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John K not impressed by animated sitcoms

family guyRen and Stimpy creator John Kricfalusi is one of those people I would love to sit in a room with and listen to his rants. Since I'm still working on my John K. Kidnapping Machine, I have to settle for his blog (Warning: NSFW), which he's been using to provide sage advice to people interested in becoming animators and cartoonists, and to slam the conventions of modern day animation, most notably on shows like The Simpsons, Family Guy, and South Park. On this post, he talks about how characters in old cartoons evolved at a much faster rate than characters on any of the aforementioned shows. As ideas grew and changed, so did characters. He writes: "You have to be raised in an uncreative environment in order to blindly accept how bland and crappy everything is today." Later in the post he adds: "No one should accept professional work that looks like they could do it themselves."

In the comments section of the same post, he further asserts that "the very concept of animated sitcoms is faulty in the first place." His argument is that no character in an animated sitcom has ever been able to emulate the best actors in the best sitcoms. And as pure animation, they don't exactly hold up, either.

I'm not writing this post as a response to his evaluation of primetime animated fare, nor as an argument for or against it. What intrigues me about his rant is that it touches on something that has been prevalent in many artforms for some time, which is that one aspect is often done very well while another isn't. I can't argue that pretty much anyone with even the slightest bit of artistic talent could draw Bart Simpson, but it would be much more difficult to convince me that just anyone could write stories or dialogue that even come close to the best episodes of that series. The comics page is another example of this. I enjoy the strip Pearls Before Swine because I find the writing to be very clever, but the creator cannot draw to save his life. A 2001 Onion AV Club interview with cartoonist Berkeley Breathed alluded to a comment he made in the late 80s, in which he claimed syndicates were only looking for "a situational strip drawn by a disaffected office worker who saw funny things going on around him, and who had no artistic experience and could only draw a little," portending the likes of Dilbert, which hit newspapers one year after he made his comment. It would seem that artistic skill has taken a backseat to writing in both print and television.

Kricfalusi's comparison of South Park and The Simpsons to old Warner Bros. shorts may seem like apples and oranges, but his point seems to be that animated sitcoms stifle what makes animation so much fun to watch: "I know great cartoonists who worked on The Simpsons and shows like it and they hated their jobs." I imagine that for him watching these animated sitcoms is like someone who has studied music their whole life turning on the radio and hearing a punk band. It doesn't matter how popular the band is or what bold statement they might be making, nothing is going to convince that person that what's coming from the speakers is anything but a gaudy alternative to actual music. Perhaps Kricfalusi's viewpoint seems atavistic, and I would argue that shows like The Simpsons, Family Guy, and South Park are more script-driven, thus the term "animated sitcom," but I think he brings up a couple interesting points: why is it so rare to find cartoons these days where both the writing and the animation is top notch, and why do we seem to demand less these days?

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