided to keep the four-single-people dynamic in place and dropped the relationship (without explanation) in "The Note". Jerry also asked stand-up audiences in the summer between seasons about the relationship, and audiences overwhelmingly said no to it.
  • This is one of the first episodes that showed a Seinfeld signature: two converstations going on at once. You know what I mean: Jerry and Elaine talk about Jerry freaking out the therapist while George laments that there's nothing in the fridge. It was a perfect way to show how much in their own heads these people (and all of us) can be sometimes.
  • The final scene is the first time Kramer appears in the coffee shop. When I saw that tidbit, I was surprised, but it makes sense: Kramer was initially written to be a recluse, so going to the coffee shop would not have been part of his routine.
"The Note" was still not quite up to the breakneck pace of classic Seinfeld, but you could see it was getting there.

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